Cultural interactions: the heritage of Byzantine art in the Renaissance period, edited by A. Lymberopoulou and R. Duits including contributions by H. Bloemsma, D. Newall, L. Rodley and K.W. Woods, will be discussing the cultural and artistic interaction between Byzantine art and Western Europe. This is the planned publication by the Byzantine Research Group to follow at the end of the Konstantinos Leventis Fellowship. It aims to open new avenues for research on cross-cultural European interaction and will examine both the Byzantine and the Western aspect by bringing together for the first time experts on the fields. A detailed proposal has already been submitted to Ashgate publishers. The London Hellenic Society (LHS) has generously offered a contribution towards publication costs.
A. Lymberopoulou, The Church of the Archangel Michael at Kavalariana: Art and Society on Fourteenth-Century Venetian-dominated Crete, Pindar Press, London 2006.
A. Lymberopoulou, ‘The Painter Angelos and Post-Byzantine’, in C.M. Richardson (ed.), Locating Renaissance Art, Yale University Press in association with the Open University, 2007, 174-210. (part of the AA315 OU course material)
A. Lymberopoulou, ‘Audiences and Markets for Cretan Icons’, in C.M. Richardson, K.W. Woods, A. Lymberopoulou (eds), Viewing Renaissance Art, Yale University Press in association with the Open University, 2007, 171-206. (part of the AA315 OU course material)
A. Lymberopoulou, ‘“Pro anima mea”, but do not touch my icons: Provisions for private icons in wills from Venetian-dominated Crete’, in D. Stathakopoulos (ed.), The Kindness of Strangers. Charity in the Pre-Modern Mediterranean, Centre for Hellenic Studies, King’s College London, Occasional Publications, 2007, 71-89.
A. Lymberopoulou,‘“Fish on a Dish” and its Table Companions in Fourteenth-Century Wall Paintings on Venetian-dominated Crete’, in L. Brubaker and K. Linardou (eds), Eat, drink, and be merry (Luke 12:19). Food and Wine in Byzantium. Papers of the 37th Annual Spring Symposium of Byzantine Studies in Honour of Professor A.A.M. Bryer, Society for the Promotion of Byzantine Studies, Publications 13, Ashgate, Variorum, Aldershot, 2007, 223-232.
A. Lymberopoulou, ‘The Madre della Consolazione icon in the British Museum : Post-Byzantine Painting, Painters and Society on Crete’, Jahrbuch der Ősterreichischen Byzantinistik 53 (2003), 239-255.
A. Lymberopoulou, ‘A Winged Saint John the Baptist in the British Museum’, Apollo CLVIII, 50 (November 2003), 19-24.
A. Lymberopoulou, ‘Late and Post-Byzantine art under Venetian Rule: Frescoes versus Icons and Crete in the middle’, in L. James (ed.), The Blackwell Companion to Byzantium, Oxford, 2010, 351-370.
A. Lymberopoulou, ‘Fourteenth-century provincial Cretan church decoration: the case of the painter Pagomenos and his clientele’, in P.L. Grotowski and S. Skrzyniarz (eds), Towards Rewriting? New Approaches to Byzantine Art and Archaeology, Krakow Symposium on Byzantine Art and Archaeology, 8-10 September 2008.
