Publications relevant to the Greek and Latin texts cluster:
The Hidden Chorus: Echoes of Genre in Tragic Lyric (Oxford University Press, 2010).
Euripides: Ion (Duckworth: Companions to Greek and Roman Tragedy, 2008).
“Telephus on Paros: Genealogy and Myth in the New Archilochus Poem (P.Oxy.LXIX 4708)”. Forthcoming in Classical Quarterly.
“Euripides: Medea”, forthcoming in in The Blackwell Companion to Euripides, ed. R. Mitchell-Boyask (Blackwell-Wiley).
“Visual imagery in Parthenaic Song”, forthcoming in The Look of Lyric: Greek Song and the Visual, eds A. Lardinois, R. Martin, and A.-E. Peponi (Brill).
“Conflicting Identities in the Euripidean Chorus”, forthcoming in Choral Mediations, eds R. Gagné and M. Hopman, (CUP, 2012).
“Archilochus the ‘Anti-Hero’? Heroism, Flight and Values in Homer and the New Archilochus Fragment”. Journal of Hellenic Studies 132 (2012): 139-55.”
“Paeanic and Epinician Healing in Euripides' Alcestis”, in Greek Drama IV, eds D.Rosenbloom and J. Davidson (Oxbow, 2012): 149-68.
“Epinician and Tragic Worlds in Sophocles' Trachiniae”, in Archaic and Classical Choral Song: Performance, Politics, and Dissemination, eds L. Athanassaki and E. Bowie (de Gruyter, 2011): 391-413.
“The Symbolism of Space in Euripidean Choral Fantasy (Hipp. 732-75, Med. 824-65, Bacch. 370-433)”. Classical Quarterly 59.1 (2009): 364-82.
“How to Make a Goddess Angry: Making Sense of the Demeter Ode in Euripides’ Helen”. Classical Philology 104.4 (2009): 418-38.
“Sexual and Familial Distortion in Euripides’ Phoenissae”. Transactions of the American Philological Association 139.1 (2009): 53-87.
“Mixed Choruses and Marriage Songs: A New Interpretation of the Third Stasimon of the Hippolytos”. Journal of Hellenic Studies 126 (2006): 125-40.
