
In recent years the influence of J. J. Winckelmann on the development of Classical Art History has been recognised. Less studied has been the role his work played in constructing notions of Etruscan art. This paper aims to examine Winckelmann's treatment of Etruscan art in his Geschichte der Kunst des Alterthums. By examining the language Winckelmann uses in describing Etruscan objects, and where he places Etruscan art in his schema of the history of art, it will show the ways in which Etruscan art was set in a dialogue with Greek art. The paper will then go on to discuss the ways in which Winckelmann's conception of Etruscan art was to shape attitudes to Etruscan art, attitudes which are still prevalent today.