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Urban generations: Post-colonial cities
01-03 October 2004

Conference Abstracts

42. Ross, Eric; Akhawayn University, Morocco:
" Touba : A Trans-Colonial Sufi Metropolis"

Touba, in Senegal, is the “capital” of the Mouride brotherhood (tarîqah). It was established in 1887, at the very beginning of the colonial period, but has really only grown as a city since Senegal’s independence in 1960. Touba is one of the fastest growing cities in Senegal and, with approximately half a million inhabitants, it is now that country’s second largest city. Moreover, Touba is an autonomous city, benefiting from a special legal status which places it under the nearly exclusive jurisdiction of the brotherhood. This paper will argue that Touba is the product of a specific religious and social project which effectively transcends colonialism and modernity as paradigms.

Touba is categorized as trans-colonial because its historical trajectory as a place transcends the usual compartmentalization implicit to the colonial process, i.e.: there being “pre-colonial”, “colonial” and “post-colonial” conditions. Touba started out as an isolated spiritual retreat (khalwah) in the wilderness, deliberately removed from the social and moral compromises associated with the colonial order. Yet, in the first decades of the 20th century the Mouride brotherhood came to an accommodation with the French authorities. The brotherhood was henceforth to be a major institution of what we would term today “civial society and Touba emerged as one of the principal instruments of its social, cultural, political and economic strategies. The Mourides’ cultural resistance to colonization, intitially the spiritual project of one man, became a platform for a dynamic process of economic growth (and of capital accumulation) and social empowerment.

Touba is modern in the architectural and urbanistic sense of the term. The building of Touba’s large central Mosque was initiated in 1926 and completed in 1963. The laying out of a city to surround this shrine is an even more recent phenomenon, marked by three successive planning schemes: 1958-63, 1974 and 1994. Both the central shrine and the city have been built using modern methods and materials, exemplified by such processes as recourse to building contractors, the use of reinforced concrete and, more recently, the creation of a Geographic Information System to manage real-estate transactions and the distribution of public utilities. Touba’s rise as an urban centre has also been conditioned by such modern social factors as the creation and mobilization of a mass movement of national scale, the expansion of a colonial cash-crop economy, railway construction, rural-urban migration, and, most recently, monetary remittances from migrants abroad. The city’s growth is currently being financed with funds raised abroad by Mouride disiples involved in a variety of trades and businesses, and channelled through formal and informal international financial institutions. With Mouride communities established in cities throughout Africa, Western Europe, North America and the Indian Ocean, the Mouride metropolis is increasingly a global city.

Yet Touba is foremost a Sufi city. It is a Sufi city to the extent that it was founded by a Sufi shaykh in a moment of mystic illumination and that it has been designed and built by the Sufi brotherhood he established. Touba is named for Tûbâ, the tree of paradise of Islamic tradition. This archetypal tree articulates Islamic conceptions of righteous life on earth, divine judement and access to the Hereafter. The city of Touba actualizes this spiritual construct. Important aspects of its topographical configuration, such as the vertical and horizontal alignment of its monumental central shrine complex, its radiating avenues and encircling ring roads, and the actual trees that mark its urban landscape, relate directly to the archetypal tree called Tûbâ. By using a semiotic approach to the analysis of landscape, one can explain this relationship by recourse to the neo-Platonic emanationist pheneomenology which underlies many other Sufi cultural expressions. Thus in Touba, modernity is configured according to metaphysical principles one usually associates with pre-modern societies. Not only was the colonial condition subverted in the interest of resistance, but post-colonial modernity has become an instrument of spiritual fulfilment at the global scale.

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