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Bibliography: Critical Writing on Ford, 2000 Onwards Updated 1 October 2012 This bibliography should be considered a supplement to: David Dow Harvey, Ford Madox Ford: 1873-1939: A Bibliography of Works and Criticism (Princeton: Princeton University Press, 1962); and Max Saunders, ‘Ford Madox Ford: Further Bibliographies’, English Literature in Transition 1880-1920, 43:2 (2000), 131-205. It is split into three parts:
Please inform Ashley Chantler of any errors or omissions: With thanks to: John Attridge, Laura Colombino, Michael Copp, Fabienne Couécou, Andrew Frayn, Sara Haslam, Rob Hawkes, Michele Gemelos, Robert Gomme, Seamus O’Malley, Alan Munton, Petra Rau, Stephen Rogers, Max Saunders, Paul Skinner, Johan Velter. [First version of bibliography: 24 Aug. 2009; updated; 8 July 2010; 1 Oct. 2011; 12 June 2012] You can download the bibliography as a PDF file [42 KB] Attridge, John, ‘Steadily and Whole: Ford Madox Ford and Modernist Sociology’, Modernism/modernity, 15:2 (2008), 297-316. Barnes, Julian, ‘The Saddest Story’, ‘Review’ supplement, Guardian (7 June 2008), 2-3. Beaumont, Matthew, ‘Ford Madox Ford: Autobiography, Urban Space, Agoraphobia’, Journal of Literature and Science, 2:1 (2010), 37-49. Brice, Xavier, ‘Ford Madox Ford and the Composition of Nostromo’, The Conradian, 29:2 (2004), 75-95. DeCoste, Damon Marcel, ‘“A Frank Expression of Personality”? Sentimentality, Silence and Early Modernist Aesthetics in The Good Soldier’, Journal of Modern Literature, 31:1 (Fall 2007), 101-23. Erll, Astrid, ‘The Great War Remembered: The Rhetoric of Collective Memory in Ford Madox Ford’s Parade’s End and Arnold Zweig’s Der Streit um den Sergeanten Grischa’, Journal for the Study of British Cultures, 10:1 (2003), 49-75. Flanagan, Anne Marie, ‘Ford’s Women: Between Fact and Fiction’, Journal of Modern Literature, 24:2 (2000), 235-49. Gasiorek, Andrzej, ‘Ford Madox Ford’s Modernism and the Question of Tradition’, English Literature in Transition, 1880-1920, 44:1 (2001), 3-27. Gasiorek, Andrzej, ‘The Politics of Cultural Nostalgia: History and Tradition in Ford Madox Ford’s Parade’s End’, Literature and History, 3rd series, 11:2 (Autumn 2002), 52-77. Hoffmann, Karen A., ‘“Am I no better than a eunuch?”: Narrating Masculinity and Empire in Ford Madox Ford’s The Good Soldier’, Journal of Modern Literature, 27:3 (Winter 2004), 30-46. Larabee, Mark D., ‘Wampum in Ford Madox Ford’s The Good Soldier: A Native American and Modernist Artifact of Place’, The Space Between: Literature and Culture, 1914-1945, 6:1 (2010), 59-79. Mulvihill, James, ‘Ford Madox Ford’s Parade's End Tetralogy and Evelyn Waugh’s A Handful of Dust’, Notes on Contemporary Literature, 32:3 (2002), 8-9. Radford, Andrew, ‘The Gentleman’s Estate in Ford’s Parade's End’, Essays in Criticism: A Quarterly Journal of Literary Criticism, 52:4 (2002), 314-32. Tóibín, Colm, ‘The Art of Being Found Out’, London Review of Books (20 Mar. 2008), 24-27. White, Edmund, ‘The Panorama of Ford Madox Ford’, New York Review of Books, 58:5 (24 Mar. 2011), 29-30, 32.
Books Significantly Mentioning or Drawing upon Ford
Attridge, John, ‘“I Don’t Read Novels… I Know What’s in ’em”: Impersonality, Impressionism and Responsibility in Parade’s End’, in Impersonality and Emotion in Twentieth-Century British Literature, ed. Christine Reynier and Jean-Michael Ganteau (Montpellier: Université Montpellier III, 2005), 97-107. Brockington, Grace (ed.), Internationalism and the Arts at the Fin de Siècle (New York: Peter Lang, 2009). Contains Petra Rau, ‘The Trouble with Cosmopolitans: Ford and Forster Between Nation and Internationalism’, an early version of chp. 2 of Rau’s English Modernism, National Identity and the Germans, 1890-1950 (see below). Brooker, Peter, and Andrew Thacker (eds), The Oxford Critical and Cultural History of Modernist Magazines: Volume I: Britain and Ireland, 1880-1955 (Oxford: Oxford University Press, 2009). Brooker, Peter, Andrzej Gasiorek, Deborah Longworth and Andrew Thacker (eds), The Oxford Handbook of Modernisms (Oxford: Oxford University Press, 2010). Brown, Nicholas, Utopian Generations: The Political Horizon of Twentieth-Century Literature (Princeton: Princeton University Press, 2005). Chp. 4, ‘The Good Soldier and Parade’s End: Absolute Nostalgia’. Brown, Dennis, and Jenny Plastow (eds), Ford Madox Ford and Englishness (Amsterdam and New York: Rodopi, 2006). Buelens, Geert, Europa Europa!: over de dichters van de Grote Oorlog (Baarn: Ambo, 2009). Ford mentioned on pp. 12-14, 27, 76, 98-99, 128-29, 185-86, 279. Byatt, A. S., Portraits in Fiction (London: Chatto and Windus, 2001). Pp. 11-17 on The Fifth Queen. Carabine, Keith, and Max Saunders (eds), Inter-Relations: Conrad, James, Ford, and Others (New York: Columbia University Press, 2003). Carr, Helen, The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists (London: Jonathan Cape, 2009). Cobley, Evelyn, Modernism and the Culture of Efficiency: Ideology and Fiction (Toronto: University of Toronto Press, 2009). Ch. 8, ‘Efficiency and Perverse Outcomes: Ford Madox Ford’s The Good Soldier’. Cohen, Debra Rae, Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction (Boston: Northeastern University Press, 2002). Chp. 2, ‘Citizenship in the Salon: The Public Private War of Violet Hunt’. Cole, Sarah, Modernism, Male Friendship and the First World War (Cambridge: Cambridge University Press, 2003. ‘Homoerotic Heroics, Domestic Discipline: Conrad and Ford’s Romance.’ Colombino, Laura, Ford Madox Ford: Vision, Visuality and Writing (Oxford: Peter Lang, 2008). Colombino, Laura, Ford Madox Ford: Visione/Visualità e Scrittura (Naples: Edizioni Scientifiche Italiane, 2003). Colombino, Laura, ‘Negotiating with Gaugin’s “Solar Myth”: Art, Ecomony and Ideology in Ford Madox Ford’s Provence’, in Anglo-American Modernity and the Mediterranean, ed. Caroline Patey, Giovanni Cianci and Francesca Cuojati (Milan: Cisalpino Instituto Editoriale Universitario, 2006), 51-64. Colombino, Laura (ed.), Ford Madox Ford and Visual Culture (Amsterdam and New York: Rodopi, 2009). Colombino, Laura, ‘The Imagination of Space: Ford Madox Ford and France’, in Franco-British Cultural Exchanges, 1880-1940: Channel Packets, ed. Andrew Radford and Victoria Reid (Basingstoke: Palgrave Macmillan, 2012), 168-86. Copp, Michael, Ford Madox Ford: Impressions of War, War Poets series no. 26 (London: Cecil Woolf, 2011). Couécou, Fabienne, ‘Ford Madox Ford’s England and the English: The Language of the Troubadours or Englishness Revisited’, in Cross-Cultural Encounters Between the Mediterranean and the English-Speaking Worlds, ed. Christine Reynier (Bern: Peter Lang, 2011), 67-80. Deer, Patrick, Culture in Camouflage: War, Empire, and Modern British Literature (Oxford: Oxford University Press, 2009). Pp. 50-60, ‘Ford Madox Ford’s Parade’s End and the Recovery of Strategic Vision’. Edwards, Colin, ‘Dancing in the Mud: Bunting’s Documentary Tradition and Eliot, Valerie, and Hugh Haughton (eds), The Letters of T. S. Eliot: Volume I: 1898-1922: Revised Edition (London: Faber and Faber, 2009). Ford mentioned in several letters. Eliot, Valerie, and Hugh Haughton (eds), The Letters of T. S. Eliot: Volume 2: 1923-1925 (London: Faber and Faber, 2009). Seven letters from Eliot to Ford; Ford mentioned in several others. Fortunati, Vita, and Elena Lamberti (eds), Ford Madox Ford and ‘The Republic of Letters’ (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002). Fowles, Anthony, Ford Madox Ford: The Principal Fiction (London: Greenwich Exchange, 2002). Freeman, Nicholas, Conceiving the City: London, Literature, and Art 1870-1914 (Oxford: Oxford University Press, 2007). Quotations throughout from The Soul of London. Gallix, François, The Good Soldier/Ford Madox Ford, introduction de Max Saunders, préface de Julian Barnes (Paris: Ellipses, 2005). Gasiorek, Andrzej, and Daniel Moore (eds), Ford Madox Ford: Literary Networks and Cultural Transformations (Amsterdam and New York: Rodopi, 2008). GoGwilt, Christopher, The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (Oxford: Oxford University Press, 2011). Section 3: ‘The Repetitive Formation of Modernism’. Contains: ‘Jean Rhys, Ford Madox Ford, and the Memory of Joseph Conrad’; ‘Ford Madox Ford and the Repetitive Formation of English Modernism’; ‘Re-Citing Conrad in Modernist Memory’; ‘Jean Rhys and the Transatlantic Modernism of Ford’s the transatlantic review’; ‘Reading Modernist Memory’. Gomme, Robert, George Herbert Perris 1866-1920 (Bern: Peter Lang, 2003). Pp. 49-51 on the 1894 Star case; pp. 176-81 on Father Gapon and David Soskice. Grimble, Simon, Landscape, Writing and ‘The Condition of England’ – 1878-1917, Ruskin to Modernism (Lampeter: Edwin Mellen Press, 2004). Chp. 5, ‘Ford Madox Ford – Somewhere to Stand: From “The Condition of England” to Modernism’. Hampson, Robert, and Tony Davenport (eds), Ford Madox Ford: A Reappraisal (Amsterdam and New York: Rodopi, 2002). Hampson, Robert, and Max Saunders (eds), Ford Madox Ford’s Modernity (Amsterdam and New York: Rodopi, 2003). Harding, Jason (ed.), Ford Madox Ford, Modernist Magazines and Editing (Amsterdam and New York: Rodopi, 2010).Haslam, Sara (ed.), Ford Madox Ford and the City (Amsterdam and New York: Rodopi, 2005). Haslam, Sara, Fragmenting Modernism: Ford Madox Ford, the Novel and the Great War (Manchester: Manchester University Press, 2002). Haslam, Sara, ‘The Good Soldier’, in A Companion to Modernist Literature and Culture, ed. David Bradshaw and Kevin J. H. Dettmar (Oxford: Blackwell, 2006), 350-57. Haslam, Sara, ‘Ford Madox Ford’, in The Encyclopedia of Twentieth-Century Fiction, vol. 1, ed. Brian W. Shaffer (Oxford: Blackwell, 2010), 132-36. Hawkes, Rob, Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War (Basingstoke: Palgrave Macmillan, 2012). Henstra, Sarah, The Counter-Memorial Impulse in Twentieth-Century English Fiction (Basingstoke: Palgrave Macmillan, 2009). Chp. 2, ‘The End of Empire: Grieving, Englishness, and Ford Madox Ford’s The Good Soldier’. Katz, Tamar, Impressionist Subjects: Gender, Interiority, and Modernist Fiction in England (Urbana and Chicago: University of Illinois Press, 2000). Chp. 4, ‘Ford, Femininity, and Unreliable Narration’. Kermode, Frank, Concerning E. M. Forster (London: Weidenfeld and Nicolson, 2009). Latham, Sean, The Art of Scandal: Modernism, Libel Law, and the Roman à Clef (Oxford: Oxford University Press, 2009). Pp. 155-66 on Rhys’s fictionalisation of Ford in her novels. Lemarchal, Dominique, The Good Soldier de Ford Madox Ford (Paris: Ellipses, 2005). Lemarchal, Dominique, and Claire Davison-Pégon (eds), Ford Madox Ford, France and Provence (Amsterdam and New York: Rodopi, 2011). Londraville, Richard, and Janis Londraville (eds), Dear Yeats, Dear Pound, Dear Ford: Jeanne Robert Foster and Her Circle of Friends (Syracuse: Syracuse University Press, 2001). Matz, Jesse, Literary Impressionism and Modernist Aesthetics (Cambridge: Cambridge University Press, 2001). Chp. 4, ‘The Distant Laborer: Proust in Eulalie’s Bedroom; Conrad’s Distant Laborer; Ford’s Peasant Cabman’. McDowell, Lesley, Between the Sheets: The Literary Liaisons of Nine 20th-Century Women Writers (New York: Overlook Press, 2010). Chp. 4, ‘The “Ingénue”: Jean Rhys and Ford Madox Ford’. Moody, A. David, Ezra Pound: Poet: A Portrait of the Man and His Work: Volume I: The Young Genius 1885-1920 (Oxford: Oxford University Press, 2007). Morrisson, Mark, The Public Face of Modernism: Little Magazines, Audiences, and Reception, 1905-1920 (Madison, Wisconsin: University of Wisconsin Press, 2000). Chp. 1, ‘The Myth of the Whole and Ford’s English Review: Edwardian Monthlies, the Mercure de France, and Early British Modernism’. Nadal, Ira B. (ed.), Ezra Pound in Context (Cambridge: Cambridge University Press, 2010). Parkes, Adam, A Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing (Oxford: Oxford University Press, 2011). Chp. 6, ‘“The Typical Man of This Period”: Ford’s Depression’. Peters, John G., Conrad and Impressionism (Cambridge: Cambridge University Press, 2001). Pizzichini, Lilian, The Blue Hour: A Portrait of Jean Rhys (London: Bloomsbury, 2009). Pound, Ezra, Ezra Pound to His Parents: Letters 1895-1929, ed. Mary de Rachewiltz, A. David Moody and Joanna Moody (Oxford: Oxford University Press, 2010). Rademacher, Jörg W. (ed.), Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer) (Hamburg and London: Lit Verlag, 2002). Rademacher, Jörg W., and Christian Steinhagen, Gelehrtes Münster und Rundum (Berlin: Verlag Jena 1800, 2005). Includes Ford and Violet Hunt among the eighty-eight writers, philosophers and theologians associated with the city. Rau, Petra, English Modernism, National Identity and the Germans, 1890-1950 (Aldershot: Ashgate, 2009). Chps 2 and 4 draw substantially on Ford. Saunders, Max, ‘Literary Impressionism’, in A Companion to Modernist Literature and Culture, ed. David Bradshaw and Kevin J. H. Dettmar (Oxford: Blackwell, 2006), 204-11. Saunders, Max, Self Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature (Oxford: Oxford University Press, 2010). Chp. 6, ‘Literary Impressionism and Impressionist Autobiographies: Henry James, Joseph Conrad, and Ford Madox Ford’. Seshagiri, Urmila, Race and the Modernist Imagination (Ithaca: Cornell University Press, 2010). Chp. 2 includes: ‘“A race that will have no successors”: The Good Soldier and the Discontinuities of Modernity’. Skinner, Paul (ed.), Ford Madox Ford’s Literary Contacts (Amsterdam and New York: Rodopi, 2007). Sorum, Eve, ‘Mourning and Moving On: Life After War in Ford Madox Ford’s The Last Post’, in Modernism and Mourning, ed. Patricia Rae (Lewisburg, PA: Bucknell University Press; Cranbury, NJ: Associated University Presses, 2007), 154-67. Stallworthy, Jon, Survivor’s Songs: From Maldon to the Somme (Cambridge: Cambridge University Press, 2008). Pp. 137-45 on Parade’s End. Stannard, Martin, ‘Ford, Soldiers and Transubstantiation’, in The Poetics of Transubstantiation, ed. Douglas Burnham and Enrico Giaccerini (Aldershot: Ashgate, 2004), 104-17. Thacker, Andrew, The Imagist Poets (Tavistock: Northcoat House, 2011). Several passing references. Thirlwell, Angela, In the Frame: The Four Loves of Ford Madox Brown (London: Chatto and Windus, 2010). Trotter, David, Paranoid Modernism: Literary Experiment, Psychosis, and the Professionalization of English Society (Oxford: Oxford University Press, 2001). Chp. 6, ‘Ford’s Impressionism’. Vogeler, Martha, Austin Harrison and the English Review (Columbia: University of Missouri Press, 2008). See Ford Madox Ford Society Newletter, 15 (30 Mar. 2009), 4. Waddel, Nathan, Modernist Nowheres: Politics and Utopia in Early Modernist Writing, 1900-1920 (Basingstoke: Palgrave Macmillan, 2012). West, Rebecca, The Selected Letters of Rebecca West, ed. Bonnie Kime Scott (New Haven: Yale University Press, 2000). One letter to Ford and several references. Wiesenfarth, Joseph, Ford Madox Ford and the Regiment of Women: Violet Hunt, Jean Rhys, Stella Bowen, Janice Biala (Madison: University of Wisconsin Press, 2005). Wiesenfarth, Joseph (ed.), History and Representation in Ford Madox Ford’s Writings (Amsterdam and New York: Rodopi, 2004). Wollaeger, Mark, Modernism, Media, and Propaganda: British Narrative from 1900 to 1945 (Princeton: Princeton University Press, 2006). On Between St. Dennis and St. George, The Good Soldier, When Blood Is Their Argument. Wulfman, Cliff, ‘Ford Madox Ford and The English Review (1908-1937)’, in The Oxford Critical and Cultural History of Modernist Magazines: Volume I: Britain and Ireland, 1880-1955, ed. Peter Brooker and Andrew Thacker (Oxford: Oxford University Press, 2009), 226-39.
Dissertations on or Significantly Mentioning Ford Attridge, John, ‘Impressionism and Professionalism: Ford Madox Ford, Joseph Conrad, and the Performance of Authorship.’ Ph.D. Diss. University of Sydney, 2007. Bonikowski, John Wyatt, ‘Tracesof War: Shell Shock, Death Drive, and Narrative After the First World War.’ Ph.D. Diss. Cornell University, 2006. Brasme, Isabelle, ‘Parade’s End de Ford Madox Ford: Vers une Esthétique de la Crise’ (‘Ford Madox Ford’s Parade’s End: Towards an Aesthetics of Crisis’). Ph.D. Diss. University of Paris VII, 2008. Chantler, Ashley, ‘A Critical Edition of Ford Madox Ford’s The Questions at the Well (1893).’ Ph.D. Diss. University of Leicester, 2003. Frayn, Andrew, ‘Writing Disenchantment: The Development of First World War Prose, 1918-1930.’ Ph.D. Diss. University of Manchester, 2008. Couécou, Fabienne, ‘La Trilogie England and the English au Coeur de L’écriture Fordienne’ (‘The Trilogy England and the English at the Core of Ford’s Writing’). Ph.D. Diss. University Paul Valéry, Montpellier III, 2011. Gemelos, Michele, ‘Identity and the Empire City: British Writing About New York, 1897-1931.’ Ph. D. Diss. University of Oxford, 2007. Hawkes, Rob, ‘Destabilising Narratives: Characterising, Plotting, and Trusting in Ford Madox Ford’s Fiction.’ Ph.D. Diss. University of York, 2008.
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