Poems
Timothy Chappell
The Exiles
Still the blood is strong
There every foot of
field-end matters,
each river-pool is itself;
every stone is a sacred
standing stone,
every hill a sith of the old ones;
here each street is the
same
for mile after mile.
It only feels like what
they had cannot be lost.
It only feels abiding
unchanging home.
The bulldozer and the
eviction writ,
north and south, work the
same.
They walked into
with heather-stalks still
in their socks,
the plough-callus still on
the insides of their thumbs,
the mark of the sheep-tick
still fading behind the knee.
Kincardine O’Neil, Aberdeenshire, 7 July 2008
Sophocles, Trachiniae 1264-1278
Attendants, take him up. And pity on me,
Pity and compassion on my plight,
All while the unpitying gods indifferently
Watch these things unfold under their sight.
They make us and they claim the name of fathers
Then stand afar and watch our suffering.
No one knows what the future time will offer;
The present time, for us, means suffering,
And for the gods means shame;
It means worse than any human suffering
For him on whom this doom of anguish came.
Girl, come away, and leave this house behind.
New shapes of enormous death now fill your mind,
Novelties of agony, pain beyond all use—
And nothing in all this that is not Zeus.
26.6.08
Sunday
Evening,
In dusk-glow at the War Memorial
dazed smokers lean on churning
lurid cars,
review the week.
Beyond the huddled smirr-grey
tenements,
amid the ancient chaos of the
sea,
the Bell Rock starts its blink.
The Chinese lantern of a rain-fat cumulus
mirrored in still River
flows on by.
Always comes the rainbow, always, after storms,
the washed-clear and forgiven
cloud-lit sky.
9.3.08
Boxing Day Morning
Yesterday the feast
today the penance
yesterday the spree
today the dearth
yesterday reunions—ex-wife, ex-child,
ex-brother—
today we lick new hurts,
old lovers who know too well where to wound each
other.
The hint-gift tracksuit waits, but it’s too wet to bother.
A sea of wrapping-paper stretches door to hearth.
But lift your wine-furred eyes above the earth,
above our lost cold dawn,
chill-drizzle-dim,
see Christ enthroned among the golden seraphim.
26.12.07
Christmas
Wishes
By popular request
Captain Hook will replace his hook with a tickly
feather duster
and pass around the gobstoppers
with the Lost Boys.
As a seasonal gesture
the Daleks
will change their war-cry to “Have a nice day”
and The Joker will actually
tell one.
By popular request
global warming will global
cool
and the beef-farms of the
Amazon will be turned back into rain-forests.
As a seasonal gesture
entropy will take a holiday
in St Tropez
and dropped toast will
consistently fall butter side up.
By popular request
and as a seasonal gesture
lost children will be found
and brutal feuds be ended;
the inconsolable will be
consoled,
the outcast and downcast be
welcomed in,
and something unthinkably and
invisibly vast
will pass into a space
invisibly small.
If you only make one wish this Christmastide
make sure it’s for something
impossible.
18.12.07
The
desire of all nations shall come
Haggai
2.7
Buskers,
To
grey-suit minds set on trains
in
grey-suit business streets
silky
jazz unfolds from the sheets
in
shimmering scarlet skeins.
Jumping
the bars of the notes
transgressing performance space
a
wee girl hides her face
as
she donates.
14.12.07
The echoing choirs of the geese
unseen in a weeping sky
return announcing autumn.
18.12.07
The Box
My love met me within a darkened wood
where no light was: I knew her by her hand:
but my grip slipped, her presence vanished, and
till dripping dawn I waited where I stood.
I saw my love upon a city street,
amid a thousand others gave her chase:
I found her longed-for look in many a face,
ten-score half-echoes, but not one complete.
I woke and washed and worried at my error,
a looking-glass behind me and before me;
ninety-nine times repeated there I saw me—
and then her image in the
hundredth mirror.
But my quest and her trail alike turned cold.
I’ve put my memories of her in a box
to hide inside a drawerful of socks
and finger through when all grows stale and old,
and I have lost the living patterns of
her stance, her grace, her glance so once adored;
have settled for sure less not dubious more,
have lived as if I was not made for love.
When I began so filled with venturous fire
how comes my world to dust and grit and sweat?
Is real-but-paltry really all we get?
How can we live so wide of heart’s desire?
9.12.07
The king is dead
Another day, another execution,
another round of routine suffering.
What could a corpse solve by its
dissolution?
How could a tortured dying mean a king?
The priest-king who fought off, in Nemi wood,
eternally recurrent suffering
kept memory of his predecessor’s blood
just till another killed him and was king.
The Roman road once forested with crosses
where rebel slaves hung parched
and suffering.
Did that world stop to register their losses,
or when one died, cry out “Long
live the king”?
Each day we take another paper’s weight
of crushing slow unspecial
suffering,
nor will our tired old sun
discriminate
an ordinary dying from a
king’s.
Yet still today we bless one who, accursed
for hanging on a cross by hell
enringed,
by dying once all dying has
reversed.
The King of Kings is dead; long live the King.
Easter Sunday 2007
Keep away from Buses
Given the overlapping
of our living that has happened,
Given there’s no reshaping
the once-only we’re still making,
Given all my bearings
would swing lost without your northing,
Here is what I’m asking
you’re not gambling or risking:
Save the lives of spiders
Don’t walk under ladders
Don’t change plugged-in fuses
Keep away from buses.
22.7.06
The Children’s Cemetery,
Balgay
Parents’ sentences on marble;
mildewed dolls beneath grown trees:
O you who mark the sparrow’s fall,
did you not notice these?
25.8.06
Glen Living
A river can run a
thousand years through rock
not altering
its course but only deepening it:
not so on
the aimless free-meandering plain.
A farmer can lose a
decade on one slope,
sink in one
gorse-choked scarp a half-century's sweat,
yet not
grudge the son who left all his random gain.
Think then how deep this glen goes in
those who home here,
whose
thought's this forest, this skyline their subconscious,
whose dream is
this buzzard's wheel on this heathered moraine.
Tarfside, Glen Esk,
14.9.03
News
The change comes on so suddenly
the moment of transition
the phone or letter butts into
the same old stale position
you pick it up quite casually
not knowing what is in it
while clock-hands drag and dust-motes float
life changes in one minute
8.4.06
Allt
a’ Mhuillin, April
For the first
time, the birchwood not by night,
path-bogs not sealed by corrugated ice;
for the first time, pied wagtails in the corries.
Pink sunshine
slants through innocuous sleet-flurries.
Here on the Hut’s
rock-seats, snow-stripped, sun-warmed—
was it here we half-froze in the January
storm?
Where the crampon
drives through slush to brown-baked scree—
was that our icefall-route in February?
Did we tread here
a snow that none had trod?
Did we glimpse
here the hidden face of God?
8/4/06
The Vision
Do not expect it in the green
of May.
No cleanness in that growth
that parturition
as pure as clean as death.
Nor in the bland and flyblown
August sun,
in hot banality upon a balding
lawn,
in non-event of sweltering desiccation.
Ignore October’s blustering
warm winds,
rain-rotted fruit let clog the orchard
paths;
it brings no insight eaten.
But when the bloodline’s thin
as mercury
when ice flowers white on wood and
stars the stream
then head up through the beeswarm of the snow
then climb the Hill of Vision.
8.1.00
Sidlaws
Benediction
Blessed be God
Blessed be God for ever.
Blessed be God on
the burnsides and on the braesides
Blessed be God on
the bramble-track, and at the ruined tower
Blest be the God
of old kirks and of older abbeys
Blest be the God
of hill-forts and stones of power
Blessed be God for ever.
Blessed be God
with the incense of resinous woodsmoke
Blessed be God
when the sun makes the wet gorse steam
Blessed be God in
the silence of fox and buzzard
Blessed be God in the silly pheasant’s scream
Blessed be God for ever.
Blessed be God
from heath-hills to barley-fields
Blessed be God for
wild strawberries in half-tame gardens
Blessed be God in
byres and dung-misted farmyards
Blessed be God at
the firesides glimpsed through curtains
Blessed be God for ever.
Blessed be God for
the airs that are over the Sidlaws
Blessed be God for
the waters that run through the Sidlaws
Blessed be God for
the rocks that lie under the Sidlaws
Blessed be God for
the land and for those who love it
Blessed be God for ever.
Blessed be God in Eassie and in Nevay
Blessed be God in
Auchterhouse and Flocklones
Blessed be God in Kincaldrum and Tullybaccart
Blessed be God
while the light lightens Black Hill’s stones
Blessed be God for ever.
Blessed be God for
the sacrifice of creation
Enormity of
subtraction from Himself
Rending away, as a
rib, from His fullness of being—
Self-gift,
self-abnegation foresigning Eucharist—
By his own
null-black absence making Space
That grace and
savagery, danger and delight
Might co-engender
World:
The gift of Him
Who Is
This something not
Him
He who is all in
all
And will re-call
at last this Other Side
Immortal
Bride.
Now, in this one
time and this one place,
Break pace:
Breathe in, and
know yourself
Immensely
loved.
Blessed be God
for ever.
15.1.2006
faced towards the wall
I bounce no sight
I am a mirror
angled into earth
I give no light
I am a mirror
stained and cracked and smeared
my glance is dim
I am a mirror
point me at my source
and I blaze Him.
This is the famous glass
that turneth all.
16.1.06
Carse of
For
a moment of roadside relief just past Thornhill
you clunk from the car and you hope nothing else goes by:
and there on the verge, as the first frosty inklings of dawn
grope at the giant flat fields and the stands of Scots pine,
you watch as the curlews sweep and the lapwings spiral
out of the night-chill’s thigh-mists into the sky.
Then
you jump back in and you blow on your trembling hands;
you slam in a Waterboys tape and
you make the car fly,
shooting the corners like rapids to where Ben Ledi—
brindled by snow-melt, pastelled
by soft morning rain—
comes sudden a gift of vision to the eye.
And
so you keep going.
You
have been heading, you are heading still,
towards these very same hills
for all of your life.
1.2.04
Faith
Not the
comfort of fantasy
but the stinging salt of the true:
not what you would have asked for
but answers that question you:
not the armchair's complacence
but the tightrope's uncomfortable view:
exactly what you wanted
and yet you never quite knew:
the utterly unexpected
Who
has always expected you.
11.01.04
Haiku:
Christmas Tree
Through the winter house
seeps
from where the presents hide
scent of cut spring sap
10.01.04
Leaving
We build lives where
we can: in factory towns
or
willow-hollows on the dusty
in
sandstone's gold or brick's suburban browns.
Roots anywhere are
preferable to none:
your roots
grew best beneath a late-night sun.
Mountains on one
side and multis on the other,
harsh in its
welcoming yet brusquely kind—
home of the
friend sticks closer than a brother,
town of the
tunes stick longest in your mind—
this is where
you were kicked down, then recovered,
hope-enticed on, then
tripped up from behind.
You know the line's
first bend will end the scene,
your River
and your wooded hills be gone,
your living
places turn to what has been.
The diminutions of
the South
are coming on.
19
December 2003
Prayer at Baldowrie
Symbol Stone
The Holy being still with us though unknown,
To keep your ever watching listening care
Over
indifferent lives and living air
Set a
strong good angel in this stone.
Baldowrie, Strathmore, 27.12.03
Handy
Christmas Tip
Dogs can't
see in colour,
So
for Fido's Christmas gift
Buy
him a black and white TV;
He
won't resent your thrift.
23 December, 2003
Parenting skills
Bad parenting:
you
go out of the house
so
you can ignore your children.
Good parenting:
you
stay in the house
so
your children can ignore you.
11.11.03
Before
you sleep for good, remember this:
the moss-soft bridge within the dripping wood,
the wild catch of sea air blown on high;
night-climbing up, through ice-storm, to the cornices,
the starlit snow-peak shining in night sky;
the slopes you charged, when young, because you could;
the summer’s sunlight on your hills of bliss.
2 April 2002
Beethoven, Opus 69
The
dim church was unwontedly full:
with the chess-precise step of a piano,
with the ballet-hard glide of a cello:
with the secret unspeakable movements
of a mind from the year 1800;
with the hushed and attentive longing
of a hundred quite secular listeners.
Is
then the truest religion
nothing but silence and music?
1.11.02
Goldfish
I’m
glad to be a goldfish, me
Around
my bowl I swim
Each
round’s a total novelty
It
does help to be dim
21 December 2001
The right train
For Claudia
I’ve
done some bad things and I’ve done some mad things.
I’ve
done some things that got me in the stew.
Many
of my options are not for sane adoption;
but I did a good thing when I married you.
Some
people’s choices are based on hearing voices.
Some
read the stars, or the leaves in their Typhoo.
I
treat life’s junctions with minimal compunction;
but I took the right fork when I married you.
We
have shared the sunlight, and the sudden-failed umbrella.
We
have sat out winters that stormed out of the blue.
Warmth
drives branches upwards; cold pushes roots deeper.
What
would I have done, if I hadn’t married you?
Life
is all alternatives, but hopeless information.
Unmarked
and unsignalled, and too many for clear view,
trains line every platform through the vastness of
life’s station;
but I caught the right train the day I married you.
Sept 24 2001
Breakfast in Bed
for Claudia, 27.8.99
Is
eleven years’ length too long for a conversation?
After
so long, has every good line been said?
Does
our contract need undecennial renegotiation?
Believing
not, I bring you breakfast in bed.
Is
every steady a frozen situation?
Are
stones of indifference hardened from gift-bread?
Does
love, in short, know time’s devaluation?
Believing
not, I bring you breakfast in bed.
1 September 1999
January Sales
In the
sales you mustn’t miss
at the prices you can’t beat
buy the things that you don’t want
with the money you’ve not got.
1.1.99
The new Genesis
In
the beginning was the physics
and it was good
then there was biochemistry
and it was good too
then there was some zoology
also good
followed by palaeontology, archaeology and history
all excellent in their ways
and currently it’s autobiography
better still,
except that what follows
is autobiography becomes history
and then there’s only more physics
29.12.98
By
this time of day
By
this time of day, perhaps, you are
combing your hair.
You
are pouring your morning tea
in another city.
And
I stranded in this one
watch for the post.
Nostos
Get thee out of thy country... unto a land that I will shew thee
Leave
your homes here for your truer home.
Leave
your hills (their mists around your heart)
for those hills
whence your mists of longing start
though you have never come.
Mist-lifting
day
will turn your face toward the homeward way.
Leave
your work unfinished.
There
is time,
where you are going, for the weaving mind
to make and remake reasoning and rhyme
a perfectness remaining undiminished.
To
find as diamond what is lost as clay
turn your face and walk the homeward way.
And
leave your friends.
One only
you require,
that lover whose fierce heat etched in you’s
fire
that moulds your melting gold to bride-ring bends.
From
marriage known to Marriage none can say
turn your face and take the homeward way.
Estranged
by this sweet sudden discontent
shake off all exile-lands. Your time is spent
of wandering the mazes of life’s Lent:
Easter
calls you straight from every stray.
Rejoice
and turn your face the homeward way.
4-5.3.98
In the Gallery
Our looking has worn out the famous pictures,
cut them down to our small, weary size.
So swap them. Bring
new startling innocent colours
fresh and new to startled innocent eyes.
21.7.98
Bowland
Winding
slowly northwards, vaguely lost
in grey october country,
through the midst
of smoky indistinctness of the hills.
Though
mirror-river shape the slickskin beech
arching leaf for leaf,
reflection spills
till out of blurs and shifts
comes clarity:
the sun on the road to the sea
upon the hills.
Cycling from Whitewell
to Lee Fell,
26.10.97
Shakespearean
Limericks
(I) Juliet’s
family’s strife
didn’t stop her from being Romeo’s wife;
it was surfeit of suitors
and ill-advised tutors
and doing for herself with a knife.
(II) Ant
was playing sweet duets with Cleo:
their thés-dansants were
molto con brio.
But to Julius’ clasps
she preferred little asps,
thus preventing him making a trio.
(III) Henry
the Sixth’s holy heart
lacked the courage a crown should impart;
yet his reign wasn’t brief—
it endured past belief,
till the
(IV) Henry
Fourth (the First Part) said, “That’s that!
Get a life! Be a prince, not a prat!”
Hal replied, “Sure, don’t worry, Dad,
but where is the hurry, Dad?
There’s your whole Second Part before that.”
(V) “Let’s
sit down,” said Richard the Second
as Bolingbroke’s
destiny beckoned:
“My holiday in
makes my last hopes threadbarer.
Still, being King’s worse than he’s reckoned.”
17.1.96
A
Prayer for my Daughter
Pour
upon my daughter’s face
all the rainstorm of your love:
while she shapes, blind oceans deep,
the ink-black element of sleep,
though the whirling earth may move,
cast a stillness on this place.
17.7.97
Glen Lui
You have never been in this place before
or even if you have it was different then.
The bright ragged pastures, when they speak to
you,
speak with the curlew’s voice;
the clumsy pheasant,
lost somewhere on the pine wood’s echoing slopes
in the holiday light and space of an April day,
fluffs yet another gear-change.
From the
gorse’s
sheep-dunged mazes by the river, filled
with the sharp small halleluias
of the wren,
the sun breathes warm and misty coconut.
Above the resinous wood hang the waterfalls.
Behind every glen-noise
silence of a hill.
You will never be in this place again
or even if you are it will be different.
11.2.97
Ghoul
On a clear but moonless night
(midnight blue between
black shapes of undrawn curtains)
I will slide into your dream.
Do not attempt to move.
My smile is pallid, formal, shows my teeth;
my soft laugh is a dry, well-mannered cough.
I smile because
as I am sure you realise
you're trapped.
Yes, do turn to the wall if it will help you,
or (to be more exact) if you think it helps;
do wrestle the
heavy blankets over you,
to draw around your head and (ah) your throat
the dulling warmth of slumber.
Then, absolute silence seems your best chance.
Like a game: the first one to break it is out?
But, you see, you lose
because you breathe.
Nor will your blankets keep out
my fingers
my teeth
insubstantial.
And now it is time to begin. First, reactions.
Perhaps you can reach the light-switch on the wall
(you know where it is, you can see it in your
head)
perhaps you can reach the switch before I reach you.
Perhaps: but, as you're aware,
The light-switch is
behind me.
20.2.87
Scan
My
waving hands and arms
are caught in your searchlight's throb
they paddle away from the whiteness of your noise.
I am
inspected by echoes
I am
found in an attitude of prayer
my spine my signature tune.
So
you may hear my picture,
you may see the sounds you bounce
off my bones or the four palpitating
chambers of my heart:
shadowy prognostics of the day
my monochrome thin frequencies
will bleed themselves into your roar of colour
13.4.95
The
reckless heartfelt alliances, the smart things said,
the coffee-euphoric, late-night theories mastered:
in the intimate space between two bending heads
in a solitary breeze in an empty cloister,
on green baize staple-pierced, behind glassless
shutters,
the last of last term's students' posters flutter.
27.1.89
Music
Recalled
Music
is what gives forms to the unconscious:
forgotten music finally played again
decodes from subliminal shapes a thought and a feel
I
had not remembered having;
it reopens a scent-capsule of experience,
freeze-frames for good one single carriage window
out of the blurring rush of the storming train
of months and weeks and days and hours and minutes:
it fixes, uniquely, how it smelt and sounded
to be then, and to be listening to this.
The
past is an abstraction, and past's self unknown;
but beating now and here, in this same music,
the laughing heart of then and there is caught,
for one moment of pure precision, in pin-sharp focus:
delightful the tricks the human mind plays on us.
24.12.95
Assumption
Mother of all on high, pray for us yet
Nothing
is left. The world's a corridor,
vacant, echoing the great ones' passage through.
It
is closed doors in rows: behind them, murmuring
of a second generation's other businesses.
Nothing
is left me here.
Once
I felt the kick of God within:
nothing else seems great once that has been.
Your
will is done,
and henceforth I will be
a silent smiling lady in a tapestry.
Your
will is done,
and henceforth I am known
as a painted tiptoe figure in a pointed arch of stone.
Your
will be done:
henceforth I watch with all
God's
heroes in their sad unsleeping vigil
for earth's ball.
3-5.3.96
Published
in New Blackfriars
June
1996
The Last Temptation of Peter
Satan hath desired to have you, that he may
sift you as wheat: but I have prayed for thee, that thy faith fail not.
Between
sentence and execution there is time
to wonder if it will hurt, or feel like anything,
to wonder what of me will be left behind-
snapped into the promised light, or some pallid
un-death,
or merely into a fatuous nothingness?
Between
sentence and execution there is still time
to ask whether any will follow recalling me,
to set myself at last my own life’s riddle:
was I right when the cockerel crowed; or was I right
when the silver dawn overflowed the stone-grey garden?
Am I
a rock, or a shadow?
Who
has betrayed whom?
Between
sentence and execution comes the time
of cock-crow, but
comes also the time of the seeing and the
remembering
his face in that silver dawn, so long ago now;
comes the time for my last and for my first
doxology of the Risen.
No
more. It is time to pray.
14-15.1.1997
Song
for Winter Rain
On
the black hill and the brittle wood
on the draggled heron by his unwatched mere
on silent henhouses and unlit farms
the rain pours down tonight
but not in here.
On
the oily roofs of locked-up factories
on the steaming flanks of a ghost-train-vacant bus
on potholed lanes orange-shadowed by springing trees
the rain pours down tonight
but not on us.
On blackhorse breakers no one ever sees
on what the storm does solely for the storm
on the empty decks of midnight’s groping ships
the rain pours down tonight
but we keep warm.
So
rub but briefly at the clammy pane.
Spell
jokes and songs; refill the cups again.
Pile
high the crammed log-basket: stoke: and let
black hails hiss out their spite in our golden
grate.
30.11.96
Spring
Shower at Tulloch
The sun’s emerging spreads
warm pungency of wet dog-rose
slantwise across the sleepers’
creosote airs.
Tulloch Station, Glen Spean, Invernessshire
19.7.96
Cue
music, cue eagles
The moment when the cloud unveils the moon,
the moment when the mist unveils the lochan,
the slate-blue rain-light on another hill,
the rainbowed waterfall
above the rowan,
the summit-shattering winds and the hammering
heart:
Cue music. Cue eagles.
30.6.96
Carn nan
Gobhar,
Glen Strathfarrar, Invernessshire
Cycling
at night
So smooth the turning
wheels still earth cannot keep pace
only leaping moon
Stand Hill, Radcliffe, 18.11.96
Slaidburn
Pennine
rain and Pennine space and light
on vacant wet and brindled Pennine moors,
on damp woods ghosted over by Pennine mists,
on the curving clear steel muscle of the river,
in sunlight’s brief extravagance defined
the shapeless heather endlessnesses
as suddenly and for one moment mine,
fully mine and fully mine alone,
my Northland,
my own country
11.11.96
Cycling from Slaidburn
to Cross of Greet,
Elsewhere
In
Elsewhere rolls a river you do not know
down to an ocean you will never see.
Elsewhere's
huge cities (nameless in your mind)
ring with a million arguments you're not in.
In
Elsewhere a stray dog barks, but you don't hear it.
Its
tautened nights, lit with ambiguous light
from the other side of your moon, are nothing to you.
But unconceive yourself,
and Elsewhere's
here.
28.1.96
Rabbit tracks
The
white wood is woven with rabbit tracks:
with traces there all the year, but told only by snow.
Where
panicky hearts that beat three times faster than ours
streaked underground away from huge vague threats
smelled instant in the wind,
see a lopsided cross, constellation of four dabbed
prints,
repeated repeated repeated;
and think what standing sharpnesses,
what spaces of acute experience
othertimes
buried from sight,
we their unknowing giants bring roofs crashing in on.
21.2.96
Start
the Day
Begin again. From radios reconstruct
the murmuring beat of synthesised Today,
teeth brushed and laces tied and shirt-flaps tucked.
"Think hard: today responsibilites
ducked"
(so counselling
radio-rabbis blandly say)
"begin
again."
Thus radio reconstructs
your earthly freight, your world news, and your
luck,
it clothes the naked night in work's serge grey
with teeth brushed, laces tied and shirt-flaps
tucked.
Night's dreams were a child's chaos, were
thumbs sucked
for comfort from the fear of yawning day
begun again, a radios' re-construct,
where pointless thoughts and tameless
wants are chucked
like yesterday's pyjamas, for the day's
teeth brushed and laces tied and shirt-flaps tucked.
Though hope's a child that won't grow up, its rucked
And shaving-mirror face, forty if a day,
Begins again, to radios, to construct
teeth brushed and laces tied and shirt-flaps tucked.
12.12.88
Adrenalin
Sitting
here thinking
but not about work.
Scribbling
untidily
but not essay plans:
poems, initials.
One ante
meridian:
last dribs of the traffic
Monday
night drinkers
hes and shes arm in arm
laugh past my window.
Mental
flash of her! Quick!!
I
grab at it drowsily,
miss,
return to reshaping
the sinuous curves of her name.
I
don't forget those.
Breathing
faster,
chilled, exalted, trembling slightly.
I'm
assessing progress so far.
I'm
weighing your words.
Tomorrow? Day after? Saturday? Ever?
You've
got my adrenalin going.
15.11.84
The Uncanniest Stereo
Passing
tower blocks at night, from below,
all their windows open,
or jumping down the steps
in some Hall of Res.,
your eye, your ear may catch
what goes through us all
like universal truth:
the uncanniest stereo
of all those televisions
showing, shouting the same in perfect sync.
20.1.89
Local
Government Triolet
"West Midlands", "Greater
new counties' names with an ugly urban feel,
not (like "Middlesex", "
"West Midlands", "Greater
names that in dim bureaucrats' minds congealed,
phoney as "Lymeswold",
"Thamesdown", to the ear.
"West Midlands", "Greater
new counties' names with an ugly urban feel.
3.2.89
Odi et amo: Three attempts
(i) To
hate her and yet love her- how's it possible?
I only know, trapped,
wracked, pain inexpressible.
(ii) I
hate her, yet I love her. Can't wrest back
myself to me. Twist helpless on her
rack.
(iii) I
love her. I detest her.
What, two minds?
No. No thought at all
stands her rack's grinds.
17.5.87
Indispensable
How will they manage without me
when the off-switch has been switched?
When I'm not there to ensure its smooth running
will my company stumble and fall?
Where will they find another one like me?
When the off-switch has been switched
how will they manage without me?
What will they talk about at all those parties
I was the life and soul of?
Where will they find another one like me?
How will they manage without me
when the off-switch has been switched?
What will my friends and relatives do
when they've lost me to the dark?
Where will they find another one like me?
When the off-switch has been switched
how will I manage without me?
14.10.87
At your distance
When
June's reduced to a palpitation
in the vagueness of my brain's
November
mirk,
and sunless we turn to the gas
and playless I at your distance
am lost to my work
when bright photos ring my walls
like pinned-down butterflies,
gold turned to lead,
your voice no more than crackles through
vibrations of a filament, then love
hangs by a thread
30.10.87
Phaedo
Changeless like Plato's certainties,
the permanence our minds impart
to a life that is contingent as
the beating of a heart:
we feel remote from doubt or chance,
we act as if we knew our parts;
we mean it metaphorically when
we talk about our hearts;
forgetting ends and origins,
and that the others all depart-
as certain as that each begins
the failing of each heart.
Thus I think, listening, head to chest,
"Your faint-beat rhythm had a start,
and one day there will be an end
of this your fragile heart,
though changeless Platonic certainties
seem permanence to minds apart
from a death that is as simple as
a stopping of a heart."
Assurances of mind abandoned,
the contrary, uncertain art's
the unseen hope that in mere flesh
God will rewind the useless heart.
21.1.89
Published in Philosophy Now, Jan 01
Horace, Odes 3.15
Chloris, old
Ibycus' wife
(and him on his uppers as well),
at your age, d'you think that your life-
style ought to be that of a belle?
Although you've one foot in the grave,
the other one's still minuetting
in
iour's
a cloud on its star-silvered setting-
you, a
grandmother, clinging to Fashion!
Inch-thick
make-up, one-upping Pholoe!
But watch her ransacking men's
passions
with her dark eyes, dark hair (yours is snowy)
and consider.
With you, they're- polite;
with your daughter, they're at it like rabbits;
yet you flirt on gamely, in spite
of your
manifest need of changed habits.
No,
Chloris dear: take my advice:
bowls of
roses, night dances, don't fit you
nor drinks drained right down to the ice.
Your gaiety's no longer nice.
Take
up knitting- and try it in situ.
16.7.85
Given
You
baring yourself
learning to remember
what, once, you wanted to forget.
Me
in part-time hiding
remembering what I thought I wanted
scared by the more of you.
The
games I played alone were safe:
I
could keep myself to myself,
ungiven.
11.5.87
Catullus, 11
Furius and Aurelius, comrades of
Catullus,
whether I go as far as the ends of
where Ocean's shores, louder-sounding, thunderier,
boom with their breakers;
whether to soft Arabians or to the
to the Scythian savages, the archers of
or where the
paddy-field marshes;
or if I climb over gelid Alpine passes;
step in the footsteps Caesars and Hannibals
made;
cross the
to world's-end
wherever time might, at the whim of their heavenly
highnesses,
decree me for exile, I know you would also dare;
but all I ask's this. Go to Lesbia; bear
this brief, not good, message:
that she stands condemned to her Pretty-Boys' Club and her
fantasies,
entangling them all at one time, three hundred in number,
loving not one of them truly, yet member by member
screwing them senseless.
And
let her not sigh for return of her former love's gentleness.
His
love's like the poppy that edges the meadow-side last,
stands like the poppy-stalk after the rust-blunt
plough's passed
ripping the flower off.
16.5.87
Middle Earth
Witches lived by the pond in the
Forestry once:
no bomb-site
then, but ancient, unplumbed, elven.
Those summer-meadows' hay, those
stands of spruce,
tangled and dry-scented, were our warren:
filled with
our stealth, held monsters and sharp wonders,
strange
painted devils for the eye of childhood,
held magic,
black or white, or of as many colours
as Saruman's cloak in the story.
So
for us
green hills
and hillsides,
gained faces
of our fantasy, were turned into
the battleplace of armies long ago:
and chimneys,
roads, and rooftops there below
became a makebelieve scarce worth our glances
while
marvellous the runes and cognizances
of
intricately-patterned dense-wrought shields
shone and
flashed upon our empty fields.
20.5.87
Cartmel
Old white limestone fluted by fossil
seas
surprises as grey walls to Cartmel
fields,
as thin irregular houses, and the Priory:
jackdawed lantern-tower and angled
nave
with blunt grace like a castle's, Borders-strong,
seen round each corner, high over roofs in the lanes.
Sharp-lined
hills stand northwards, south the sea,
over the fell-top, down the six-foot stream.
Blown from the Bay, watch the curtains of oncoming rain.
28.5.87
Horse Meadow
One night in dream I stand in a moonfilled
field
Panting like an animal in flight
Toying with recent pain and what to do with it.
Grass like a tide damp to my knees with dew,
the profusion of the fragrance of stamped nettles,
silversheen light, white mist in
the lower air
to shoulder height.
Words stick in me, blades; mistakes return.
I am waiting still for something that won't come.
Disorder is in me.
The orange tower lurches into the sky;
chaotic drunken sounds of closing time
carry across the river from the bridge:
noises twist and fight surrounding silence.
Around, in me, disorder, and words stick in
me.
I am waiting still for something that won't come.
17.6.87
Arnish
Salt Atlantic breeze and sunlight on rowans,
a Landrover track
through marsh-grass, moss and tormentils:
white walls, a red tin roof roped down with
stones,
chicken-wire garden gate and rusty generator:
if this is the rim of the world, forget the
world.
Arnish,
2.7.87
Villanelle: Miser Catulle
Hopeless Catullus, stop hoping for reprieve,
and recognise that what you know's
died's dead.
Her sunlight quickened you, and now you grieve;
when she was loved like no one who has lived
you gladly followed where her bacchics
led,
but now, Catullus, hope for no reprieve:
your childish games—the sweet-smile make-believe
you asked of her—at least were not gainsaid
while her light quickened you: but now you grieve.
Her soft Yes, now hard No beyond retrieve,
should harden you as well, barred from her bed,
hopeless. Catullus, don't hope for some reprieve;
be flint! Be steel! Don't beg what she won't give,
don't lick old wounds; outstubborn
her instead.
"Your sunlight quickened me and now I grieve,
but, Lesbia, it's Catullus who now
leaves:
he tired of you before, but never said.
Lesbia, hopeless, stop hoping for reprieve!
Bitch, what life is left you, when I leave?
Who will you find who'd choose to fill your bed?
My sunlight quickened you but now you'll grieve:
You'll never kiss me sleeping while I breathe
your name..."
But oh, I bled, I bled,
I bled:
Your sunlight quickened me, but now I bleed.
Hopeless, Catullus. Stop hoping for reprieve.
8.7.87