'went to dine at the Hotel de l'Europe. I took "Iphigenia" to read. Italianische Reise until Dessoir came. He read us the opening of "Richard the 3rd" and the scene with Lady Anne. Then Shylock, which G. afterwards read... Finished 1st act of "Iphigenia"'.
Century: 1850-1899 Reader/Listener/Group: George Eliot [pseud] Print: BookManuscript: Unknown
Elizabeth Barrett to Hugh Stuart Boyd, 5 March 1842:
'I had two volumes of Euripedes [sic] with me in Devonshire -- & have read him as well as
Aeschylus & Sophocles [...] both before & since I went there. You know I have gone through
every line of the three tragedians, long ago, in the way of regular, consecutive reading.
'You know also that I had at different times read different dialogues of Plato: but when three
years ago, & a few months previous to my leaving home, I became possessed of a complete
edition of his works edited by Bekker, why then I began with the first volume & went through
the whole of his writings [...] one after another, -- & have at this time read all that is properly
attributed to Plato, but even those dialogues & epistles which pass falsely under his name, --
everything except two books I think, or three, of that treatise "De legibus" which I shall finish
in a week or two'.
Century: 1800-1849 Reader/Listener/Group: Elizabeth Barrett Print: Book
From Hallam Tennyson's account of 'My Father's Illness [1888]':
'He read or had read to him at this time the following books or essays: Leaf's edition of the Iliad; the Iphigenia of Aulis, expressing "wonder at its modernness"; Matthew Arnold on Tolstoi; Fiske's Destiny of Man; Gibbon's History, especially praising the Fall of Constantinople; Keats [sic] poems; Wordsworth's "Recluse." Of this last he said: "I like the passages which have been published before, such as that about the dance of a flock of birds, driven by a thoughtless impulse [...]"
'He often looked at his Virgil, more than ever delighting in what he called "that splendid end of the second Georgic."'
Century: 1850-1899 Reader/Listener/Group: Alfred Tennyson Print: Book
[Catherine Talbot to Elizabeth Carter, 31 January 1760:]
'For want of other nonsense books, I am reading an Italian translation of Euripides. -- A pretty good one, I fancy, though, what in Italian is peculiarly provoking, rugged and inharmonious. The Phenicians, and the Medea, filled me with horror [comments further] [...] The Orestes amused me very well, for its turn is rather comic; and I am now breaking my heart over the Hecuba.'
Century: 1700-1799 Reader/Listener/Group: Catherine Talbot Print: Book
[Catherine Talbot to Elizabeth Carter, 31 January 1760:]
'For want of other nonsense books, I am reading an Italian translation of Euripides. -- A pretty good one, I fancy, though, what in Italian is peculiarly provoking, rugged and inharmonious. The Phenicians, and the Medea, filled me with horror [comments further] [...] The Orestes amused me very well, for its turn is rather comic; and I am now breaking my heart over the Hecuba.'
Century: 1700-1799 Reader/Listener/Group: Catherine Talbot Print: Book
[Catherine Talbot to Elizabeth Carter, 31 January 1760:]
'For want of other nonsense books, I am reading an Italian translation of Euripides. -- A pretty good one, I fancy, though, what in Italian is peculiarly provoking, rugged and inharmonious. The Phenicians, and the Medea, filled me with horror [comments further] [...] The Orestes amused me very well, for its turn is rather comic; and I am now breaking my heart over the Hecuba.'
Century: 1700-1799 Reader/Listener/Group: Catherine Talbot Print: Book
[Catherine Talbot to Elizabeth Carter, 31 January 1760:]
'For want of other nonsense books, I am reading an Italian translation of Euripides. -- A pretty good one, I fancy, though, what in Italian is peculiarly provoking, rugged and inharmonious. The Phenicians, and the Medea, filled me with horror [comments further] [...] The Orestes amused me very well, for its turn is rather comic; and I am now breaking my heart over the Hecuba.'
Century: 1700-1799 Reader/Listener/Group: Catherine Talbot Print: Book