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the experience of reading in Britain, from 1450 to 1945...

Reading Experience Database UK Historical image of readers
 
 
 
 

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anon

  

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Anon OR 'Ma. A' [Madame A]  : The Prude. A Novel... By a Young Lady.

Home near 9. Read 'The Prude' comfortably by a fire.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Anon OR 'M. A.' [Madame A]  : The Prude. A Novel... By a Young Lady.

Read 'The Prude'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Anon OR 'Ma. A' [Madame A]  : The Prude. A Novel... By a Young Lady.

Tent till dark. Read the 3rd part of 'The Prude', and the 'The Beautifull Pyrate'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Anon  : The Arabian Nights

'Next to Robinson Crusoe, Rider liked the Arabian Nights, The Three Musketeers and the poems of Edgar Allan Poe and Macaulay. His two favourite novels were Charles Dickens' Tale of Two Cities and The Coming Race, a fantasy novel by Bulwer Lytton (the uncle of Sir Henry Bulwer, a Norfolk neighbour and friend of Squire Haggard who was to play a decisive part in Rider's life).'

Century: 1850-1899     Reader/Listener/Group: Henry Rider Haggard      Print: Book

  

[Anon] [Anon] : story books

'Zoe Proctor [sic] (b. 1867) describes how, during the 1870s, when her father was governor of the County Gaol at Bury St Edmunds, she "could not gain sufficient solitude for reading my little story books and was obliged to use the only secure retreat—the long, narrow W.C."'

Century: 1850-1899     Reader/Listener/Group: Zoe Procter      Print: Book

  

anon  : Little Katey and Jolly Jim

'One day Maud stood in front of Grandfather's bookshelves in the parlour and made up her mind that she would read every book on them. There weren't all that many, even though Grandfather, himself, loved to read. He took a daily newspaper from Charlottetown and Grandmother had her Godey's Lady's Book magazine full of stories, poems and fashion drawings. There was the big family Bible. There was "The Pilgrim's Progress" - in those days, in every Christian household where there were books, there was a copy of Bunyan's inspirational allegory. There were other Christian books and missionary tracts, two volumes of the History of the World, a few novels for adults, and one story for children entitled "Little Katey [sic] and Jolly Jim". Grandfather read the Bible aloud every night after supper, seated at the big table in the sitting room, and, afterwards, Maud was allowed to sit at the kitchen table with the light from the oil lamp shining on the book and read again the stories that gripped her... In time, she did read every book on Grandfather's shelves, but not during the summer she was six and a half, and she was well into her teens before she had any wish to read most of the novels or "The Pilgrim's Progress". But she spent many a blissful evening poring over the fashion drawings in the Godey's Lady's Book... The one book she read over and over was "Little Katey and Jolly Jim", because it was about children and not too full of moral lessons. She thought it was "simply scrumptious".'

Century: 1850-1899     Reader/Listener/Group: Lucy Maud Montgomery      Print: Book

  

anon  : Nibelungen Lied

'Read the "Leader" and the "Nibelungen Lied"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

anon.  : [review of Eliot's book, in "The Times"]

'G. returned from Vernon Hill, and I read to him, after the review of my book in the "Times", the delicious scenes at Tetterby's with the "Moloch of a baby" in "the Haunted Man".'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Newspaper

  

anon  : 'Attitudes -- A Sketch'

In letter to Mary Berry of 17 August 1791, Horace Walpole transcribes anonymously-authored, sixteen-line verse, sent to him by General Conway, on Sir W. Hamilton's mistress Emma Harte ('Attitudes -- A Sketch').

Unknown
Century: 1700-1799     Reader/Listener/Group: Horace Walpole      

  

anonymous  : A Dialogue on Parliamentary Reform

[Marginalia]

Century: 1800-1849     Reader/Listener/Group: Samuel Taylor Coleridge      Print: Book

  

Anon  : Fragments in the Manner of Sterne

'Mr E. brought "Fragments in the Manner of Sterne" 1797 from the library. The "Monthly Review" says it is the best imitation of Sterne that has ever appeared. I finished it that night & was very pleased with it; I think I will read "Tristram Shandy".'

Century: 1700-1799     Reader/Listener/Group: Joseph Hunter      Print: Book

  

Anon  : Fragments in the Manner of Sterne

'Wrote out of "Fragments" the piece upon war.'

Century: 1700-1799     Reader/Listener/Group: Joseph Hunter      Print: Book

  

[Anon]  : Biographical Anecdotes of the Founders of the French Revolution

'Took Staunton's "Embassy to China" to the Library & brought "Anecdotes of the Founders of the French Revolution...". "about one-third of the anecdotes" says the editor ... "have appeared in the 'Monthly Magazine' but the rest are original".'

Century: 1700-1799     Reader/Listener/Group: Joseph Hunter      Print: Book

  

[Anon]  : Biographical Anecdotes of the Founders of the French Revolution

'Finished the "Anecdotes of the Founders of the French Revolution". I have found that considerably more of it has appeared in the "Monthly Magazine" than they acknowledge. The second volume is probably more original.'

Century: 1700-1799     Reader/Listener/Group: Joseph Hunter      Print: Book

  

Anon  : Long Faces; Amusement for Starving Mechanics

'Procured a paper in form of an advertisement called "Long Faces" published Feb. 28th 1794 on the fast which was held that day. It is a very keen satire on fast days in general. I think it has been declared a libel.'

Century: 1700-1799     Reader/Listener/Group: Joseph Hunter      Print: Advertisement

  

Anonymous  : Eighteen Sermons Intended to Establish

'Lookd into the two vols of Sermons from Lord R. the texts are well selected and the sermons are plainly and sensibly written they are in my mind much superior to Blairs popular sermons'

Century: 1800-1849     Reader/Listener/Group: John Clare      Print: Book

  

Anonymous  : Arabian Nights Entertainments

'I have been for some time amusing myself with the "Arabian Nights" Entertainments, to whose fascinating influence I am quite ductile...'

Century: 1700-1799     Reader/Listener/Group: Thomas Green      Print: Book

  

anon  : Whim and Contradiction: A Tale

Arabella Moulton Barrett to her sister Elizabeth Barrett, c. August 1819: 'do you rememb'r simple susan and whim and contradiction I have just read them'.

Century: 1800-1849     Reader/Listener/Group: Arabella Moulton-Barrett      Print: Book

  

anon  : Two Old Men's Tales: The Deformed, and The Admiral's Daughter

Elizabeth Barrett to Theodosia Garrow, md-August 1839: 'I was too tired upon my return from the [italics]voyage[end italics] [water excursion] yesterday, to do more than feel very pleased & honored too, by Mr Landor's gift. Thank you for conveying it to me [...] The Admiral's daughter is the second of the "[italics]Two old men's tales[end italics]". I read it upon its publication several years ago, & was much struck with its passion & intensity'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett      Print: Book

  

anon  : mock epitaph for Virginia Woolf

Thursday 7 March 1940: 'A fortnight -- well on Saturday it will be a fortnight -- with influenza [...] before getting into bed that bitter [previous Saturday] afternoon I read my epitaph -- Mrs W. died so soon, in the N.S. & was pleased to support that dismissal very tolerably [...] And read all Havelock Ellis, a cautious cumulative, teased & tired book; too pressed down with that very common woman, Edith [Lees, Ellis's wife]: so I judged her, but she was life to him [...] He's honest & clear but thick [illegible] & too like the slow graceful Kangaroo with its cautious soft leaps. But thats much due to influenza.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

Anon [Apprently the father of the dead child]  : [memorial on grave]

'[…] I’ve been to church and am not depressed − a great step. I was at that beautiful church my P.P.P.[Petit Poeme en Prose] was about. It is a little cruciform place, with heavy cornices and string course to match, and a steep slate roof. The small kirkyard is full of old gravestones; one of a Frenchman from Dunquerque, I suppose he died prisoner in the military prison hard by. And one, the most pathetic memorial I ever saw: a poor school-slate, in a wooden frame, with the inscription cut into it evidently by the father’s own hand.'

Century: 1850-1899     Reader/Listener/Group: Robert Louis Stevenson      Manuscript: Inscription carved on school slate.

  

anon  : 12-canto poem on battle of Waterloo

'At the end of the year [1855] an unknown Nottingham artizan [sic] came to call. My father asked him to dinner and at his request read "Maud." It appears that the poor man had sent his poems beforehand. They had been acknowledged, but had not been returned, and had been forgotten. He was informed that the poems, thus sent, were always looked at, although my father and mother had not time to pass judgement on them. A most pathetic incident of this kind, my father told me, happened to him at Twickenham, when a Waterloo soldier brought twelve large cantos on the battle of Waterloo. The veteran had actually taught himself in his old age to read and write that he might thus commemorate Wellington's great victory. The epic lay for some time under the sofa in my father's study, and was a source of much anxiety to him. How could he go through such a vast poem? One day he mustered up courage and took a portion out. It opened on the head of a canto: "The Angels encamped above the field of Waterloo." On that day, at least, he "read no more." He gave the author, when he called for his manuscript, this criticism: "Though great images loom here and there, your poem could not be published as a whole." The old man answered nothing, wrapt up each of the twelve cantos carefully, placed them in a strong oak case and carried them off. He was asked to come again but he never came.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Alfred Tennyson      Manuscript: Unknown

  

anon  : 'The Commercial Policy of Pitt and Peel'

John Wilson Croker to Lord Stanley, 4 [?14] June 1847: 'I have had communicated to me the pages of a pamphlet, which is in the press, and about to be published in defence of the policy, and still more of the fairness of and consistency of Sir R. Peel's conduct [...] 'When you come to see the pamphlet you will find on p.45, &c, your personal accordance with Sir Robert's free trade measures, and particularly your Canada Corn Bill produced in his behalf. 'The pamphlet is well-written, and in rather a conciliatory tone, and certainly looks like like a move towards re-uniting the party under Sir R. Peel; but there is no argument for, and indeed hardly any palliation of, the particular steps of his proceeding in 1845-6. It [italics]assumes[end italics] that the Irish famine has proved, and that the state of England by and by will further prove, that all he did was [italics]right[end italics], as the writer thinks that he has shown that it was all [italics]fair[end italics].'

Unknown
Century: 1800-1849     Reader/Listener/Group: John Wilson Croker      

  

anon ('ancient writers')  : 

From Harriet Grote's diary (1868): 'Mr. Grote [husband] said he had, in the course of the last few months, taken down Gibbon's work and read occasionally therein; and, he added, he had been penetrated with admiration of the exactitude and fidelity of the references [...] Grote had tested Gibbon's trustworthiness, on several points, by reference to ancient writers, and invariably found his statements correct and candid. Dr. William Smith said that he too had compared the references in Gibbon with the works cited, and that he was affected by the same feeling of respect and admiration [comments further on George Grote's enthusiasm for Gibbon].'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

anon  : The Histories of some of the Penitents in the Magadalen House

[Catherine Talbot to Elizabeth Carter, 27 November 1759:] 'The book you enquire after is "The History of some of the Penitents in the Magdalen House." I think that is the title of the very pretty book we have been reading. I know not who writ it, but it is at least a very good likeness of Mrs Fielding.'

Century: 1700-1799     Reader/Listener/Group: Catherine Talbot and family     Print: Book

  

anon  : The Fair Carew; Or, Husbands and Wives

Charlotte Bronte to W. S. Williams, 10 November 1851:

'I have now read "The Fair Carew." It seems to me a delightful work and of genuine metal. Whether it has the glare and strong excitement necessary to attract the million I do not know, but I find in it the ease and repose only seen in good books. It owns both breadth of outline and delicacy of finish [...] The truth and nature of the characters are beyond praise; the satire has a keen edge, yet the temper of the work is good and genial. The writer is as shrewd as Miss Austen and not so shrewish, as interesting as Mrs Inchbald and more vigorous [...] The interest is strongest in the latter half of the first volume; yet for me the narrative never flagged, and where I was not spellbound I was charmed and amused. Who and what is this lady?'

Unknown
Century: 1850-1899     Reader/Listener/Group: Charlotte Brontë      

  

anon  : [Review of 'An Inland Voyage']

'The Saturday will help the sale[,] I think, rather than not; and that is all that can be hoped...'

Century: 1850-1899     Reader/Listener/Group: Robert Louis Stevenson      Print: Serial / periodical

  

anon  : Arden of Faversham

'A scene was then read from The Lamentable Tragedy of Arden of Faversham T. C. Elliot taking the part of Arden[.] S A Reynolds was Franklin & Geo Burrow Michael.'

Century: 1900-1945     Reader/Listener/Group: T. C. Elliott      

  

anon  : Arden of Faversham

'A scene was then read from The Lamentable Tragedy of Arden of Faversham T. C. Elliot taking the part of Arden[.] S A Reynolds was Franklin & Geo Burrow Michael.'

Century: 1900-1945     Reader/Listener/Group: Sylvanus Reynolds      

  

anon  : Arden of Faversham

'A scene was then read from The Lamentable Tragedy of Arden of Faversham T. C. Elliot taking the part of Arden[.] S A Reynolds was Franklin & Geo Burrow Michael.'

Unknown
Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

[Anon] [Anon] : [unknown]

'We are to make roads for the next few days. Out occasionally on work parties. Those officers not on duty all stayed in bed (valises!) and so did the men. We ate, slept, read in our valises. It was so cold outside. We had no fires, absolutely nothing, yet I really believed we enjoyed ourselves. There was practically no shelling.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Robert Lindsay Mackay      

  

Anon  : [old Berkshire ballad on a lad who died from eating custard]

Meeting held at 70 Northcourt Avenue 28/4/1933

C. E. Stansfield in the chair


1 Minutes of last read and approved


2 For the Next Meeting's subject "The Jew in Literature" was chosen with Geo Burrow H. R. & E. B. Smith as committee


[...]


4 The evening's subject of Berkshire in Literature was then opened up by Charles E. Stansfield reading from Tom Browns School days a description of the Vale of the White Horse[.] He carried us into a quietude of time & space where a great lover of the Vale tells of the great open downs & the vale to the north of them.


Dorothy Brain told us something of Old Berkshire Ballads surprising us with their number & variety & read an amusing Ballad about a lad who died of eating custard, & the Lay of the Hunted Pig.


C. E. Stansfield read an introduction to "Summer is a Cumen In"which was then played and sung on the Gramophone.


H. R. Smith read a description of "Reading a Hundred Years Ago" from "Some Worthies of Reading"


F. E. Pollard introduced Mary Russell Mitford to the Club giving a short account of her life and Work quoting with approval a description of her as "A prose Crabbe in the Sun"


M. S. W. Pollard read "The Gypsy" from "Our Village"


Geo Burrows gave us a short Reading from Mathew Arnolds "Scholar Gypsy" and a longer one from "Thyrsis"[.] During this the Stansfield "Mackie" put in a striking piece of synchronization.


E. B. Castle read an interesting account of the Bucklebury Bowl Turner from H. V. Mortons "In Search of England".

Unknown
Century: 1900-1945     Reader/Listener/Group: Dorothy Brain      

  

Anon  : The lay of the hunted pig

Meeting held at 70 Northcourt Avenue 28/4/1933

C. E. Stansfield in the chair


1 Minutes of last read and approved


2 For the Next Meeting's subject "The Jew in Literature" was chosen with Geo Burrow H. R. & E. B. Smith as committee


[...]


4 The evening's subject of Berkshire in Literature was then opened up by Charles E. Stansfield reading from Tom Browns School days a description of the Vale of the White Horse[.] He carried us into a quietude of time & space where a great lover of the Vale tells of the great open downs & the vale to the north of them.


Dorothy Brain told us something of Old Berkshire Ballads surprising us with their number & variety & read an amusing Ballad about a lad who died of eating custard, & the Lay of the Hunted Pig.


C. E. Stansfield read an introduction to "Summer is a Cumen In"which was then played and sung on the Gramophone.


H. R. Smith read a description of "Reading a Hundred Years Ago" from "Some Worthies of Reading"


F. E. Pollard introduced Mary Russell Mitford to the Club giving a short account of her life and Work quoting with approval a description of her as "A prose Crabbe in the Sun"


M. S. W. Pollard read "The Gypsy" from "Our Village"


Geo Burrows gave us a short Reading from Mathew Arnolds "Scholar Gypsy" and a longer one from "Thyrsis"[.] During this the Stansfield "Mackie" put in a striking piece of synchronization.


E. B. Castle read an interesting account of the Bucklebury Bowl Turner from H. V. Mortons "In Search of England".

Unknown
Century: 1900-1945     Reader/Listener/Group: Dorothy Brain      

  

Anon  : Sir Hugh

'Meeting held at Frensham:    23.5.33
    Howard R. Smith in the chair

1. Minutes of last read & approved

[...]

5. We then proceeded to the subject for the evening "The Jew in Literature", which was dealt with by eight readings and some discussion of several of them. It proved to be rather a vast subject, & there was considerable disagreement as to what really are the racial characteristics of the Jews, and there is an even greater indefiniteness in the Secretary's mind as to what the Club collectively thinks on all this. It must suffice then to give a list of the readers and their readings.

Mary E. Robson an extract from Du Maurier's Trilby describing Svengali
Howard R. Smith from Heine, in the Temple
Shakespeare, on Shylock's love for Jessica
George H. S. Burrow two XIII Century ballads, Sir Hugh & The Jew's Daughter
Mary S. Stansfield from The Children of the Ghetto
Edgar B. Castle from F. W. H. Myers's St. Paul
Victor W. Alexander from Frazer's Folklore of the Old Testament
Sylvanus A. Reynolds, the Jew's Tale in Longfellow's Wayside Inn
Howard R. Smith from Hilaire Belloc's The Jews'

Unknown
Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

Anon  : The Jew's Daughter

'Meeting held at Frensham:    23.5.33
    Howard R. Smith in the chair

1. Minutes of last read & approved

[...]

5. We then proceeded to the subject for the evening "The Jew in Literature", which was dealt with by eight readings and some discussion of several of them. It proved to be rather a vast subject, & there was considerable disagreement as to what really are the racial characteristics of the Jews, and there is an even greater indefiniteness in the Secretary's mind as to what the Club collectively thinks on all this. It must suffice then to give a list of the readers and their readings.

Mary E. Robson an extract from Du Maurier's Trilby describing Svengali
Howard R. Smith from Heine, in the Temple
Shakespeare, on Shylock's love for Jessica
George H. S. Burrow two XIII Century ballads, Sir Hugh & The Jew's Daughter
Mary S. Stansfield from The Children of the Ghetto
Edgar B. Castle from F. W. H. Myers's St. Paul
Victor W. Alexander from Frazer's Folklore of the Old Testament
Sylvanus A. Reynolds, the Jew's Tale in Longfellow's Wayside Inn
Howard R. Smith from Hilaire Belloc's The Jews'

Unknown
Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

Anon [member of the XII Book Club]  : Minutes of meeting of the XII Book Club held 3 March 1935

'Meeting held at 22, Cintra Avenue: 14.5.35
    Francis E. Pollard in the Chair
1. Minutes of last read + approved.

[...]

4. We then read Badger’s Green. Mrs. Goadby and Reginald Robson had allotted the parts as follows:—
Doctor Wetherby    F. E. Pollard
Major Forrester    R. H. Robson
Mr. Twigg    V. W. Alexander
Mr. Butler    E. B. Castle
Mr. Rogers    H. R. Smith
Dickie [Wetherby]    E. Mary Reynolds
Mrs. Wetherby    Elisabeth Alexander
Major Forrester    Mary Pollard
Mr. Butler’s Secretary    Dorothy K. Goadby
Mary    Mary Robson

The reading was very good fun. The well meaning self importance of Dr. Wetherby & Major Forrester, & the much doubted organizing ability of their respective wives provided the setting of local jealousy + futility in which the skill and tact of Mr. Butler + his Secretary showed up well. The secret passion of Mr. Twigg for entomology + fretwork and the breezy heartiness of Dickie provided some comic moments, while the thick pated, bucolic characters — Mr. Rogers + Mary — grounded the play firmly in its village simplicity.'

Century: 1900-1945     Reader/Listener/Group: Victor Alexander      

  

[Anon] [Anon] : [unknown]

'I wish you would send me the Daily Mail every other day, & also magazines (Pearsons etc) would be immensely appreciated. I see by a paper of the 18th that Whitby and Scarborough have been bombarded. The photographs in it are very similar to sights very common here.'

Century: 1900-1945     Reader/Listener/Group: Henry William Williamson      Print: Newspaper

  

[Anon] [Anon] : [unknown]

'The newspapers amuse us here immensely — we read of the Ger[mans] being driven back by our chaps — in reality he is walking away of his own free will, as slowly and as fast as he likes to.'

Century: 1900-1945     Reader/Listener/Group: Henry William Williamson      Print: Newspaper

  

[Anon] [Anon] : [unknown]

'I received on the 3rd a parcel from you with biscuits and bulls eyes, and same time books and jersey with letter. The books are very welcome. I shall enjoy reading what I read before the war, but no matter.'

Century: 1900-1945     Reader/Listener/Group: Henry William Williamson      Print: Book

  

anon  : [an ‘In Memoriam’ verse printed in the Berkshire Chronicle]

'Meeting held at 7, Marlborough Avenue. 15th Jan, 1944     A. G. Joselin in the chair.

[...]

2. The minutes of the last meeting were read and signed

[...]

5. Howard Smith opened the evening on Shelley with a biographical sketch. [...]

6. We adjourned for refreshment[.]

7. F. E. Pollard read “Ode to the West Wind”

8. Margaret Dilks gave brief appreciation of Shelley’s poetry. This started a general discussion in which nearly all took part — whether he influenced or was influenced by his contempor[ar]ies , & what effect he had, if any, on future poets. On these questions opinion varied, but all agreed with F. E. Pollard that Shelley’s verse is supremely ‘poetical’.

9. To illustrate Shelley’s passion for liberty and reform Bruce Dilks read from “The Masque of Anarchy” which was inspired by the Peterloo Massacre in 1819.

10. Rosamund Wallis read some stanzas from “Adonais”. F. E. Pollard read a short poem entitled “A Lament”[.] Thus, our thoughts being with the departed, the meeting ended on a lighter note. One member quoted a touching little verse from the Berkshire Chronicle In Memoriam notices, which another capped by some lines written by a school-boy on the relative merits of perpetual roasting and eternal hymn-singing. Lines which gained the boy a severe reprimand from his head-master, and a ‘Fiver’ from his father.

[signed as a true record by] S A Reynolds 14/2/44'

Century: 1900-1945     Reader/Listener/Group: Members and perhaps guests of the XII Book Club     Print: Newspaper

  

[anonymous authors]  : [unidentified humorous letters]

1. Apologies for absence were received from Margaret and A. Bruce Dilks, Alice and Arnold Joselin, Sylvanus A. Reynolds, Kenneth F. Nicholson, Francis H. Knight.

[...]

3. The subject chosen was letters, and during the evening we heard a most interesting variety of letters, the matter varying from good & energetic advice to a brother-in-law by Abraham Lincoln, to the butcher of our dreams; from Zola’s account of the Dreyfus case to the amazing all-round ability to destroy of Leonardo da Vinci. Charming letters to children were read, and various letters to the public; and yet through all this variety, links were found connecting one set of letters with the next.

In the first section of the meeting the following were read:- Letters by Leonardo da Vinci read by K. Waschauer, by Abraham Lincoln read by F. E. Pollard, and a humorous selection read by Edith B. and Howard R. Smith.

4. We adjourned for refreshments.

5. The minutes of the last meeting were then read and signed.

[...]

7. The business being completed, we had a further selection of letters Zola’s letters on the Dreyus case [read by] Howard R. Smith[.] Letters written to children [read by] Muriel Stevens[.] Captain Scott’s last letters [read by] Elsie D. Harrod[.] J. M. Barrie’s letter to Mrs. Scott [read by] Rosamund Wallis[.] Letters of Gertrude Bell [read by] Mary Stansfield[.]

8. The meeting ended with general thankfulness that we had not to spend the coming night as Gertrude Bell had done on the mountains.'

Century:      Reader/Listener/Group: Edith B. Smith      Print: Book

  

[anonymous authors]  : [unidentified humorous letters]

1. Apologies for absence were received from Margaret and A. Bruce Dilks, Alice and Arnold Joselin, Sylvanus A. Reynolds, Kenneth F. Nicholson, Francis H. Knight.

[...]

3. The subject chosen was letters, and during the evening we heard a most interesting variety of letters, the matter varying from good & energetic advice to a brother-in-law by Abraham Lincoln, to the butcher of our dreams; from Zola’s account of the Dreyfus case to the amazing all-round ability to destroy of Leonardo da Vinci. Charming letters to children were read, and various letters to the public; and yet through all this variety, links were found connecting one set of letters with the next.

In the first section of the meeting the following were read:- Letters by Leonardo da Vinci read by K. Waschauer, by Abraham Lincoln read by F. E. Pollard, and a humorous selection read by Edith B. and Howard R. Smith.

4. We adjourned for refreshments.

5. The minutes of the last meeting were then read and signed.

[...]

7. The business being completed, we had a further selection of letters Zola’s letters on the Dreyus case [read by] Howard R. Smith[.] Letters written to children [read by] Muriel Stevens[.] Captain Scott’s last letters [read by] Elsie D. Harrod[.] J. M. Barrie’s letter to Mrs. Scott [read by] Rosamund Wallis[.] Letters of Gertrude Bell [read by] Mary Stansfield[.]

8. The meeting ended with general thankfulness that we had not to spend the coming night as Gertrude Bell had done on the mountains.'

Century:      Reader/Listener/Group: Howard Smith      Print: Book

  

[anonymous authors]  : [letters written to children]

1. Apologies for absence were received from Margaret and A. Bruce Dilks, Alice and Arnold Joselin, Sylvanus A. Reynolds, Kenneth F. Nicholson, Francis H. Knight.

[...]

3. The subject chosen was letters, and during the evening we heard a most interesting variety of letters, the matter varying from good & energetic advice to a brother-in-law by Abraham Lincoln, to the butcher of our dreams; from Zola’s account of the Dreyfus case to the amazing all-round ability to destroy of Leonardo da Vinci. Charming letters to children were read, and various letters to the public; and yet through all this variety, links were found connecting one set of letters with the next.

In the first section of the meeting the following were read:- Letters by Leonardo da Vinci read by K. Waschauer, by Abraham Lincoln read by F. E. Pollard, and a humorous selection read by Edith B. and Howard R. Smith.

4. We adjourned for refreshments.

5. The minutes of the last meeting were then read and signed.

[...]

7. The business being completed, we had a further selection of letters Zola’s letters on the Dreyus case [read by] Howard R. Smith[.] Letters written to children [read by] Muriel Stevens[.] Captain Scott’s last letters [read by] Elsie D. Harrod[.] J. M. Barrie’s letter to Mrs. Scott [read by] Rosamund Wallis[.] Letters of Gertrude Bell [read by] Mary Stansfield[.]

8. The meeting ended with general thankfulness that we had not to spend the coming night as Gertrude Bell had done on the mountains.'

Unknown
Century:      Reader/Listener/Group: Muriel Stevens      

  

anon  : Tam Lin

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Elsie Harrod      

  

anon  : Sir Patrick Spens

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Kenneth F. Nicholson      

  

anon  : The Suffolk Miracle

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Margaret Dilks      

  

anon  : Chevy Chase

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Knox Taylor      

  

anon  : Archbishop Laud

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Howard Smith      

  

anon  : Mollie Mog

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Howard Smith      

  

anon  : The Lay of the Hunted Pig

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Howard Smith      

  

anon  : Cupid’s Garden

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Howard Smith      

  

anon  : John Barleycorn

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Isabel Taylor      

  

anon  : Edward

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Bruce Dilks      

  

anon  : Sir Patrick Spens

'Minutes of Meeting held at School House. 3rd April 1943
    R. D. L. Moore in the Chair
1. The minutes of the last meeting were read & signed.

[...]

4. Roger Moore introduced the subject of ‘Ballads’. He spoke of their origin, which is very obscure since anonymity belongs to their very nature. They were never meant to be ‘literature’, since they were not written but have come down to us orally until Bishop Percy in 1765 started making his collection. He quoted Quiller- Couch in saying that almost all the places most celebrated in ballad poetry lie in the Border country between two lines, one drawn from the Firth of Forth to the Clyde & the other from Newcastle-on-Tyne to St Bee’s Head. Quiller-Couch also draws two chronological lines — at the years 1350 and 1550 & holds that the Ballad rose, flourished & declined within that period.

5. Illustrations of Ballads were given as follows:
Tam Lin    read by Elsie Harrod
The Two Magicians    sung by A. B. Dilks
Sir Patrick Spens    read by Kenneth Nicholson
The Suffolk Miracle    [read by] Margaret Dilks
Chevy Chase    [read by] Knox Taylor

Some Berkshire Ballads —
    Archbishop Laud
    Mollie Mog
    The Lay of the Hunted Pig
    Cupid’s Garden ——— read by Howard Smith

John Barleycorn — read by Isabel Taylor

Edward — [read by] Bruce Dilks.

[signed as a true record by] Muriel M. Stevens 8 - 5 - 43. [at the club meeting held at Gower Cottage: see Minute Book, p. 153.]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Bruce Dilks      

  

anon  : [Write-up on the cover of a copy of the play Distant Point by Aleksandr Afinogenov]

'Meeting held at Frensham. 22nd June 1943
H. R. Smith in the chair
1. The first part of the meeting was spent most happily in the Frensham garden. [...]

2. We adjourned indoors & the minutes of last meeting were read, corrected & signed.

[...]

6. ‘Distant Point’ a translation from the Russian Play by Afinogenev was then read. In this F. E. Pollard was a somewhat timid and bewildered stationmaster, Margaret Dilks his huntin’ shootin’ gold-digging wife, and Elsie Harrod, their very high spirited daughter. The latter two, being no doubt, largely responsible for the timidity & bewilderment of the former. Then there was Kenneth Nicholson as the linesman who wanted to get on, Isabel Taylor as his very beautiful wife who with their small son he feared would cramp his style. S. A. Reynolds was switchman and father-in-law to the linesman. A. B. Dilks was the Telegraph operator – a mixture of poet, musician & inventor. Roger Moore read with keen insight the part of the 2nd linesman who was a drunken sot with a past. Out of the railway coach marooned at this station, came H. R. Smith as a Commander in the Far Eastern Russian army, Muriel Stevens as his wife, & Arnold Joselin as his Aide-de-camp. Rosamund Wallis read the stage directions and battled nobly with the Russian names. The write-up on the cover of this book said that this play shows the Russians laughing at themselves, & this would seem as good a way as any of summing it up.

[signed as a true record by] F. E. Pollard 4. IX. 43. [at the club meeting held at 22 Cintra Avenue: see Minute Book, p. 158]'

Century: 1900-1945     Reader/Listener/Group: Margaret Dilks      Print: Book

  

[seven anonymous authors]  : [extracts from seven unspecified prose writings]

'Meeting held at Frensham. 6th Oct. 1943 Howard R. Smith in the chair.
1. Minutes of the last meeting were read & approved.
[...]
5. Kenneth Nicholson discoursed to us on ‘Style’. He confessed that the more he had gone into the subject the further he had got out of his depth, but this fact was not apparent, for what he said was most interesting and illuminating. He gave as his four essentials for good style: Clarity, Rhythm, Sincerity and the Emergence of Personality. Kenneth Nicholson illustrated these qualities by quotations from such varied sources as: The Telephone Directory; an advertisement for Sanitas powder; the Dean of Harvard; Charles Morgan; Walter Pater; C. E. Montague; G. K Chesterton; H. G. Wells; T. E. Lawrence; a Leighton Park boy and a Press reporter. In the discussion which followed, some members thought that good style could be achieved without sincerity, and reference was made to the regrettable absence of clarity in legal documents and official forms.
6. F. E. Pollard then read 7 examples of prose writing and we were asked to write down the authors. It was only to be expected that Kenneth Nicholson, who had been studying the subject, should come out top with 5 right answers. [...]

[signed as a true record by] A. B. Dilks 8.11.43. [at the club meeting held at 39 Eastern Avenue: see Minute Book, p. 165]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Francis E. Pollard      

  

anon  : The Winning Gun: The Story of a Yacht Race

'Read story of a yacht race. Bed 9.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Harriet Bickersteth Cook      

  

Anon  : [A ‘passage analysing the nature of Humour’]

'Meeting held at 22 Cintra Avenue: 17. IV 40. F. E. Pollard in the chair
1. Minutes of last read & approved.
[...]
5. As an introduction to our subject of Modern English Humourists, R. H. Robson read a passage analysing the nature of Humour. Discussion followed on the distinction, if any, between wit & humour, & various alleged examples were forthcoming.
6. A. B. Dilks read from Grossmith’s Diary of a Nobody; many entries appealed to members as characteristic of themselves or their friends.
7. In the regretted absence of C. E. Stansfield, F. E. Pollard read T. Thompson’s Blitzkrieg, from the Manchester Guardian, in what purported to be the Lancashire dialect.
8 Howard R. Smith read from A. A. Milne: the reader shared fully in the mirth of the hearers.
9. M. Dilks gave us a passage from Macdonnell’s ‘England, their England’, which must have been salutary for any suffering from insular complacency.
10. Rosamund Wallis’ contribution was from P. G. Wodehouse’s ‘Carry on, Jeeves’; certain methods of being off with the old love & on with the new were characteristically indicated by the writer, effectively rendered by the reader, & clearly appreciated by the company.
11. R. H. Robson’s Saki story supplied further satire on English standards – in this case of music, & the services likely to secure a title.
12. The chapter from Barrie’s ‘Window in Thrums’, read by F. E. Pollard, told how Gavin Birse did his best to be off with the old love, but failed.
13. The idea of a Barrie evening was mooted.
[signed as a true record:] M. Stevens
18-7-40'

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Manuscript: Unknown

  

[Anon] [Anon] : [unknown]

'Still, it is a very fine tragedy. So is the Greek play that we are doing. It is quite unlike all that stiff bombast which we are accustomed to associate with Greek tragedy. There is life and character in it.'

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Book

  

[Anon] [Anon] : The Nietzschean Way

'I wonder did you notice the article on Nietzsche in last Sunday's Times Literary Supplement, which demonstrates that although we have been told to regard Nietzsche as the indirect author of this war, nothing could be farther removed from the spirit and letter of his teaching? It just shows how we can be duped by an ignorant and loud mouthed cheap press. Kirk, who knows something about N., had anticipated that article with us, and is in high glee at seeing the blunder "proclaimed on the housetops".'

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Newspaper, Serial / periodical

  

[Anon] [Anon] : Laxdaela Saga

'Last week I got a copy of that little book of yours on Icelandic Sagas, which I found very interesting, and as a result I have now bought a translation of the "Laxdaela Saga" in the Temple Classics edition.... they are tip top and justify the boast of 'elegance' made in their advertisements.... As to the Saga itself I am very pleased with it indeed: if the brief, simple, nervous style of the translation is a good copy of the original it must be very fine. The story, tho', like most sagas, it loses unity, by being spread over two or three generations, is thoroughly interesting.... after the "Roots" a real saga is interesting. I must admit that ... the primitive type is far better than Morris's reproduction.'I

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Book

  

[Anon] [Anon] : [unknown]

'I have been reading nothing since Othello but a translation from the Icelandic'

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Book

  

[Anon] [Anon] : 'At the Play: "Disraeli"'

'I went to a play that would have appealed to you — "Disraeli", which you will remember to have seen reviewed in Punch's "At the play". If the real man was at all like the character in the piece he certainly must have been a prince of cards. I suppose that most of the bons mots that I heard at the Royalty are actual historic ones, preserved in his letters and so forth.'

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Serial / periodical

  

[Anon] [Anon] : 'Edgar Allan Poe'

'I hope you noticed the leader in this week's Literary Supplement — on Edgar Allan Poe? I never heard such affectation and preciosity; the man who thinks the "Raven" tawdry just because it is easily appreciated, and says that in "The choice of words Poe has touched greater heights than De Quincy" ought — well, what can we say of him?'

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Serial / periodical

  

[Anon] [Anon] : [unknown]

'Besides this [i.e. Sidney's "Arcadia"] I have read nothing lately, except a foolish modern novel which I read at one sitting — or rather one lying on the sofa, this afternoon in the middle of a terrible thunderstorm. I think, that if modern novels are to be read at all, they should be taken like this, at one gulp, and then thrown away — preferably into the fire (that is if they are not in one's own edition). Not that I despise them because they are modern, but really most of them are pretty sickly with their everlasting problems.'

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Book

  

[Anon] [Anon] : Beowulf

'... remember that nearly all your reading is confined to about 150 years of one particular country.... And so, if you suddenly go back to an Anglo-Saxon gleeman's lay, you come up against something absolutely different — a different world. If you are to enjoy it, you must forget your previous ideas of what a book should be and try and put yourself back in the position of the people for whom it was first made. When I was reading it I tried to imagine myself as an old Saxon thane sitting in my hall of a winter's night, with the wolves & storm outside and the old fellow singing his story. In this way you get the atmosphere of terror that runs through it — the horror of the old barbarous days when the land was all forests and when you thought that a demon might come to your house any night & carry you off. The description of Grendel stalking up from his "fen and fastness" thrilled me. Besides, I loved the simplicity of the old life it represents: it comes as a relief to get away from all complications about characters & "problems" to a time when hunting, fighting, eating, drinking & loving were all a man had to think of it. And lastly, always remember it's a translation which spoils most things.'

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Book

  

[Anon] [Anon] : The High History of the Holy Graal

'As a matter of fact I am at present reading a real "old french" romance "The High History of the Holy Graal" translated in the lovely "Temple Classics". If I dared to advise you any longer -. It is absolute heaven: it is more mystic and eerie than the "Morte" & has [a] more connected plot. I think there are parts of it even you'd like.'

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Book

  

[Anon] [Anon] : Gesta Romanorum

'After wandering about the place and buying a second-hand copy of the "Gesta Romanorum" (of which more anon) I took my courage in both hands and knocked up the Master of University.... The "Gesta Romanorum" ... is a collection of mediaeval tales with morals attached to them: they are very like the Arabian Nights, tho' of course the characters and setting are chivalric instead of Eastern. It is not a first class book but it only cost me 1/- and helps to while away an hour or so between serious things.'

Century: 1900-1945     Reader/Listener/Group: Clive Staples Lewis      Print: Book

  

Anon Anon : [unknown biography of Alfred, Lord Tennyson]

‘The other day I read a Biography of Tennyson, which says he was unhappy, even in the midst of his fame, wealth, and domestic serenity. Divine discontent! I can quite believe he never knew happiness for one moment such as I have … But as for misery, was he ever frozen alive, with dead men for comforters. Did he ever hear the moaning at the bar, not at twilight and evening bell only, but at dawn, noon, and night, eating and sleeping, walking and working, always the close moaning of the Bar; the thunder, the hissing and the whining of the Bar?’

Century: 1900-1945     Reader/Listener/Group: Wilfred Owen      Print: Book

  

Anon Anon : [sonnets]

'I am a week late in thanking you for your parcel and letter … and specially for the book of sonnets which has been constantly either in my pocket or hand. It is just the kind of thing one wants—that can be opened and closed again for five or ten minutes that may come to hand. It contains many fine ones which I had not met before: and altogether its possession is a great boon.’

Century: 1900-1945     Reader/Listener/Group: Charles Hamilton Sorley      Print: Book

  

Anon Anon : [unknown]

'Did not get up until 7A.M. as I lay in the bed reading ...'

Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      

  

Anon Anon : [unknown]

'I rec'd a letter and some newspapers from J. P. Prout with a letter enclosed from my wife. I read a good bit from the papers & then wrote this it is now time to go to bed about 8 P.M.'

Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      Print: Newspaper

  

Anon Anon : [unknown]

'After reading a good bit I went to bed about 10 A.M.'

Unknown
Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      

  

Anon Anon : [unknown]

'Got out of the mine about 6 A.M. had some tea & read the paper a bit & saw in the list of deaths, the death of Mary Ann wife of Lot Brewer. I think it is my old school-mistress from Trelowth, St Austell.'

Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      Print: Newspaper

  

Anon Anon : [unknown]

'I went in & read a good bit from the news-papers then Bob his Wife & baby came in & we stayed chatting for a good while.'

Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      Print: Newspaper

  

Anon Anon : [unknown]

'Got up about 7A.M. had some tea & commenced to read. I read a Christian Age & some from a book by Thos Guthrie, 'Man & the Gospel' which I enjoy very much. I then went down & read a good while to Mr Bennett who is still very sick. I did not go out very much for the day. After dinner I read to him again went to bed about 7-30.'

Unknown
Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      

  

Anon Anon : [unknown]

' ... read some papers to the old man ...'

Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      

  

Anon Anon : [unknown]

'I read a good bit to the old man then came in & had my tea & off to bed about 8-30 P.M.'

Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      

  

Anon Anon : [unknown]

'I wrote a letter and read some news to the old man ...'

Unknown
Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      

  

Anon Anon : [unknown]

' ... went to see the old man and read the newspaper to him ...'

Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      Print: Newspaper

  

Anon Anon : [unknown]

'I read some papers & then went to bed ...'

Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      Print: Newspaper

  

Anon Anon : [unknown]

' ... had my dinner & read the Newspaper & boiled a pot of potatoes ...'

Century: 1850-1899     Reader/Listener/Group: James Bennetts Williams      Print: Newspaper

  

Anon Anon : [unknown]

'Started raining at 6.0, so returned on board. Reading & writing in gun room till 10.0, when we turned in.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      

  

Anon Anon : [unknown]

'Lunch 12.0, & afterwards went on leave, while hands washed up the decks. Had a tremendous blow out at Swiss Cafe, & purchased many items ... Went & read at room at the disposal of the Cadets at Tower's House. Returned on board at 7.45.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      

  

Anon Anon : [unknown]

'General Quarters till 10.30. Went to Navigator's cabin to write up log. When I finished I couldn't find any cadets, so went back to Navigator's cabin & eat chocolate, then went down to gun room & read.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      

  

Anon Anon : [unknown]

'Fog did not lift, so we did not begin [patrol]. Spent afternoon in writing, reading etc. Leave for Officers from 4.30-6.15. Went ashore ...'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      

  

Anon Anon : [unknown]

'Came down and had breakfast at 8.0. Divisions at 9.45 & no General Quarters but physical training from 11.15 till 12.0 ... Lunch at 12.0, & afterwards I retired to the Comforts cabin, & had a ripping hot bath. Smoked a pipe & then came up to Gun Room & read a thrilling book.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      Print: Book

  

Anon Anon : [unknown]

'Church at 10.30. Stopped a large & lusty ship at 12.0, but it turned out to be a false alarm as usual. Lunch at 12.0. I read all the afternoon, & got the PMO's gramophone during the evening.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      Print: Book

  

Anon Anon : [unknown]

'Hoped to have 1" aiming rifle practice, but after getting up ammunition & lots of fuss we cleared off to lunch. Read during the afternoon & tea at 3.30.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      

  

Anon Anon : [unknown]

'Sketched till 10.45, & then went to the Captain's Cabin, where the P.M.O. gave us a long lecture on diseases. Lunch at 12.0, & afterwards I read in the Gun Room till tea time. No history lessons.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      

  

Anon Anon : [unknown]

'... nothing much to do all morning, except for a fairly short stay at General Quarters. There was nothing for me to do at all in the afternoon, so I simply sat in the Gun Room & read.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      

  

Anon Anon : [unknown]

' ... foul morning ... altogether rotten. I came up for breakfast to find everyone feeling sick, & nothing to eat. After some time I partook of a frugal meal, in the middle of which Control Parties was sounded off ... Frightfully thrilling. I had nothing at all to do during the afternoon so I sat in the Gun Room & read.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      

  

Anon Anon : [unknown]

'... frightfully dull ... During the afternoon I went out to the after superstructure for a time & then came down to the Gun Room & read.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      

  

Anon Anon : [unknown]

'I woke up feeling extremely bored with life ... it was a foul day, like yesterday. I did exactly the same things ... During the forenoon the sea gave signs of going down much to my disgust, as I am enjoying myself immensely as I am. We had lunch at 12.0, & I started another magazine in the afternoon. I really must remember to send home for some books.'

Century: 1900-1945     Reader/Listener/Group: Leslie Richard Romer      Print: Serial / periodical

  

[Anon] [Anon] : [unknown]

'Thou kindly asks whether I am pursuing my favourite reading. To this I must return a decided no — several books from our Book Society having come upon us suddenly, and one which I particularly wish to read, has prevented my exclusive reading on Geology.'

Century: 1800-1849     Reader/Listener/Group: Eliza Ellis      Print: Book

  

[Anon] [Anon] : [unknown]

'I have scarcely read anything except an occasional short pity article in some review, on looked within the pages of some book, and turned away with an oppressed heart when I recollected, that at least for the present, books are a hidden treasure beyond my reach.'

Century: 1800-1849     Reader/Listener/Group: Eliza Ellis      Print: Serial / periodical

  

[Anon] [Anon] : [unknown]

'I have scarcely read anything except an occasional short pity article in some review, on looked within the pages of some book, and turned away with an oppressed heart when I recollected, that at least for the present, books are a hidden treasure beyond my reach.'

Century: 1800-1849     Reader/Listener/Group: Eliza Ellis      Print: Book

  

[Anon] [Anon] : 'Female Education. The Positive-the Possible'

'Do you take Chambers's Journal? The opening article I like very much, on that beautiful line from Keats, 'A thing of beauty is a joy for ever'; another of the leading articles pleased me greatly, as it so precisely coincides with my view of the question; it is on Female Education, and is really excellent and full of truth.'

Century: 1800-1849     Reader/Listener/Group: Eliza Ellis      Print: Serial / periodical

  

Anon Anon : [Us and the Americans]

'Just reading a book called Us and the Americans ... what they do not understand, and what they like. Our gardens impress everyone.'

Century: 1900-1945     Reader/Listener/Group: Vere Hodgson      Print: Book

  

[Anon] [Anon] : [unknown]

'Off parade there was little enough to do. La Thieuloye was a desolate hole, a mere hamlet with hardly a shop for miles ... Our barn was a fine roomy one and we were quite comfortable there ... leaving our rifles and bulkier equipment in our places in the barn, we pitched a sort of camp in a field or orchard at the back of the barn and mainly lived out there ... the Bachelor's Debating Society continued to be in very good form and our time off parade was a jolly one. "G.R." [unidentified] was at this time supplying us with reading matter in the shape of Sheffield Telegraph threepenny novelettes, some of which caused considerable hilarity. Billy was much amused, in his perusal of one, to find the following brilliant epigram put in the mouth of one of the characters: "Misogyny covers a multitude of past indiscretions". As "G.R." had been giving vent to certain anti-feminist sentiments lately it pleased Billy to apply this saying to him and we pulled his leg by inventing a fairly lurid, Don Juan-ish past for our friend.'

Century: 1900-1945     Reader/Listener/Group: Geoffrey Ratcliff Husbands      Print: Newspaper

  

Anon Anon : [poems]

'We set off early along a dry river-bed green with date palms on either bank, pursued by thousands of flies which we could not get rid off until we reached the colder climate of the plateaux [...] we halted for lunch while it was still quite early, and their beduin spread out carpets on the sandy river bed in the shade of a large rock, and placed cushions for our backs. I realized then that the Hadhramis had a better idea about travel comfort than cluttered-up safari-minded Europeans, for it was all so simple and yet so adequate. Seiyid Salim inhaled long puffs from the hubble- bubble while Seiyid Hamid read aloud an ode to a railway train from a book of poems, and so the time passed pleasantly until our lunch of rice and dried shark was ready. This was followed by green tea.'

Century: 1900-1945     Reader/Listener/Group: Doreen Ingrams      Print: Book, Read in Arabic

  

[Anon] [Anon] : [letters]

'When we returned to Mukalla from the East Indies there was more work than ever; the war meant a number of new regulations which had to be enforced including the censorship of letters. Every morning Muhammad Ba Matraf, the Residency interpreter, and I sat down to large batches of letters addressed to East Africa, India, Aden, or the East Indies. They were sad letters, mostly written on behalf of women whose husbands had left them penniless and to soften the heart of an errant husband they often included the footprint of a child he had perhaps never seen; but the letters were unlikely to be of interest to an enemy, though just occasionally there were remarks about local events which had to be cut out.'

Century: 1900-1945     Reader/Listener/Group: Doreen Ingrams      Manuscript: Letter

  

[Anon] [Anon] : [letter of introduction]

'The chief of the post, pushing his long hair out of his eyes and leaning on his gun, slowly read the address of my letter of introduction to the Governor at Alishtar. This letter was an "Open Sesame": its quite insignificant contents were luckily sealed up but the name on the envelope had already served to get me through the entanglements of the Nihavend police.'

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Manuscript: Letter

  

[Anon] [Anon] : The History of Alexander

'The Squire of Bijeno was a reader. We spent the evening over the history of Alexander and over '"Memoirs of the Boxer Rising", translated into Persian from the French - a strange waif of a book that I came upon again in a wild part of Luristan, amusing the leisure hours of a tribal chief.'

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Print: Book

  

[Anon] [Anon] : Memoirs of the Boxer Rising

'The Squire of Bijeno was a reader. We spent the evening over the history of Alexander and over "Memoirs of the Boxer Rising", translated into Persian from the French - a strange waif of a book that I came upon again in a wild part of Luristan, amusing the leisure hours of a tribal chief.'

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Print: Book

  

[Anon] [Anon] : [notices posted on walls]

'Rutba is the palace planted in the wilderness when Aladdin's uncle rubbed the lamp; how else can it have got there? It is 200 empty miles from anywhere. It has beds to sleep in and waiters who spontaneously think of hot water. You walk into a room and dine on salmon mayonnaise and other refinements and read notices on the walls like those of an English club house in the country. The British, returning from summer leave, are all talking shop or shootings and look nice and clean.'

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Manuscript: Sheet, notices on walls

  

[Anon] [Anon] : [unknown]

'He had the daily paper folded under his arm with his forage cap or sidara, and his latchkey, as long and as heavy, and in fact an exact duplicate of mine, in his hand. Having climbed to my room, smoked a cigarette, drunk a cup of coffee and exchanged the news of the day, he would open the paper out upon my table and lead me, with many halts and interruptions, through the Baghdad journalist' flowers of invective, chiefly directed against our British crimes. It was the fashionable thing to be anti-British in Baghdad at the time.'

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Print: Newspaper

  

[Anon] [Anon] : Life of the Prophet Muhammad

'I lie contentedly enough, and amuse myself with a book which Qasim, seeing me in pain, has brought me in his kindness. It is his most treasured possession, a life of the Prophet in big lettering on rough paper, brown-black on brown-white, with flowered borders and headlines with the name of Allah, the author's name in a lunette at the top of every page, and the number of the page in a little flowered frame of its own on the margin. It gives one pleasure to handle anything done, even by mechanical means, with so much loving care. The book itself is written guilelessly, and tells the legends of Muhammad; how Amina, his mother, bore him without weight or discomfort, and in sleep saw the prophets month by month in turn, and in the last month the Prophet Jesus - for the substance of Muhammad, a drop from the River of Paradise, had been in the bodies of all the Prophets before him, beginning with Adam.'

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Print: Book

  

[Anon] [Anon] : [unknown]

'In the evenings, if I have no one else below, I climb upstairs to sit in comfort except for mosquitoes - enormous creatures with white rings round their legs - that infest this region. Alinur, now recovered, is by the table with a book, in a comfortable domestic atmosphere; the Archaeologist is on a terrace in the distance, with 'Time and Tide' and the 'Spectator' (very old) strewn about her. A lantern on her right hand and the moon on her left illuminate the neat blouse, and grey hair whose brushed waves still keep a faint rebellious grace of girlhood.'

Century: 1900-1945     Reader/Listener/Group: Elinor Wight Gardner      Print: Book

  

[Anon] [Anon] : Sirat al Mutawakkiliya

'I have a copyist now - a thin-faced student in a long gown who writes out for me the manuscript of the Sultan of Qatn for which I have no time: it is six hundred pages and tells, under red and green headings, the history of sixteenth century in Yemen. It is called the Sirat al Mutawakkiliya and was written in A.D. 1600, and in it are described scraps with the Ferangi (probably the Dutch) in the Red Sea, and a mission from Yemen to Abyssinia and news too of this land. Whether it is known or not in Europe I have no means of telling, but it is good enough in itself to be worth the copying, and it is a pleasure to perpetuate learning by this slow and ancient means. It is very expensive, for every two sheets of paper cost a quarter of a dollar (4 1/2d.), apart from the scribe's time; and it is difficult too to deal with, for none of the pages are numbered.'

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Manuscript: Codex, Arabic history of Yemen

  

[Anon] [Anon] : [inscriptions]

'In the evening all the boys came rushing excited to my terrace with baskets full of pots. They are rough and ugly, but they have pre-Islamic letters scratched on them, which will presumably help to date them: one has the word "mat" (he died), incised upon its edge.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Freya Stark      

  

Anon Anon : [unknown Arabic poems in praise of the RAF and Harold Ingrams]

'Hasan, smoking wisps of paper filled with green tobacco, walked on reciting poems composed by his father about Harold and the R.A.F. and chucked his long brown fingers to explain the verses to us and to the donkey behind him [12 lines of verse are translated and quoted by Stark, with an interruption from her midway, showing this is a reactive listening experience]'

Unknown
Century: 1900-1945     Reader/Listener/Group: Freya Stark      

  

Anon Anon : [Arabic qasida (praise poem) in praise of Harold Ingrams]

When I reached home I found a man with a qasida in praise of Harold in his hand. 'He has broken the horns of the wicked', it says. I wonder if this has any relationship with the Bible phrase: 'His horn shall be exalted?'

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Manuscript: Sheet

  

Anon Anon : [unknown tomb inscriptions and Qu'ranic supplication for the dead]

I have spent a meandering day taking last pictures in the town with the Qadhi, who read out the carved inscriptions of the tombs, and standing with upturned palms while he chanted his prayer for the dead, smiled in his gentle way as I said 'Amen'.

Unknown
Century: 1900-1945     Reader/Listener/Group: Freya Stark      

  

Anon Anon : [unknown Sabaean inscription at Naqb al-Hajar]

It is a huge citadel, nearly a mile in length I should guess, on a low and stony ridge going east and west [...] the inscription is inside the southern gateway and tells how the governor of the fortress rebuilt the wall with stone and wood and binding (mortar), and calls it by the name of Meifa'a, which has not changed. I sat and copied and kept a running flow of conversation to hold my crowd in hand, telling them the Arabic names of the letters as I wrote them down.

Unknown
Century: 1900-1945     Reader/Listener/Group: Freya Stark      

  

Anon Anon : unknown inscriptions

Great black blocks, roughly cut, show the seawall protecting the citadel's approach; and on a ledge east of the causeway the two inscriptions in the rock are clear as on the day that they were cut [...] as through a rift in clouds, they show for a moment the history of Cana in the past. The citadel itself was called Mawiya, and the Governor of Cana here, in the shorter inscription, recorded his presence. The longer one was dated and tells how the tribes of Himyar, having made an expedition into Abyssinia, were harassed by the Abyssinians in their turn; with their lands invaded, their king killed, they shut themselves up in this fortress, and restored its single gateway, its cisterns and walls in the year A.D. 625 or thereabout, many centuries after the Periplus speaks of the ancient harbour [...] these things I turned idly over while copying out the inscriptions through the quiet solitary hours of the afternoon.

Unknown
Century: 1900-1945     Reader/Listener/Group: Freya Stark      

  

[Anon] [Anon] : [unknown romance novel]

I was also pained but amused at the pink, paper- bound novels that went about: I asked my neighbour to read me a paragraph, and this was it: "'Good God,' said Susanna: 'what will my mother say when she hears that I have dropped my new eyelashes into the champagne?'"

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Print: Book

  

[Anon] [Anon] : [book on South Arabia]

The people in the beds near me also kept quiet during the days before the operation, when I lay busily reading about South Arabia, and this delicacy I have always remembered with gratitude.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Print: Book

  

[Anon] [Anon] : [unknown book about Arabia]

I have been rather feeble and depressed all summer, and it will probably do a lot of good to walk about the hills of Arabia. I have been reading books about it and it sounds a good country though uncomfortable.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Print: Book

  

[Anon] [Anon] : Periplus of the Erythrean Sea

I am reading the Periplus of the Erythrean Sea (how much prettier a name than Red Sea): it was an old commercial chart by an unknown Greek of Alexandria in the first century - the first account of these shores, which the Arabian traders tried to keep wrapped in mystery so that Roman commerce should not enter. It is very pleasant to sit and read it on deck while the gulfs and bays unroll before one.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Print: Book

  

[Anon] [Anon] : [unknown]

'Last night I sent a field service card just to let you know that I received the parcel alright on Sunday. It was packed very well. There was a lot of stuff in it, and it was quite exciting exploring it, which I did just before going to Church ... Now I must thank you for all the good things you have sent ... It is quiet here now. Not many patients in. One in our ward was shot in the side below the ribs, and the bullet is up in his neck. He was digging at the time in the dark. He is propped up in bed and quite cheerful, eating, reading and sleeping ... The Advertisers were interesting. I read them both yesterday afternoon, and all of young Corbishley's letters.'

Century: 1900-1945     Reader/Listener/Group: Anon Anon      Print: Unknown

  

[Anon] [Anon] : [unknown]

'Well, I have got another change. Am on night duty again, but among the officers. Have been doing it just a week ... It is 5.45 now and I will soon take a cup of tea to each patient. Then take water round for them to wash. At seven I finish. In the night I get an easy chair out of the sitting room and a book, and sit here in the small kitchen till a bell rings for me. Two Australian officers came in a night or two ago. One is a chaplain and now dangerously ill with bronchitis. I have to wear a clean white coat and look as clean as possible ... This job is all very well for a change, but I don't think I shall be satisfied with it for too long.'

Century: 1900-1945     Reader/Listener/Group: Thomas Wainwright      Print: Book

  

[Anon] [Anon] : [unknown]

'This letter will probably not be finished this evening, for I am writing it in the YMCA hut at 6 o'clock and there is such a noise of chairs and tables being moved in preparation for a concert by men from a neighbouring hospital ... The piano is now playing and the hut is full. Am writing this on a book. The concert has begun ... Do you read much? I have taken it up a bit since I was sick and I've read some nice stories. It helps one forget troubles.'

Century: 1900-1945     Reader/Listener/Group: Thomas Wainwright      Print: Book

  

[Anon] [Anon] : [unknown]

'Yesterday I was given half the day off. In the afternoon I went to my tent and lay down to read and sleep. In the evening I sat in the Salvation Army room and read, for it was raining, and being on "Fire Picket" this week, I am not allowed to leave the hospital vicinity.'

Century: 1900-1945     Reader/Listener/Group: Thomas Wainwright      Print: Book

  

[Anon] [Anon] : [unknown]

'This afternoon I was off duty so got into my blankets at 1.45 and read a book until I fell asleep, and woke at 4.30.'

Century: 1900-1945     Reader/Listener/Group: Thomas Wainwright      Print: Book

  

[Anon] [Anon] : [unknown]

'I would not, I could not, give up the rides and rambles that took up so much of my time, but I would try to overcome my disinclination to serious reading. There were plenty of books in the house — it was always a puzzle to me how we came to have so many. I was familiar with their appearance on the shelves — they had been before me since I first opened my eyes — their shape, size, colours, even their titles, and that was all I knew about them. A general Natural History and two little works by James Rennie on the habits and faculties of birds was all the literature suited to my wants in the entire collection of three or four hundred volumes. For the rest I had read a few story-books and novels: but we had no novels; when one came into the house it would be read and lent to our next neighbour five or six miles away, and he in turn would lend to another twenty miles further on, until it disappeared into space'. I made a beginning with Rollin's "Ancient History" in two huge quarto volumes; I fancy it was the large clear type and numerous plates [...] that determined my choice. Rollin the good old priest, opened a new, wonderful world to me, and instead of the tedious task I feared the reading would prove,it was as delightful as it had formerly been to listen to my brother's endless histories of imaginary heroes and their wars and adventures. Still athirst for history, after finishing Rollin I began fingering other works of that kind: there was Whiston's "Josephus", too ponderous a book to be held in the hands when read out of doors; and there was Gibbon in six stately volumes. I was not yet able to appreciate the lofty artificial style, and soon fell upon something better suited to my boyish taste in letters - a "History of Christianity" in, I think, sixteen or eighteen volumes of a convenient size. [...] These biographies sent me to another old book, "Leland on Revelation", which told me much I was curious to know about the mythologies and systems of philosophy of the ancients [...]. Next came Carlyle's "French Revolution", and at last Gibbon, and I was still deep in the "Decline and Fall" when disaster came to us, my father was practically ruined.'

Century: 1850-1899     Reader/Listener/Group: William Henry Hudson      Print: Book

  

[Anon] [Anon] : [An Answer to the Infidel]

'It was not strange in these circumstances [suffering from cardiac complications of rheumatic fever] that I became more and more absorbed in the religious literature of which we had a good deal on our bookshelves — theology, sermons, meditations for every day in the year, "The Whole Duty of Man", "A Call to the Unconverted", and many other old works of a similar character. Among these I found one entitled, if I remember rightly,"An Answer to the Infidel", and this work, which I took up eagerly in the expectation that it would allay those maddening doubts perpetually arising in my mind [...] reading one of the religious books entitled "The Saints Everlasting Rest" in which the pious author, Richard Baxter expatiates on and labours to make his readers realize the condition of the eternally damned [....]'

Century: 1850-1899     Reader/Listener/Group: William Henry Hudson      Print: Book

  

Anon Anon : [unknown]

'One of the books I read then for the first time was White's "Selborne", given to me by an old friend of the family, a merchant in Buenos Ayres [sic], who had been accustomed to stay a week or two with us with us once a year when he took his holiday. He had been on a visit to Europe, and one day, he told me, when in London on the eve of his departure, he was in a bookshop, and seeing this book on the counter and glancing at a page or two, it occurred to him that it was just the right thing to get for that bird-loving boy out on the pampas. I read and re-read it many times, for nothing so good of its kind had ever come to me, but it did not reveal to me the secret of my own feeling for Nature [...] I found it in other works: in Brown's "Philosophy" — another of the ancient tomes on our shelves, and in an old volume containing appreciations of the early nineteenth century; also in other works.'

Century: 1850-1899     Reader/Listener/Group: William Henry Hudson      Print: Book

  

[Anon] [Anon] : [Yemeni legends and tales]

I am reading some Yemeni legends and tales. One nice one about two rival doctors, a good and a bad one: the King said he would take as his family physician the one who succeeded in poisoning the other [summary of the tale follows]

Unknown
Century: 1900-1945     Reader/Listener/Group: Freya Stark      

  

[Anon] [Anon] : [British propaganda pamphlet (anti-Italian) in Arabic for distribution in Yemen]

I have been studying the little pamphlet [on the Arabs] in the train and feel that, though you have improved the language, the whole thing is so ineffective that it is not worth bothering about.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      

  

[Anon] [Anon] : [unidentified manuscript belonging to Saladin]

A delightful Persian in Basra, Mirza Muhammed, keeps — entirely for his own pleasure — a priceless collection of Persian and Arabian MSS. I can't tell you what a lovely morning I spent there. An MS. belonging to Saladin, with his name in it, an MS. of the 8th century A.D., and one stamped by the 4th Sultan of the family of Tamerlane — and such lovely illuminated pages in the later ones — treasures beyond price.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Manuscript: Codex

  

[Anon] [Anon] : [unidentified manuscript of the 8th century A.D.]

A delightful Persian in Basra, Mirza Muhammed, keeps — entirely for his own pleasure — a priceless collection of Persian and Arabian MSS. I can't tell you what a lovely morning I spent there. An MS. belonging to Saladin, with his name in it, an MS. of the 8th century A.D., and one stamped by the 4th Sultan of the family of Tamerlane — and such lovely illuminated pages in the later ones — treasures beyond price.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Manuscript: Codex

  

[Anon] [Anon] : [unidentified manuscript stamped by the 4th Timurid Sultan, Shahrukh Mirza (1377-1447)]

A delightful Persian in Basra, Mirza Muhammed, keeps — entirely for his own pleasure — a priceless collection of Persian and Arabian MSS. I can't tell you what a lovely morning I spent there. An MS. belonging to Saladin, with his name in it, an MS. of the 8th century A.D., and one stamped by the 4th Sultan of the family of Tamerlane — and such lovely illuminated pages in the later ones — treasures beyond price.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Manuscript: Codex, illuminated manuscript

  

[Anon] [Anon] : [intelligence reports from Abyssinia]

We went to St. Tropez to see my Alsatian friends and pushed on to lunch at Paradou, and found A. Besse very cheerful with 7 ladies (including ourselves) around him, therefore fully in his element [...] spent the afternoon reading accounts from his agents in Abyssinia which made me quite sick almost physically.

Unknown
Century: 1900-1945     Reader/Listener/Group: Freya Stark      

  

[Anon] [Anon] : [unidentified Yemeni manuscripts]

I sat on my roof and went on with my manuscripts, distracted by bevies of women wanting medicines for what they call 'wind', i.e. pains from sitting in their perpetual draughts with no clothes under their gowns. The manuscripts are pleasant to read here: all the raids and battles, talk of the places I know, and the turbulent medieval life rises vivid before one.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Manuscript: Unknown

  

[Anon] [Anon] : [unidentified Yemen manuscript]

I am getting hold of a copyist as there are various exciting manuscripts here and I can't deal with all myself. I have nearly finished one and it is full of useful information — for instance it gives the date when the old Himyaritic ruin we went to see east of Tarim was renovated by the Arabs and finally ruined.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Manuscript: Unknown

  

[Anon] [Anon] : [unknown]

'By the time my wife goes to bed at 9 or soon after, I feel too tired to do anything except sit by the fire and read a little poetry, then go to bed myself—without doing any work or answering a letter.'

Century: 1900-1945     Reader/Listener/Group: William Henry Hudson      Print: Book

  

[Anon] [Anon] : [unknown]

'...and in the little bays I have damaged myself on rocks. I had been reading there on a cliff seat I constructed for about 5 hours on Sunday afternoon, when I woke up to the knowledge that the tide had cut me off; of course I had chosen a place where the cliff was climable (?), but it took rather long with all my books in my hand.'

Century: 1900-1945     Reader/Listener/Group: Thomas Edward Lawrence      Print: Book, 'books' 'with all my books in my hand'

  

[Anon] [Anon] : [unknown]

'To fill up this rather mixed letter I will give you a sketch of one of my days here. I wake at 7. and get up at 7.30. At eight I take "petit dejuner", and after inspecting my bicycle I read and write till a few minutes to twelve'.

Unknown
Century: 1900-1945     Reader/Listener/Group: Thomas Edward Lawrence      

  

[Anon] [Anon] : [unknown]

'"The day was fair and sunny, sea and sky "Drank its inspiring radiance, and the wind "Swept strongly from the shore, blackening the waves." I went to my seat on the cliff and read; beneath this projecting rock the sea "On bare black pointed islets ever beats "With heaving surge."' [The quotation however is 'On black bare pointed islets ever beat / With sluggish surge']. 'As I have started giving quotations you will have to endure more, or burn the letter [...] I reached there before two today and stayed till seven. I think an August afternoon is the best time of the year...'

Unknown
Century: 1900-1945     Reader/Listener/Group: Thomas Edward Lawrence      

  

[Anon] [Anon] : [unknown]

'While walking about there before continuing my reading I fell into a little lake, between two rocks, and I wet all my legs. It was "A still salt pool, locked in with bars of sand "Left on the shore." [Quoted from "The Palace of Art", Tennyson] From my reading desk "I see the waves upon the shore "Like Light dissolved in star-showers thrown."'[Quoted from "Stanzas Written in Dejection, near Naples", Shelley]. '...I have got into the habit of quoting any appropriate lines to myself, and this time I thought I would put them on record'.

Unknown
Century: 1900-1945     Reader/Listener/Group: Thomas Edward Lawrence      

  

[Anon] [Anon] : [guide book]

'I rode to Montbard...and thence here, which is a tiny village about 15 miles from Vezelay "the grandest Norman church in Europe" (or outside it I presume) the guide-books all sing in chorus. I'll let you know tomorrow about that'.

Century: 1900-1945     Reader/Listener/Group: Thomas Edward Lawrence      Print: Book

  

[Anon] [Anon] : [unknown Arabic language primer]

I sat at my table and studied verbs and nouns, wrapped in more clothes than I wore to climb the Matterhorn, and looked with a wary eye at the sunshine outside, dazzling and hard, and able to freeze one to the bone. In spite of this inclemency, I flourished, attended to by Mlle Rose with the same care as that which she devoted to her begonias; they flowered in the middle of the winter on her marble floor.

Century: 1900-1945     Reader/Listener/Group: Freya Stark      Print: Book

  

[Anon] [Anon] : [unknown]

I am grateful for the leisure of my years, whether voluntary or enforced — for long stretches of sickness or of holiday, and also for small snippets like those produced by the habit of dressing for the evening. It meant a casting away as it were of the day's business. After dinner, in Asolo, Herbert Young would read aloud while we embroidered; later on, he and my mother took to bridge; and in any case all solitary activities were laid aside and a sort of emptiness built around the folding of the day.

Unknown
Century: 1900-1945     Reader/Listener/Group: Freya Stark      

  

[Anon] [Anon] : [unknown]

I am grateful for the leisure of my years, whether voluntary or enforced — for long stretches of sickness or of holiday, and also for small snippets like those produced by the habit of dressing for the evening. It meant a casting away as it were of the day's business. After dinner, in Asolo, Herbert Young would read aloud while we embroidered; later on, he and my mother took to bridge; and in any case all solitary activities were laid aside and a sort of emptiness built around the folding of the day.

Unknown
Century: 1900-1945     Reader/Listener/Group: Flora Stark      

  

[Anon] [Anon] : [unknown]

I am grateful for the leisure of my years, whether voluntary or enforced — for long stretches of sickness or of holiday, and also for small snippets like those produced by the habit of dressing for the evening. It meant a casting away as it were of the day's business. After dinner, in Asolo, Herbert Young would read aloud while we embroidered; later on, he and my mother took to bridge; and in any case all solitary activities were laid aside and a sort of emptiness built around the folding of the day.

Unknown
Century: 1900-1945     Reader/Listener/Group: Herbert Young      

  

[Anon] [Anon] : [biography of Robert E. Lee]

'I have lately re-read here the complete works of Conrad and Henry James and am engaged on reading all the books of Stephen Crane that I can lay my hands on—for the to me astounding fact is that the works of these three writers are here out of print and practically unobtainable, such being glory! I had to borrow the Conrad and James from Doubleday and Scribner's respectively and Knopf has only been able to lend me Crane’s "George's Mother". . . after ringing up more than twenty new and second hand booksellers. Of Conrad I was most re-impressed by "Under Western Eyes", "Nostromo" and the "Secret Agent"; of James the "Spoils of Poynton", the "Wings of the Dove", the "Turn of the Screw" and a dozen short stories. I have also been reading during a fortnight in Tennessee from which I have just returned, the "Agricultural Census" of the United States, several lives of Lee, Stonewall Jackson, Boone, Crockett and minor Southern Notabilities, the new (as yet unpublished) volume of poems by Allen Tate; the new (as yet unpublished) novel of Robert Penn Warren—both these admirable; and a number of other works in ms. Of lately published work I have vivid recollections of and admiration for “Aleck Maury, Sportsman”, by Caroline Gordon, “Act of Darkness” by John Peale Bishop,” Walls Against the Wind” by Frances Park, “Little Candle’s Beam” by Isa Glenn and Graham Greene’s “It’s a Battlefield” and Arnold Gingrich’s “Cast Down the Laurel”.' [Ford then indicates his intended shipboard reading between New York and Naples on the S.S. "Roma" including Crane and W. H. Hudson over the next week or so.]

Century: 1900-1945     Reader/Listener/Group: Ford Madox Ford      Print: Book

  

[Anon] [Anon] : [biography of Stonewall Jackson]

'I have lately re-read here the complete works of Conrad and Henry James and am engaged on reading all the books of Stephen Crane that I can lay my hands on—for the to me astounding fact is that the works of these three writers are here out of print and practically unobtainable, such being glory! I had to borrow the Conrad and James from Doubleday and Scribner's respectively and Knopf has only been able to lend me Crane’s "George's Mother". . . after ringing up more than twenty new and second hand booksellers. Of Conrad I was most re-impressed by "Under Western Eyes", "Nostromo" and the "Secret Agent"; of James the "Spoils of Poynton", the "Wings of the Dove", the "Turn of the Screw" and a dozen short stories. I have also been reading during a fortnight in Tennessee from which I have just returned, the "Agricultural Census" of the United States, several lives of Lee, Stonewall Jackson, Boone, Crockett and minor Southern Notabilities, the new (as yet unpublished) volume of poems by Allen Tate; the new (as yet unpublished) novel of Robert Penn Warren—both these admirable; and a number of other works in ms. Of lately published work I have vivid recollections of and admiration for “Aleck Maury, Sportsman”, by Caroline Gordon, “Act of Darkness” by John Peale Bishop,” Walls Against the Wind” by Frances Park, “Little Candle’s Beam” by Isa Glenn and Graham Greene’s “It’s a Battlefield” and Arnold Gingrich’s “Cast Down the Laurel”.' [Ford then indicates his intended shipboard reading between New York and Naples on the S.S. "Roma" including Crane and W. H. Hudson over the next week or so.]

Century: 1900-1945     Reader/Listener/Group: Ford Madox Ford      Print: Book

  

[Anon] [Anon] : [biography of Davy Crockett]

'I have lately re-read here the complete works of Conrad and Henry James and am engaged on reading all the books of Stephen Crane that I can lay my hands on—for the to me astounding fact is that the works of these three writers are here out of print and practically unobtainable, such being glory! I had to borrow the Conrad and James from Doubleday and Scribner's respectively and Knopf has only been able to lend me Crane’s "George's Mother". . . after ringing up more than twenty new and second hand booksellers. Of Conrad I was most re-impressed by "Under Western Eyes", "Nostromo" and the "Secret Agent"; of James the "Spoils of Poynton", the "Wings of the Dove", the "Turn of the Screw" and a dozen short stories. I have also been reading during a fortnight in Tennessee from which I have just returned, the "Agricultural Census" of the United States, several lives of Lee, Stonewall Jackson, Boone, Crockett and minor Southern Notabilities, the new (as yet unpublished) volume of poems by Allen Tate; the new (as yet unpublished) novel of Robert Penn Warren—both these admirable; and a number of other works in ms. Of lately published work I have vivid recollections of and admiration for “Aleck Maury, Sportsman”, by Caroline Gordon, “Act of Darkness” by John Peale Bishop,” Walls Against the Wind” by Frances Park, “Little Candle’s Beam” by Isa Glenn and Graham Greene’s “It’s a Battlefield” and Arnold Gingrich’s “Cast Down the Laurel”.' [Ford then indicates his intended shipboard reading between New York and Naples on the S.S. "Roma" including Crane and W. H. Hudson over the next week or so.]

Century: 1900-1945     Reader/Listener/Group: Ford Madox Ford      Print: Book

  

[Anon] [Anon] : [biography of Daniel Boone]

'I have lately re-read here the complete works of Conrad and Henry James and am engaged on reading all the books of Stephen Crane that I can lay my hands on—for the to me astounding fact is that the works of these three writers are here out of print and practically unobtainable, such being glory! I had to borrow the Conrad and James from Doubleday and Scribner's respectively and Knopf has only been able to lend me Crane’s "George's Mother". . . after ringing up more than twenty new and second hand booksellers. Of Conrad I was most re-impressed by "Under Western Eyes", "Nostromo" and the "Secret Agent"; of James the "Spoils of Poynton", the "Wings of the Dove", the "Turn of the Screw" and a dozen short stories. I have also been reading during a fortnight in Tennessee from which I have just returned, the "Agricultural Census" of the United States, several lives of Lee, Stonewall Jackson, Boone, Crockett and minor Southern Notabilities, the new (as yet unpublished) volume of poems by Allen Tate; the new (as yet unpublished) novel of Robert Penn Warren—both these admirable; and a number of other works in ms. Of lately published work I have vivid recollections of and admiration for “Aleck Maury, Sportsman”, by Caroline Gordon, “Act of Darkness” by John Peale Bishop,” Walls Against the Wind” by Frances Park, “Little Candle’s Beam” by Isa Glenn and Graham Greene’s “It’s a Battlefield” and Arnold Gingrich’s “Cast Down the Laurel”.' [Ford then indicates his intended shipboard reading between New York and Naples on the S.S. "Roma" including Crane and W. H. Hudson over the next week or so.]

Century: 1900-1945     Reader/Listener/Group: Ford Madox Ford      Print: Book

  

[Anon] [Anon] : [Notes on Colossians]

'Notes on Colossians'

Century: 1850-1899     Reader/Listener/Group: Sarah Good      Print: Unknown

  

[Anon] [Anon] : [Notes on Thessalonians]

'Notes on Thessalonians'

Century: 1850-1899     Reader/Listener/Group: Sarah Good      Print: Unknown

  

[Anon] [Anon] : La Vida de Lazarillo de Tormes

'David Watson, M.A. of St. Andrews University, used to spend every spare moment of his day and whole Sundays on end with this writer [Ford] standing beside him at his pulpit and construing for him every imaginable kind of book from “Ataxerxes” of Madame de Scudéry and “Les Enfants de [sic] Capitaine Grant” by Jules Verne, to ode after ode of Tibullus, Fouqué’s “Udine”, all of the “Inferno”, the greater part of “Lazarillo de Tormes” and “Don Quixote” in the original[…] In addition, Mr. Watson had this writer translate for him orally into French “The Two Admirals”, “The Deerslayer”, and “The Last of the Mohicans”—which made this writer appreciate what a magnificent prose writer Cooper was.’

Century: 1850-1899     Reader/Listener/Group: Ford Madox Ford      Print: Book

  

[Anon] [Anon] : [unknown]

'Lottie's kind of reading, though I could manage it, was not mine; it was usually fiction conducive of the domestic virtues. At the club, my father discovered a number of volumes which to me were very heaven. The author was Jules Verne. I was quite convinced that he told the truth, and in The Mysterious Island (with an organ on a submarine) I lived in perfect joy and felicity. [...] He eclipsed Marryat and Ballantyne and Kingston for me; and Henty never fully caught my attention.'

Century: 1900-1945     Reader/Listener/Group: Charlotte Margaret Blunden      Print: Book

  

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