London, 5 May 2001
Dostoyevsky and Wagner: The novel as Music Drama
Rosamund Bartlett, Birkbeck College, University of London
Two languages, a single poetics: the music and writings of Berlioz
Guillaume Bordry, University of Nancy
Literature as Déjà Vu ? The Third Movement of Gustav Mahler’s First Symphony
Federico Celestini Karl Franzens, University, Graz
Janacek’s Immortal Beloved and her Literary and Musical Intertexts
Geoffrey Chew Royal Holloway College, University of London
Mapping the Moral "Musicienne"
Tili Boon Cuille, Washington University in St Louis
Music in Kate Chopin’s The Awakening
Tom Cooper, The Open University
The Dear Dead Past: The piano in Victorian poetry
Regula Hohl Trillini, University of Basel
Music and Scientific Discourse
Delia da Sousa Correa, The Open University
Myth in the Crossroads: Music, Orality and Identity in Toni Morrison’s Song of Solomon
Kristin C. Brunnemer, University of California at Riverside
Music as a Language
Daniel Albright, University of Rochester
Plenary round-table discussion
Literature and Music Research Group
The Open University
School of Arts & Humanities
Faculty of Arts and Social Sciences
Walton Hall
Milton Keynes, MK7 6AA