'Have fair fallen': Hopkins, Purcell and Socio-religious Stress.
Robert Fraser The Open University
The Poet, The Pianist, and the Patron: Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar
Anna Harwell Celenza Michigan State University
Music in D.G. Rossetti's The House of Life sonnet sequence
Phyllis Weliver Wilkes University
Myth and Mysticism in Jolivet: Musical 'Magic Realism'?
Caroline Rae Cardiff University
The Realist Symphony
Robert Samuels The Open University
Beat Generation / Rock Generation: Observations on a cultural continuum
Simon Warner University of Leeds
What's the Ugliest Part of Your Body? On the Uses and Abuses of Frank Zappa's Degenerate Art
Michel Delville University of Liège
Fennimore and the Treasure of the Lake: Der Silbersee as a Trope on Karl May, Heine and Shakespeare
Preeta Samarasan Eastman School of Music
John Gay's Twentieth Century: The Beggar's Opera revisited
Charles Mundye University of Hull
Music as Metaphor
Jeremy Barham Trinity College of Music
… glitch … : Literary and Musical Models of Productive Failure.
Greg Hainge University of Adelaide
Music and the body in the writings of Barthes
Peter Dayan University of Edinburgh