Star Trek exists as what Daniel Bernardi calls a ‘mega-text’, a group of televisual, filmic, literary, auditory, and other ‘texts’ that all share a relatively cohesive fictional universe. The amount of ‘texts’ that make up the Star Trek franchise includes hundreds of hours of television and films, hundreds of books and audio books, and numerous video games. It spans over fifty years, from the first television episode in 1966 to the latest novel published in February 2017. Not only is this ‘mega-text’ similar to Classical mythology – which also uses the same characters and stories told by different authors across different media – it also includes a number of classical references itself.
The franchise therefore provides us with a unique opportunity to examine classical reception in science-fiction through semantically connected texts and over a significant time period. Not only can we see how approaches to the classical world change over time, we can also see how the audience response to them has altered. While some receptions will be rooted in their historical contexts, others may morph over Star Trek’s long fifty-year history. Continue reading