Author Archives: Joanna Paul

This spring I returned to teaching Roehampton’s third-year Classics and Cinema module. It was to teach this that I’d first come to Roehampton, though after a couple of presentations I’d been lured away by the prospect of teaching an MRes … Continue reading →

Last month, I was at the Classical Association meeting in Canterbury and, having heard many fine papers on film reception, was finishing up my meal at the Friday night banquet when the loud music began to play signaling the start … Continue reading →

Star Trek exists as what Daniel Bernardi calls a ‘mega-text’, a group of televisual, filmic, literary, auditory, and other ‘texts’ that all share a relatively cohesive fictional universe. The amount of ‘texts’ that make up the Star Trek franchise includes … Continue reading →

How can ancient tragedy be transplanted into the modern medium of film? What are some of the obstacles filmmakers have to overcome when they attempt to transform an ancient theatrical play into a movie? What challenges do we face when … Continue reading →

A recent post on a Facebook Group asked what the “best” film versions of the Iliad, Odyssey and Aeneid were. BIG QUESTION, was my immediate reaction. After all, how do you qualify ‘best’, when you’re thinking about cultural objects? And … Continue reading →

As I showed in Part 1 of this post, Sunset Boulevard is a film saturated in allusions to an earlier age of filmmaking, but it is in the film’s extraordinary final scene that the blurring of time, space, and genre … Continue reading →