Open Arts Journal. Image by Maya Freelon Asante. Courtesy of the artist and Morton Fine Art, Washington, DC. www.mayafreelon.com
PAVILIONS | Issue 2, Winter 2013
This second issue of the Open Arts Journal, to be published in Winter 2013, pulls together a number of exploratory texts – some academic, some more creative in style – on the understudied subject of pavilions.
Responding to the question ‘What is a pavilion?’, this issue proposes that the pavilion (as an ornamental garden structure, an exposition venue, or something more conceptual like a curated project or book) should no longer be neglected as a minor or inconsequential form of architecture. Although its origins may be in the modest tents of travellers, the pavilion as a structure has nonetheless been mobilized in strategies of world-making and unmaking, and this issue explores these creative manoeuvres.
To learn more about Issue 2 of the Open Arts Journal, visit their blog or download the flyer for Issue 2 “Pavillions” (PDF, 325KB)
The Open Arts Journal was officially launched on 21 October 2013 at The Open University in London. To watch Prof Marsha Meskimmon’s presentation on ‘The Precarious Ecologies of Cosmopolitanism’, go to the video podcast held on the Open Arts Archive at http://www.openartsarchive.org/oaa/content/open-arts-journal-launch-event-1. To follow the panel discussion with Professor Berthold Schoene and Dr Ellie Byrne (guest editors Issue 1), and Open Arts Journal editor-in-chief Dr Leon Wainwright, visit the Open Arts Archive at http://www.openartsarchive.org/oaa/content/open-arts-journal-launch-event-0
Video podcasts are now available for our most recent Digital Humanities in Practice seminars.
Dr Ann Hewings and Dr Daniel Allington’s seminar “Corpus Linguistics as Distant Reading?”, recorded on 04 July 2013, is available here: http://podcast.open.ac.uk/pod/2560
Dr Tim Hutchings’ seminar “CyberBibles: Evangelical Christianity and the Digital Bible”, recorded on 19 September 2013, is available here: http://podcast.open.ac.uk/pod/2641
Image: DH Montage by Heather Scott. All rights reserved. Used by permission.
Image by Heather Scott. All rights reserved. Used by permission.
The Digital Humanities Thematic Research Network is pleased to present the next event in the Digital Humanities in Practice series.
Sandip Hazareesingh (History, The Open University) and Matthew Paskins (UCL)
Date: 24 October 2013
Location: Arts Music Studio, The Open University, Walton Hall, Milton Keynes (directions)
Commodity Histories is a public forum for research postings, news and information about the history of commodities, with a particular focus on locations in Africa, Asia, the Caribbean and Latin America. The website was launched in September 2013 with funding from the AHRC and the British Academy. Principal Investigator Sandip Hazareesingh and Community Manager Matthew Paskins will outline the innovative features of this digital project from the perspectives both of the discipline of history and of its community-building objectives, which are designed to ‘authorise’ and bring to public attention a range of voices, experiences and sources that have so far remained marginal to the concerns of Digital Humanities
A sandwich lunch will be served to registered participants. Please email Heather Scott firstname.lastname@example.org by 21 October to reserve a place.
Next Monday 21 October, The Open University in London will host the official launch of the Summer 2013 issue of the Open Arts Journal, a new open access publication from The Open University Department of Art History. The first issue, entitled “Cosmopolitanism as Critical and Creative Practice“, will be followed in Winter 2013 by issue two, “Pavillions.” The event coincides with the start of the International Open Access week.
The journal’s sub-title is ‘open and diverse arts scholarship’. As editor-in-chief Leon Wainwright explains:
The Open Arts Journal addresses the demand for a rigorously compiled, peer-reviewed platform for arts scholarship open to diverse participants. Our dissemination is global, spanning multiple communities including practitioners of art, architecture and design, curators and arts policy-makers, and researchers in the arts and heritage sectors.
The Open Arts Journal also confronts the current developments in open access publishing in the arts and humanities.
The Open Arts Journal makes an alternative, distinctive offer, embracing an ethos of ‘openness’ toward those who may benefit from genuine ‘open access’ scholarly activity online. It is published twice a year, and each issue addresses a key theme or critical debate. Submissions undergo thorough, in-depth peer review in consultation with an esteemed international editorial board.
The launch event is free but registration is required. Please go to https://openartsjournal-launch.eventbrite.com to register and for more information. A map of The Open University London centre is available here: http://www3.open.ac.uk/contact/maps.aspx?contactid=1
The Open Arts Journal warmly welcomes responses and proposals for future issues at: Artsemail@example.com. To join the Open Arts Journal mailing list, visit www.jiscmail.ac.uk/OPENARTSJOURNAL
via Open Arts Journal | Open, diverse art scholarship.