Archive

Archive for June, 2012

Seminar summary: Towards a sociology of technology and time

June 21st, 2012 doucec No comments

I’ve written a quick summary of a recent SIRG seminar.  The summary can be found by following this link: Towards a sociology of technology and time.

Chris Douce

Categories: Uncategorised Tags:

Next meeting 27 June: An artificial agent for human-computer interactive musical free improvisation, Adam Linson

June 14th, 2012 Allan Jones No comments

For our next meeting, on 27 June at 2.00 in the David Gorham Library, we are pleased to welcome Adam Linson, currently pursuing a PhD in the OU’s Computing department. Adam has supplied the following abstract:

An artificial agent for human-computer interactive musical free improvisation: historical and theoretical foundations
 
In this talk, I will present some of the wide-ranging historical and theoretical foundations of my doctoral research, on the development and evaluation of an artificial agent for human-computer interactive musical free improvisation. Along this trajectory, I will tie together aspects of the work of several pioneering figures, including Alan Turing, Grey Walter, James Gibson, Hubert Dreyfus and Rodney Brooks. In particular, I will first examine how music was approached in the context of traditional Artificial Intelligence (AI) and connect this approach to traditional musicology. I will then consider how the emergence of ecological psychology–and the corresponding rise of influence of phenomenological philosophy–relate directly to later embodied-situated approaches to AI, and to relatively recent developments in critical musicology. Finally, I will demonstrate how these later approaches to both AI and musicology can be brought to bear on musical AI, in the context of a contemporary musical practice known as free improvisation

 

About Adam Linson

Adam Linson (born 1975 in Los Angeles) is currently a PhD candidate doing research in Artificial Intelligence and Improvised Music at the Open University (UK), in the Faculty of Mathematics, Computing and Technology. His research interests extend to other areas of musical human-computer interaction, especially phenomenology and cybernetics. He received an MFA from Bard College in 2012, and a BA in Philosophy from the University of California, San Diego in 1998, where he also studied composed and improvised music under George Lewis (now his PhD co-supervisor), and classical double bass under Bertram Turetzky. As a software engineer and GNU/Linux specialist, he has extensive experience in the private sector, ranging from large-scale distributed architectures to embedded systems. He is active internationally as a double bassist, improvisor and composer, performing acoustically and with live electronics, solo and in a wide variety of ensembles. He also designs, develops, and performs with real-time interactive computer music systems. He has composed music for chamber ensembles and international contemporary dance productions, and can be heard on several critically-acclaimed albums. (website: www.percent-s.com)

Categories: Uncategorised Tags: