Faculty of Education and Language Studies
Faculty of Education and Language Studies > People Profiles > Inma Alvarez
Head of Spanish, Senior Lecturer, Department of Languages, Faculty of Education and Language Studies
Inma Álvarez has more than 20 years experience teaching Modern Languages and Dance courses at Higher education institutions in the U.S.A., U.K. and Spain.
She has taught general language courses at all levels as well as courses for specific purposes (e.g. business Spanish, Latin American literature, Contemporary Spain, translation and interpreting) at the University of Michigan (USA), University of St. Andrews (Scotland), University of Wolverhampton and University of Northampton. At the Open University, Inma has contributed to the development of all courses in the Spanish programme from beginners to advanced, including contributions to print and online resources and residential schools materials. She has also been involved in the development and piloting of an electronic European Language Portfolio (ELP) for adults and in the development of a Beginners' Chinese course. Currently she is an external examiner for the School of Modern Languages and Cultures at the University of Leeds.
Inma has also teaching experience in the area of dance studies. She has taught dance anthropology at the London Contemporary Dance School and dance analysis and notation at the Conservatorio Superior de Danza “María de Ávila” in Madrid. She has also been an external examiner for the BA (Hons) Theatre Dance, Goldsmith/The Laban Centre. At present she is a member of the Language of Dance Board of Trustees.
Her main teaching interest is in the area of intercultural studies.
Inma's general research interest is in the area of human communication. She has been researching on intercultural competence in language teaching and learning, translation skills, strategies for intercultural communication, multimodal reading and writing across cultures.
Inma is also interested in communication in the performing arts, especifically in how these arts are documented and how expression occurs in the multiple interpretations during performances.
She has experience as a PhD and EdD supervisor in both languages and the arts.
At present Inma is involved in two research and scholarly projects:
Three-year collaborative life-long learning European project (2011-2013), Performing Languages, on drama, language and intercultural learning.
Three-year collaborative project (2009-2011) on Emotion and moral value in art
The project is in partnership with academics from Universidad de Murcia, Universidad del País Vasco and Universidad Politécnica de Valencia. Funded by the Ministerio de Ministerio de Ciencia e Innovación, Spain (Ref: FFI2008-00750/FISO). The group is working on a concept of the aesthetic that includes moral aspects of the artistic, in particular its connection through the expression and reception of emotions. The research will focus on different artistic forms, specially, literature, photography and documentary cinema, dance, and opera. The issue of the relationship between art and morality has re-emerged vigorously both in philosophy and in art. The modern view of artistic autonomy has been strongly contested but nevertheless autonomist positions continue to value the specificity of the criteria concerning artistic value. This project focuses on epistemological issues of the work of art that have been particularly important in the discussions between autonomists and moralists about the moral value of art, such as the nature of the aesthetic experience, fiction as a mode of enunciation/ representation, style and the expression of emotions, interpretation and imaginative resistance. An adequate approach to the relationship between art and morality needs to pay attention to the common elements in the moral and aesthetic experience of the world as well as their expression in art. Therefore it is essential to analyse how the attitude towards the world of the subject of the representation and its expression in the presentation of the content constitute the work of art, how they are perceived in their interpretation and how they contribute to its value.