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The ethics of St Valentine's Day

Dick Skellington looks at how to ensure your Valentine Day flowers are ethically sourced. 

Cartoon by Gary Edwards
It is will soon be St Valentine's Day and the UK retail cut-flower industry, worth over £2 billion a year, is rubbing its hands with glee as the British public purchases hundreds of thousands of bunches of traditional roses for its loved ones.

In the developed world, do we think about where these flowers come from and how ethically they are produced? Do we care about the welfare of the workers who produced them, and their ability to sustain a living wage? Do we consider the environmental costs as the heart of much flower cultivation?

As consumers' green concerns have come to the fore, the cut-flower industry has gone to great lengths to persuade us that cut flowers can have low carbon footprints. Much of the data has focused on the benefits of growing flowers in naturally hot countries and then flying them into the UK instead of growing them in cold countries in hothouses, which can be very energy-intensive. This has led to a preference for flowers from Africa, rather than from European hothouses. Campaigners have also highlighted the importance of social justice, and making it easier for African people to make a living.

The flower industry is dominated by only a few countries: 83 per cent of the world's cut flowers come from Holland, Colombia, Ecuador and Kenya, and 73 per cent of the cut-flower production is imported by the US, the UK, Germany, Holland and  France. It is important the developed world prioritises the carbon footprint of products from the developing world, and cut flowers are no exception. 

But the carbon footprint of cut flowers encompasses much more than their transportation from one country or region to another. To measure genuine carbon footprints the entire lifespan of the flower should be considered. This tells us much about the carbon released from fossil fuels involved in flower cultivation, their fertilisation processes, their refrigeration impacts and their transportation, as well as the methane released from binned flowers.  

Thinking about flower production in this way forces the consumer to ask important questions. Is it valid to use water for the mass production of inedible goods when this might be better used for producing food  crops? Should we waste water resources producing a luxury product that is soon disposed of by people living in better socio-economic conditions in another country?  This is particularly important given that most cut flowers are grown in developing countries where poverty is often endemic and where access to clean water can be problematic – especially if large corporations buy up land and its associated water rights.  

 

'It will never rain roses; when we want to have more roses we must plant more trees'
George Eliot

 

So this year when you go to the major supermarkets to buy your roses do think carefully.  Over 90 per cent of the flowers sold for Valentine's Day are imported, the majority from Colombia (for the US market) or Kenya (for the UK), and our major supermarkets all use these sources.  For the impoverished East African country of Kenya, rose production is big business. Most of the 10,000 tons of roses we will buy for Valentine's Day will come from there. 

The Kenyan floriculture industry is concentrated on the shores of Lake Naivasha – a complex and sensitive ecosystem which is polluted and which has suffered, in recent years, from a fall in its water level due to rose production. 

Until three years ago the industry  was growing steadily. However, a disputed election in 2007, was followed by violence and unrest which spread quickly to Naivasha.  According to the 2008 report, 'Lake Naivasha: Withering Under the Assault of International Flower Vendors,'  by Food & Water Watch and the Council of Canadians the flower industry is so important to the Kenyan Economy that in the face of such instability the army and police put most of their resources into guarding flower shipments instead of local people, so that the Valentine's Day delivery could reach European buyers in time. Since 2007 Kenyan roses have come at a cost of more than 100 deaths and the displacement of more than 300,000 people.  

Worse for the region, production has resulted in significant increases in miscarriages, birth defects and other health problems associated with toxic chemicals. 

In Kenya, some farmers have responded by taking a more proactive role and ensured their farms achieve Fairtrade status. This has enabled them to embark on a more sustainable production cycle, one which brings money back into the local workforce as well as subsidising local welfare and community improvements. 

The origin of roses is not always clear and cheap roses are often grown by companies which cut corners to avoid legislation, selling them by auction in Amsterdam so buyers think they come from Holland. Most of the leading supermarkets have smartened up their act in the last few years, asserting that all suppliers must conform to the Ethical Trading Initiative, and they do all they can to ensure the ethical credentials of their sources and suppliers.  

The best advice this St Valentine's Day is to purchase flowers with a certified Fairtrade logo clearly marked. That way you can be sure that the flower growers receive a premium to invest in their communities, or you could circumvent the ethical minefield and purchase seasonal British flowers. But do beware of mixed bouquets as the flowers in them can come from a range of sources, some of dubious ethical credentials.

Dick Skellington 6 February 2012

Cartoon by Gary Edwards

 

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Cartoon of Dick Skellington

About Society Matters

Provocative, relevant, current: for the last decade Society Matters magazine has been informing, engaging and annoying social sciences students in equal measure.  Now, its move online has given us the chance to bring its lively mix of analysis and opinion to a wider audience.

Society Matters online started in October 2010 and has, so far, covered a wide range of issues and topics ranging from inequality and the big society to arms sales and foreign policy. All can be seen by scrolling down from the top of the Society Matters front page.

We have also illustrated many of these posts with the work of our two illustrators (see below). Serious analyses have been interspersed with posts on a less weighty issues which show both human folly and innovation.

Society Matters continues to be edited by its original creator, Dick Skellington. Dick, pictured above, was previously a programme manager in the social sciences faculty, walks the talk through an active involvement in the affairs of his home town of Stony Stratford, Bucks, and finds light relief through writing poetry and the occasional stage appearance in local productions.

Since many years at the coalface of journalism have taught us all that sometimes a picture really is worth a thousand words Dick is aided and abetted by resident illustrators, Gary Edwards and Catherine Pain – both former OU students.

Catherine has drawn and painted all her life, and when she is not pillorying public figures for Society Matters paints animal portraits, works in stained glass and produces alphabet teaching posters for children. Her work is in several galleries in and around her current home in Cambridgeshire and her publications include an illustrated cookbook sold on behalf of the National Trust, a colouring book for small children, Alphabet for Colouring, and The Lost Children, a story for older children. Her website is at catherinepain.co.uk

Gary has written two best-selling books about his travels all over the world watching Leeds United FC, Paint it White  and Leeds United - The Second Coat. His third title No Glossing Over  will be published by Mainstream in September 2011. He has not missed a Leeds game anywhere in the world since February 1968 and married his wife Lesley at Elland Road.

Specialising in wall murals, Gary also holds diplomas from the London Art College, The Morris College of Journalism, has a Diploma in Freelance Cartooning and Illustration and is a contributing cartoonist for Speakeasy, an English-speaking magazine in Paris. During the 1970's and 1980's he collected  hearses and is a long time member of the Official Flat Earth Society as well as the Clay Pigeon Preservation Society.

Please note: The opinions expressed in Society Matters posts are those of the individual authors, and do not represent the views of The Open University.