The Listener

Date began:

16 Jan 1929

Date ended:

30 Jan 1991

About:

The Listener was a weekly magazine, established in 1929 under the chairmanship of Lord Reith. It was designed to complement the BBC’s educational output and covered a wide range of topics. It drew extensively from the BBC’s broadcasting output, often reprinting talks programmes or supplementing them with further illustrations and information. The magazine was a controversial move by the BBC. Other magazine proprietors criticised the corporation for encroaching on territory beyond its remit. As a compromise, the magazine was only allowed to commission ten per cent original content and could only feature a limited amount of advertisements.

The magazine built its reputation on its intellectual and artistic output with its focus on broadcasting matters, the arts, intellectual life and politics. By 1948 it attracted a readership of 153,000. It featured contributions from a wide range of artists scientists and intellectuals, such as E. M. Forster [1], George Orwell [2], Laurence Binyon [3], Herbert Read [4], William Rothenstein [5]and Mulk Raj Anand [6]. In the 1940s it published many items originally broadcast to India by the BBC's Indian Section of the Eastern Service [7]. It featured reviews of Indian authors and also provided comprehensive survey pieces on Indian art, history, and religion.

The magazine covered extensively the constitutional crises from the Round Table Conference [8]to Indian independence [9] with a view of providing a balanced overview of the issues. Politicians and activists from all sides were given a voice, either as part of round table discussions or articles. During the Second World War [10], the magazine became a useful propaganda tool, reporting extensively on the Indian contribution to the war effort.

After heavy losses the BBC decided to close down the publication in January 1991.

Key Individuals' Details:

Publisher: British Broadcasting Corporation

Editors: Richard S. Lambert (1929-39), Alan Thomas (until 1959), J. R. Ackerley (Literary editor 1935-1959)

Connections:

Contributors: Mulk Raj Anand [6], W. G. Archer [11], C. F. Andrews [12], Laurence Binyon [3], Edmund Blunden, H. N. Brailsford [13], Robert Bridges [14], Agatha Christie, Indira Devi of Kapurthala [15], Bonamy Dobree [16], George Dunbar, T. S. Eliot [17], E. M. Forster [1], Roger Fry, Eric Gill [18], Robert Graves [19], Desmond Hawkins, Laurence Housman [20], Aldous Huxley [21], Julian Huxley, Christopher Isherwood, C. L. R. James [22], J. M. Keynes [23], The Aga Khan, George Lansbury, Harold Laski [24], John Lehmann [25], Wyndham Lewis, Henry Moore [26], Edwin Muir, Ruby Navalkar, Firoz Khan Noon [27], George Orwell [2], Herbert Read [4], William Rothenstein [5], Bertrand Russell, V. Sackville-West, George Bernard Shaw [28], Edith Sitwell [29], Sacheverell Sitwell [29], Stephen Spender [30], Cornelia Sorabji [31], Dylan Thomas [32], Edward Thompson [33], H. G. Wells [34], Rebecca West, Leonard Woolf [35].

Books Reviewed Include:

Ali, Ahmed, Twilight in Delhi. Reviewed by Edwin Muir.

Anand, Mulk Raj, The Hindu View of Art. Reviewed by Herbert Read.

Anand, Mulk Raj, The Sword and the Sickle. Reviewed by Edwin Muir.

Anand, Mulk Raj, and Fingh, I. (eds), Indian Short Stories. Reviewed by Sean O'Faolain.

Andrews, C. F., Mahatma Gandhi: His Own Story. Reviewed by S.K. Ratcliffe.

Menen, Aubrey, The Prevalence of Witches. Reviewed by Francis King.

Narayan, R. K., An Astrologer's Day. Reviewed by P.H. Newby.

Narayan, R. K., The Bachelor of Arts. Reviewed by Edwin Muir.

Narayan, R. K., The English Teacher. Reviewed by Edwin Muir.

Rolland, Romain, Prophets of the New India. Reviewed by S. K. Ratcliffe.

Example:

Watson, Francis, ‘The Case of Jamini Roy’, The Listener (9 May 1946), p. 620

Content:

Francis Watson’s article coincided with an exhibition of Roy’s work at the Arcade Gallery in 1946. He traces here the late success of the artist and discusses his artistic merit in the face of his newly-found commercial success. This orginally commissioned article (rather than a reprinted broadcast) is an example of the variety of reporting in a main-stream magazine like The Listener.

Extract:

He certainly abandoned the academic European traditions as unsatisfactory and irrelevant; but the other road - the road that starts with a dogmatic ‘Indianisation’ of theme and concentration on line rather than form, and ends in so many cases in meretricious insipidity – this road Jamini Roy declined to take; or rather, having followed it a little way and seen where it led, he turned back and found his own way.
He had to return only to his point of departure. When you first see a Jamini Roy painting (and you can do so in London now, for an Exhibition of his work was opened by E. M. Forster at the Arcade Gallery on 25 April), though you recognise what is loosely called the ‘primitive’ appeal, you are unlikely to think immediately of a particular example of Bengal folk-art, since it is a fairly safe assumption that you have not come across any. But, if having seen a Jamini Roy exhibition or visited his house, you should find your way to the folk-art rooms in the Ashutosh Museum at Calcutta, you will see drawings and paintings that almost bear his signature, and you will find that they have been collected from remote villages by the industrious curator...That is where he got it from; from his own people, and they got it from their fathers and from their grandfathers unto many generations.

…

I am not sure which I like best about Jamini Roy, the way he has created a market or his cheerful readiness to blow the bottom out of it.

Archive source:

Biritish Library Newspapers, Colindale, London