Indian culture

New India Publishing Co

About: 

Relatively little is known about this publishing venture. It is probable that it was founded by D. P. Chaudhuri who was also deputy editor of Asian Horizon (1948-1950). Mulk Raj Anand and Iqbal Singh were the editors of one of its few known outputs, Indian Short Stories (1946). Its other outputs include an anthology of poems by Indians in English, including work by Manmohan Ghose, Sarojini Naidu and G. K. Chettur, and a translation of Tagore's Farewell, My Friend. The founding editors of the company were keen that there should be a publisher of work by Indians in London that was actually run by Indians - and that Indians should be interpreting and evaluating the 'West' for their fellow countrymen, as well as interpreting the 'East' for Britons and the 'West'. They aimed for as wide a range of work on Indian culture and civilization as possible, incorporating all 'fields of thought' represented by both established and younger Indian writers, as well as by Chinese, 'Persian' and 'Arabian' writers.

Published works: 

Anand, Mulk Raj and Singh, Iqbal (eds), Indian Short Stories (1946)

Gangulee, Nagendranath, Sher Shah: The Bengal Tiger (1946)

Kabir, Humayun, Men and Rivers (1947)

Kabraji, Fredoon (ed.), This Strange Adventure: An Anthology of Poems in English by Indians, 1828-1946 (1947)

Tagore, Rabindranath, Farewell, My Friend, trans. by K. R. Kripalani (1949)

Example: 

Programme of the New India Publishing Company Limited, endpapers of Anand, Mulk Raj and Singh, Iqbal (eds), Indian Short Stories (1946)

Content: 

This is the manifesto of the company, stating its objectives and its scope.

Date began: 
01 Jan 1946
Extract: 

For a long time past there has been felt the need of an Indian Publishing House in London organised by Indians. There are Indian organisations in Great Britain which issue from time to time pamphlets, leaflets and news bulletins, but these are for the most part of ephemeral character. These efforts should be supplemented by literature of permanent value written by Indians on various aspects of Indian culture, civilization and particularly on modern trends of thought in relation to Indian renaissance.

But the basis of free and creative cooperation between India and the Western world cannot be securely established without a closer understanding of all progressive movements outside India, the development of which should be interpreted by Indians themselves. In other words, there should be ample facilities not only for the interpretation of Indian problems for the West by Indians but also for their own critical evaluation of the West for the East. Only by such two-way traffic of disseminating ideas can we achieve a definite synthesis between them.

Precise date began unknown: 
Y
Key Individuals' Details: 

Mulk Raj Anand (editor of Indian Short Stories), D. P. Chaudhuri (founding editor), Enid Furlonger (illustrator of Sher Shah), Nagendranath Gangulee (author of Sher Shah, resident in London in 1945), Fredoon Kabraji (editor of This Strange Adventure), Iqbal Singh (editor of Indian Short Stories).

Relevance: 

This passage from the manifesto is evidence of the assertiveness of the Indian writers involved in the foundation of this company. Their emphasis on the need for a publishing house in Britain run by Indians is suggestive of a perception of their status in Britain as equal, endowing them with the right to compete with British publishers on British soil. Indeed their clear advocacy of 'free and creative cooperation between Britain and the Western world', and of the need for 'Indian themselves' to interpret 'progressive movements' and other events in the West, further underlines their understanding of the relationship between India and Britain as one of equals, forged by a 'two-way' dissemination of ideas.

Date ended: 
01 Jan 1950
Precise date ended unknown: 
Y

Location

17 Irving Street Leicester Square
London, WC2H 7AU
United Kingdom

Progressive Writers' Association

About: 

The Progressive Writers’ Association was established in London in 1935 by Indian writers and intellectuals, with the encouragement and support of some British literary figures. It was in the Nanking Restaurant in central London that a group of writers, including Mulk Raj Anand, Sajjad Zaheer and Jyotirmaya Ghosh drafted a manifesto which stated their aims and objectives: ‘Radical changes are taking place in Indian society…We believe that the new literature of India must deal with the basic problems of our existence to-day – the problems of hunger and poverty, social backwardness, and political subjection. All that drags us down to passivity, inaction and un-reason we reject as re-actionary. All that arouses in us the critical spirit, which examines institutions and customs in the light of reason, which helps us to act, to organize ourselves, to transform, we accept as progressive’ (Anand, pp. 20-21). Comprising mainly Oxford, Cambridge and London university students, the group met once or twice a month in London to discuss and criticize articles and stories.

The PWA built on the foundation of the controversial collection of stories titled Anghare, published in 1932 and edited by Sajjad Zaheer, with contributions also from Ahmed Ali, Mahmuduzzafar and Rashid Jahan. This volume, which provoked considerable hostility in India and was eventually banned because of its political radicalism and also, according to some, obscenity, was influenced by the radical and literary avant-garde movements in Britain, where both Zaheer and Ali had spent some time studying.

In his memoirs, Zaheer claims the leftist writer Ralph Fox was particularly influential in encouraging the formal organization of the group in London. Anand and Zaheer’s attendance of the International Congress for the Defence of Culture in Paris on 21-6 June 1935, with its emphasis on freedom of expression and the interrelationship between art and society, was also an influence. On the peripheries of this congress, Anand went on to present an address at the Conference of the International Association of Writers for the Defence of Culture in London on 19-23 June 1936. The meeting was organized by the International Association of Writers for the Defence of Culture which aimed to stimulate translations and seek publication of works which were censored in the country of the author, as well as to set up a foundation for a world award, and fight, through culture, against war and fascism. Anand and Zaheer internalized much of what was said at these congresses which shaped the central issues of concern for the PWA.

In 1935, Zaheer left London for India via Paris taking the beginnings of the organization back to India for development. The All-India Progressive Writers’ Association had its official inaugural meeting in Lucknow on 9-10 April 1936, with the writer Premchand presiding. The organization continued to campaign for independence and advocate social equality through their writings. It was unfortunately riven by tensions between a desire to strengthen the links of the organization with Communism, and an opposition to this. Those in the latter camp, such as Ahmed Ali, voiced the dangers of the reduction of literature to a vehicle for propaganda. The PWA continued after independence but is said to have lost some of its energy in its later years.

Published works: 

New Indian Literature 1 (London, 1936)

Zaheer, Sajjad (ed.) Anghare (‘Burning Coals’) (1932)

Example: 

Zaheer, Sajjad, ‘Reminiscences’, in S. Pradhan (ed.) Marxist Cultural Movement in India, Vol. 1 (Calcutta: National Book Agency, 1979)

Other names: 

Progressive Writers' Group

All-India Progressive Writers' Association

Secondary works: 

Anand, Mulk Raj, ‘On the Progressive Writers’ Movement’, in S. Pradhan (ed.) Marxist Cultural Movement in India, Vol. 1 (Calcutta: National Book Agency, 1979)

Coppola, Carlo, ‘The All-India Progressive Writers Association: The European Phase’, in Coppola (ed.) Marxist Influences and South Asian Literature, Vol. 1 (Winter 1974; Asian Studies Center, Michigan State University, East Lansing, Michigan), pp. 1-34

Gopal, Priyamvada, Literary Radicalism in India: Gender, Nation and the Transition to Independence (London and New York: Routledge, 2005)

Zaheer, Sajjad, The Light: The History of the Movement for Progressive Literature in the Indo-Pakistan Subcontinent (Oxford: Oxford University Press, 2006)

Content: 

In this piece, Zaheer recalls the formation and development of the Progressive Writers’ Association.

Date began: 
24 Nov 1934
Extract: 

We knew from the beginning that living in London we could neither influence Indian literature nor create any good literature ourselves. Side by side with our realising the advantages of forming the association in London, this feeling was strengthened. A few exiled Indians could do little more than draw up plans among themselves and produce an orphanlike literature under the influence of European culture. The most important thing that we learnt in Europe was that a progressive writers’ movement could bear fruits only when it is propagated in various languages and when the writers of India realise the necessity of this movement and put into practice its aims and objects. The best that the London Association could do was to put us in contact with the progressive literary movements abroad, to represent Indian literature in the West and to interpret for India the thoughts of Western writers and the social problems which were profoundly influencing Western literature.

Key Individuals' Details: 

Ahmed Ali (founding member, contributed to Anghare), Mulk Raj Anand (founding member, drafted manifesto), Hajrah Begum, Prem Chand (first President), Ismat Chugtai, Anil D’Silva, Faiz Ahmed Faiz, Jyotirmaya Ghosh (founding member, helped to draft manifesto), Rashid Jahan (founding member, contributed to Anghare), Mahmuduzzafar (founding member, contributed to Anghare), Saadat Hasan Manto, Taseer (attended London meetings), Sajjad Zaheer (founding member, edited Anghare and helped to draft manfesto).

Relevance: 

This passage outlines both the importance and the limitations of the location of the foundation of the PWA in London. London was formative to the Association in so far as the European avant-garde movement encountered there by its protagonists, as well as European political events (i.e., the rise of Fascism), instigated and helped to shape its development. Further, the distance of London from India arguably enabled the articulation of a more radical and critical politics than would have been possible within India. However, Zaheer’s notion of an ‘orphanlike’ literature, or a literature in exile, highlights the problematic detachment of the production in Britain of a socially and politically engaged Indian literature from its key concerns and preoccupations.

Connections: 

Suniti Kumar Chatterji, E. M. Forster, Ralph Fox, Attia Hosain, Aldous Huxley, Mohammed Ali Jinnah, Herbert Read, John Strachey.

Date ended: 
01 Jan 1956
Precise date ended unknown: 
Y

Location

Nanking Restaurant
Denmark Street
London, WC2H 8LX
United Kingdom
Involved in events details: 

Founding meeting; Nanking Restaurant, London; 24 November 1934.

International Congress for the Defence of Culture, Paris; 21-6 June 1935 (Anand and Zaheer attend; formative to aims of association).

Official inauguration of the All-India Progressive Writers’ Association, Lucknow, April 1936.

Conference of International Association of Writers for the Defence of Culture, London; 19-23 June 1936 (Anand presents address).

Hindustani Social Club

About: 

Like the Hindustan Community House, the main purpose of the Hindustani Social Club was to do social and educational work among seamen and pedlars in the East End. A key figure in the HSC was Surat Alley, a political activist whose main concern and area of activism was the working conditions of Indian seamen. The Club also served as a social centre for Indians in the East End. In 1939, Alley organized a charity performance by the Indian dancer Ram Gopal and his troupe for the entertainment of the Club’s members (L/PJ/12/630, p. 60).

The Club also functioned as a political meeting place and as a forum where Indian activists could educate and mobilize working-class Indians against British colonial rule. Alley issued to its members news bulletins in Urdu and Bengali on the British Government’s oppression of Indian workers and peasants, and in 1942 the Club hosted an ‘Indian Independence Day’ meeting, attended by Mulk Raj Anand as well as numerous well-known activists (L/PJ/12/454, pp. 13-16). Further, with Surat Alley as its Honorary Secretary, it inevitably had links with the Colonial Seamen’s Association as well as with other organizations for lascars, and, according to a government surveillance report, in 1939 it served as a meeting place for striking lascars (L/PJ/12/630, p. 25). In the eyes of the Government, Surat Alley’s association with the Club made it particularly suspect; in 1940, its premises (also Alley’s home at the time) were searched because of Alley’s links with Udham Singh (ibid., p. 81). 

Example: 

Extract from New Scotland Yard Report No. 156, 13 December 1939, L/PJ/12/630, India Office Records, Asian and African Studies Reading Room, British Library, St Pancras, p. 60

Secondary works: 

Visram, Rozina, Asians in Britain: 400 Years of History (London: Pluto, 2002)

Content: 

This Indian Political Intelligence file, titled ‘Indian Seamen: Unrest and Welfare’, includes numerous government surveillance and police reports on the activities of lascars in Britain in the 1930s and 1940s, focusing in particular on their strikes and other forms of activism against their pay and conditions.

Date began: 
01 Jan 1934
Extract: 

A short time ago Ramzan alias Surat ALI was able to secure the services of the well known Indian dancer, Ram GOPAL and his company, for a charity performance in order to mitigate the distress caused by the war among Indian seamen and pedlars, and a special matinee was arranged for Friday 1st December, 1939, at the Vaudeville Theatre, Strand W.C., the proceeds of which were to be given to the Hindustani Social Club.

Although ALI did his utmost to boost the matinee and a special committee of the Hindustani Social Club was formed to organise publicity, with Mrs. May DUTT (wife of D.N. DUTT) of 160 Highlever Road, W.10 as its honorary treasurer, the performance had to be postponed owing to lack of support. There is no doubt that ALI’s failure was due to the fact that the London Indian Community has no faith in him and suspected that he would use the proceeds for his own ends. 

Precise date began unknown: 
Y
Key Individuals' Details: 

Surat Alley (Honorary Secretary), Said Amir Shah (Secretary).

Relevance: 

This extract demonstrates the presence of South Asian culture – in the form of dance – at the heart of the imperial metropolis and in a key cultural venue. Moreover, the fact that this performance, which did eventually take place,  was attended by working-class Indians from the HSC locates this disadvantaged sector of the community within this central London space, albeit briefly. That middle-class Indians (such as the Dutts) were concerned for the welfare of their working-class counterparts is suggestive of the sense of community which was developing among South Asians in Britain during this period, which evidently traversed boundaries of class. The involvement of Surat Alley, who was better known for his political activism on behalf of the lascars, with this cultural production points to the intersection of the cultural, social and political for Indians in Britain.

Connections: 

Mulk Raj Anand (attended meetings), Dr D. N. Dutt (attended meetings), May Dutt (wife of Dr D. N. Dutt, Treasurer of publicity committee for charity performance given by Ram Gopal), Ram Gopal and company, Tahsil Miah (shared lodgings with Surat Alley at the HSC), Kundal Lal Jalie, Sahibdad Khan (attended meetings), Ghulam Mohammed (attended meetings), Shah Abdul Majid Qureshi (attended meetings), Sarah Reder (Alley’s ‘mistress’, attended meetings), John Kartar Singh (attended meetings), Dr C. B. Vakil (attended meetings).

Archive source: 

Flyer, Tower Hamlets Archives Collection

L/PJ/12/454, India Office Records, Asian and African Studies Reading Room, British Library, St Pancras

L/PJ/12/630, India Office Records, Asian and African Studies Reading Room, British Library, St Pancras

Locations

35 Portree Street
London, E14 0HT
United Kingdom
179 High Street Poplar
London, E15 2NE
United Kingdom
Involved in events details: 

Performance of Ram Gopal and company, 1939

‘Indian Independence Day’ meeting, 1942

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