{"id":399,"date":"2015-10-07T12:19:44","date_gmt":"2015-10-07T12:19:44","guid":{"rendered":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/?p=399"},"modified":"2015-10-07T12:19:44","modified_gmt":"2015-10-07T12:19:44","slug":"workshop-multitudo-a-multisensory-multilayered-and-multidirectional-approach-to-classical-studies","status":"publish","type":"post","link":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/?p=399","title":{"rendered":"Workshop: Multitudo: a multisensory, multilayered and multidirectional approach to classical studies"},"content":{"rendered":"<p>Saturday 21st November 2015, 9.30am-6pm at Roehampton University<\/p>\n<p>Organisers: Alessandra Abbattista (Roehampton)\u00a0<a href=\"mailto:alessandra.abbattista@hotmail.it\">alessandra.abbattista@hotmail.it<\/a>\u00a0and Eleanor Betts (OU):\u00a0<a href=\"mailto:eleanor.betts@open.ac.uk\">eleanor.betts@open.ac.uk<\/a><\/p>\n<p>We are pleased to announce that registration for\u00a0<em>Multitudo<\/em>\u00a0is now open.\u00a0This one-day workshop brings together postgraduate students and early career researchers interested in taking a multidisciplinary approach to sensory studies of Greek and Roman societies. The objective of the workshop is to explore the value of applying sensory approaches to the material and literary evidence of the ancient world, and to illustrate how they complement and\/or contradict each other. In particular, the workshop will demonstrate a range of methodologies and approaches which may be applied to different literary and archaeological contexts, with a focus on how empirical sensory data may combine, or at times conflict, with that of ancient sources.<\/p>\n<p>There is no fee for attending the workshop, but all attendants must register. Please do register via\u00a0<a href=\"https:\/\/www.eventbrite.co.uk\/e\/multitudo-tickets-18818572858\">https:\/\/www.eventbrite.co.uk\/e\/multitudo-tickets-18818572858<\/a>. The deadline for registration is the\u00a0<strong>15th of November.<\/strong>\u00a0We welcome a participative audience and with the support of the Classical Association are pleased to be able to offer a small number of\u00a0student bursaries to eligible presenters and participants. If you would like to be considered for a bursary, please send a request to Alessandra Abbattista (<a href=\"mailto:alessandra.abbattista@hotmail.it)\">alessandra.abbattista@hotmail.it)<\/a>\u00a0or Eleanor Betts (<a href=\"mailto:eleanor.betts@open.ac.uk\">eleanor.betts@open.ac.uk<\/a>), indicating your status and the cost of your travel and\/or accommodation expenses, when you register for the workshop.<\/p>\n<p>We are keen to attract undergraduate, MA and PhD students to the workshop,\u00a0from Classical Studies and other disciplines,\u00a0so please advertise it as widely as you can. If using Twitter, please use the hashtag #multitudo15.<\/p>\n<p>The full programme and registration details are available on our website:<\/p>\n<p><a href=\"http:\/\/sensorystudiesinantiquity.com\/2015\/09\/28\/multitudo-a-multisensory-multilayered-and-multidirectional-approach-to-classical-studies\/\">http:\/\/sensorystudiesinantiquity.com\/2015\/09\/28\/multitudo-a-multisensory-multilayered-and-multidirectional-approach-to-classical-studies\/<\/a><\/p>\n<p>See also:\u00a0<a href=\"http:\/\/www.roehampton.ac.uk\/Courses\/Humanities\/Calendar---Humanities\/Workshop---Multitudo--a-multisensory,-multilayered-and-multidirectional-approach-to-classical-studies\/\">http:\/\/www.roehampton.ac.uk\/Courses\/Humanities\/Calendar&#8212;Humanities\/Workshop&#8212;Multitudo&#8211;a-multisensory,-multilayered-and-multidirectional-approach-to-classical-studies\/<\/a><\/p>\n<p>For further information please do not hesitate to contact us: Alessandra Abbattista (<a href=\"mailto:alessandra.abbattista@hotmail.it\">alessandra.abbattista@hotmail.it<\/a>) or Eleanor Betts (<a href=\"mailto:eleanor.betts@open.ac.uk\">eleanor.betts@open.ac.uk<\/a>).<\/p>\n<p><strong>Programme:<\/strong><\/p>\n<p>9.30-10 Registration and coffee<\/p>\n<p>10-10.10 Introduction: Alessandra Abbattista &amp; Eleanor Betts<\/p>\n<p><strong>Panel 1: Embodied Performance<\/strong><\/p>\n<p>Chair: Eleanor Betts<\/p>\n<p>10.10-10.50<\/p>\n<p>Alessandra Abbattista &amp; Giacomo Savani<\/p>\n<p>\u201cThe Multisensory Metamorphosis of a Thracian King\u201d<\/p>\n<p>Metamorphosis \u2013 ancient Greek tragedy \u2013 funeral mourning \u2013 myth of Procne<\/p>\n<p>Fabio Lo Piparo<\/p>\n<p>\u201cBlowing Through the Gorgon Mask: a Reading of the Cassandra Episode in Aeschylus\u2019\u00a0<em>Agamemnon<\/em>\u201d<\/p>\n<p>Aeschylus\u2019\u00a0<em>Agamemnon<\/em>\u00a0\u2013 Cassandra \u2013\u00a0<em>aulos<\/em>\u00a0\u2013 Gorgon mask \u2013 Tony Harrison\u2019s\u00a0<em>Oresteia\u00a0<\/em><\/p>\n<p>10.50-11.30<\/p>\n<p>Helen Slaney<\/p>\n<p>\u201cKinaesthesia as Methodology\u201d<\/p>\n<p>Dance \u2013 sculpture \u2013 movement \u2013 aesthetics \u2013 reception \u2013 cognition \u2013 enactment \u2013 embodiment \u2013 haptic \u2013 tactility \u2013 interactive<\/p>\n<p>Anna Trostnikova<\/p>\n<p>\u201cMultisensory Experience of Audiences at Roman Religious Festivals. Spectators or Participants?\u201d<\/p>\n<p>Theatre \u2013 collective experience \u2013 ritual\u00a0vs performance \u2013\u00a0<em>lex iulia theatralis\u00a0<\/em>\u2013 crowd behaviour \u2013 production of space<\/p>\n<p>&nbsp;<\/p>\n<p>11.30-11.40 Coffee<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Panel 2: Smell, Taste and Touch<\/strong><\/p>\n<p>Chair: Giacomo Savani<\/p>\n<p>11.40-12.20<\/p>\n<p>Catherine Hoggarth<\/p>\n<p>\u201cCrossing the Multisensory Bridge\u201d<\/p>\n<p>bridges \u2013 urban \u2013 rural \u2013 multisensory \u2013 multidisciplinary \u2013 risk \u2013 comparative approaches \u2013 value \u2013 reconstruction \u2013 methodologies<\/p>\n<p>Stuart McKie<\/p>\n<p>\u201cPractical Magic: How, Where and When to Curse a Thief in Roman Britain\u201d<\/p>\n<p>Magic \u2013 Roman Britain \u2013 curse tablets \u2013 ritual \u2013 experimental archaeology \u2013 movement \u2013 gesture<\/p>\n<p>12.20-1.00<\/p>\n<p>Marta Garcia-Morcillo<\/p>\n<p>\u201cFeeling the Market in Ancient Rome\u201d<\/p>\n<p>Smell \u2013 hearing \u2013 product recognition \u2013 competition \u2013 social status \u2013 performance \u2013 interaction \u2013 atmosphere \u2013 daily life<\/p>\n<p>Patty Baker<\/p>\n<p>\u201cTasting Roman Food: Experimental Archaeology\u201d<\/p>\n<p>Taste \u2013 senses \u2013 reenactment \u2013 experimental archaeology \u2013 recipes \u2013 environmental remains<\/p>\n<p>&nbsp;<\/p>\n<p>1.00-1.40 Lunch<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Panel 3: Sights and Sounds<\/strong><\/p>\n<p>Chair: Alessandra Abbattista<\/p>\n<p>1.40-2.20<\/p>\n<p>Orestis Mitintzis<\/p>\n<p>\u201cVisual Aspects in the Experience of Pilgrimage in the Ancient Greek World\u201d<\/p>\n<p>Pilgrimage \u2013 pilgrim \u2013 sight \u2013 nature \u2013 sanctuary \u2013 buildings \u2013 votives \u2013 cult statue \u2013 Classical and Hellenistic world<\/p>\n<p>Matteo Olivieri<\/p>\n<p>\u201cThe Song of the Maidens of Delos: Homage to the Identities of the Pilgrims of Apollo?\u201d<\/p>\n<p>Delos \u2013 sanctuary \u2013 religious festival \u2013 cult \u2013 regional sanctuary \u2013 Apollo, Artemis and Leto \u2013 Delian Maidens \u2013 Homeric hymn to Apollo \u2013 choral lyric \u2013 mimetic performance \u2013 dance \u2013 ethnic identity \u2013 polis identity \u2013 Ionian \u2013 Cyclades islands \u2013 Aegean sea \u2013 Greek language &amp; dialects<\/p>\n<p>2.20-3.00<\/p>\n<p>Francesca Berlinzani<\/p>\n<p>\u201cAn Acoustic Problem of the\u00a0<em>Ps. Aristot. \u03a0\u0395\u03a1\u0399 \u03a6\u03a9\u039d\u0397\u03a3<\/em>. Between Auditive and Visuospatial Perception\u201d<\/p>\n<p>Ancient acoustics \u2013 Aristotle \u2013 formants \u2013 echo \u2013 resonance \u2013 sound perception<\/p>\n<p>Jeff Veitch<\/p>\n<p>\u201cHearing Architecture: Sound Samples in Architectural Context\u201d<\/p>\n<p>aural architecture \u2013 acoustics \u2013 sound perception \u2013 Roman buildings \u2013 sound samples<\/p>\n<p>3.00-3.30<\/p>\n<p>Jasmine Parker &amp; Eleanor Betts<\/p>\n<p>\u201cA Phenomenology of Visual Perception\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>3.30-3.40 Coffee<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Panel 4: Theorising the Senses<\/strong><\/p>\n<p>Chair: Jeff Veitch<\/p>\n<p>3.40-4.20<\/p>\n<p>John Harrison<\/p>\n<p>\u201cThe Stourhead Temple of the Nymph: a Multisensory Experience\u201d<\/p>\n<p>Grotto \u2013 Stourhead \u2013 nymphaeum \u2013 multisensory \u2013 synaesthesia \u2013 kinaesthesia \u2013 vision \u2013 audition \u2013 olfaction \u2013 thermoception<\/p>\n<p>Hannah Platts<\/p>\n<p>\u201cSensing and Feeling at Home: Multisensory Approaches to the Roman Domestic Realm\u201d<\/p>\n<p>Multisensory \u2013 insula \u2013 domestic \u2013 home \u2013 status \u2013 identity (belonging) \u2013 Roman<\/p>\n<p>4.20-5.00<\/p>\n<p>Kelli Rudolph<\/p>\n<p>\u201cMethod and Theory in Ancient Sensory Studies\u201d<\/p>\n<p>Ancient methodologies: analogy \u2013 polarity \u2013 inference \u2013 theoretical positions: status of qualities \u2013 the relations between contraries \u2013 notions of elements; understanding of ancient approaches to study of the senses<\/p>\n<p>Emma-Jayne Graham<\/p>\n<p>\u201cObjective Senses and Sensory Objectives in the Graeco-Roman World\u201d<\/p>\n<p>Objective\/subjective senses \u2013 texts\/materials \u2013 metaphor\/experience \u2013 perception\/description<\/p>\n<p>5.00-5.20 Closing discussion<\/p>\n<p>5.20-6.00 Drinks reception<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saturday 21st November 2015, 9.30am-6pm at Roehampton University Organisers: Alessandra Abbattista (Roehampton)\u00a0alessandra.abbattista@hotmail.it\u00a0and Eleanor Betts (OU):\u00a0eleanor.betts@open.ac.uk We are pleased to announce that registration for\u00a0Multitudo\u00a0is now open.\u00a0This one-day workshop brings together postgraduate students and early career researchers interested in taking a multidisciplinary approach to sensory studies of Greek and Roman societies. The objective of the workshop is [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[29,23,6,30],"class_list":["post-399","post","type-post","status-publish","format-standard","hentry","category-conferences","tag-archaeology","tag-classical-studies","tag-open-university","tag-sensory-studies"],"_links":{"self":[{"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=\/wp\/v2\/posts\/399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=399"}],"version-history":[{"count":3,"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=\/wp\/v2\/posts\/399\/revisions"}],"predecessor-version":[{"id":402,"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=\/wp\/v2\/posts\/399\/revisions\/402"}],"wp:attachment":[{"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/classicalstudies\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}