Categories
-
Recent Posts
- Can an online ‘safe space’ also be an accessible one?
- The Long And Short Of It, Session 4: The Novel and the Inconsequential
- The Long and Short of It, Session 3: Significant Ideas in Slender Volumes
- Navigating Different Narrative Paths
- The Long And Short Of It, Session 2: The Richness Of Short Stories
Archives
- May 2024
- March 2024
- February 2024
- December 2023
- October 2023
- September 2023
- August 2023
- July 2023
- June 2023
- May 2023
- April 2023
- March 2023
- February 2023
- January 2023
- December 2022
- October 2022
- September 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- January 2022
- November 2021
- October 2021
- March 2021
- February 2021
- December 2020
- November 2020
- September 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- November 2019
- October 2019
- September 2019
- July 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- November 2018
- October 2018
- September 2018
- July 2018
- June 2018
- April 2018
- March 2018
- February 2018
Recent Comments
- Emma Claire Sweeney on The Ins and Outs of Archival Research
- Emma Claire Sweeney on ‘I shall shift my trumpet and take up my knitting’: Disability, Sex, and Self-Assertion in the Autobiography of Harriet Martineau
- Jennifer Shepherd on Sketching in Shadow and Sunlight: Writing Multivocal Historical Fiction by Sarah Law
- Emma Claire Sweeney on ‘I shall shift my trumpet and take up my knitting’: Disability, Sex, and Self-Assertion in the Autobiography of Harriet Martineau
- Clare Walker Gore on ‘I shall shift my trumpet and take up my knitting’: Disability, Sex, and Self-Assertion in the Autobiography of Harriet Martineau
Accessibility Statement
Meta
Tag Archives: Irish theatre.
Researching truth in documentary theatre
Dónall Mac Cathmhaoill, Open University Lecturer in Creative Writing, has been collaborating with University of València colleagues who share his interest in contemporary Irish theatre. Together, they have been exploring the relationship between performativity, truth, and documentary sources. Here, Dónall offers us … Continue reading
Posted in Research
Tagged 7:84 Theatre Company, Aisling Ghéar, Bruised Sky, Carole-Anne Upton, creative writing, Dónall Mac Cathmhaoill, Departament de Filologia Anglesa, documentary drama, documentary sources, Elizabeth Burns, Irish theatre., Jagriti Theatre, Las Fallas, Maria Gaviña Costero, Northern Irish playwright, northern Irish post-conflict drama, Open University, performativity, Platform: Journal of Theatre and Performing Arts, Scorch, Soho Theatre, Stacey Gregg, theatre for social and political advocacy, theatres of conflict, Tinderbox, truth, University of València
Leave a comment