Only a small part of the two million wonders in the collection are on display to the public. This new series takes viewers behind closed doors to explore all the treasures of art, design and performance the museum has to offer. <\/p>\n\n\n\n
The series follows experts and conservators at work in this treasure trove of the nation\u2019s favourite objects, as they breathe new life into fragile marvels, uncover hidden stories, and battle to keep the past alive.<\/p>\n\n\n\n
Dr Leon Wainwright, reader in art history, and OU academic consultant on the series with colleague Dr Clare Taylor, said:<\/p>\n\n\n\n
“If anyone thought that the V&A was nothing but a big repository of crockery and carpets, this series will be a bit of a rude wake up call. Kylie\u2019s wardrobe \u2013 a stormtrooper from Star Wars \u2013 the film prop of Frankenstein\u2019s monster \u2013 one of Beyonce\u2019s rings \u2013 a customised low rider car from the US \u2013 the content is hip and widely ranging.”<\/p><\/blockquote>\n\n\n\n
Academic consultants Dr Leon Wainwright and Dr Clare Taylor<\/figcaption><\/figure><\/div>\n\n\n\n Dr Clare Taylor, <\/strong>senior lecturer in art history, is an academic consultant on the series. She said it offers “a real chance” to see parts of the museum which are not normally open to visitors: storage areas and workshops, preparing items for display.<\/p>\n\n\n\n
“For example, seeing how the museum moves its objects around the galleries (so how do you move dressed mannequins?) and how objects are X-rayed to find out what it going on underneath the surface. <\/p>\n\n\n\n
“When you see an object displayed in a glass case you don\u2019t tend to think about the many people involved in getting it to that stage.”<\/p>\n\n\n\n
She explained that the six-part series looks at maintenance on a grand scale at the museum, such as “routine” cleaning:<\/p>\n\n\n\n
“These routines aren\u2019t like those we might do at home, such as dusting the huge Chihuly chandelier which hangs under the dome in the museum\u2019s main entrance.”<\/p>\n\n\n\n
Viewers will see objects of many dates, from Beatles films to a medieval ring, from a customised car to a tiny portrait made in the eighteenth-century. <\/p>\n\n\n\n
Dr Taylor’s passion for history began when as a schoolgirl she visited the V&A and saw the Devonshire Hunting Tapestries (which feature in the interactive quiz the OU has produced to go with the series).<\/p>\n\n\n\n
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Leon Wainwright, reader in art history, said the series shines a light on more than the museum’s artefacts:<\/p>\n\n\n\n
“The series offers a rare insight into what drives curators, conservators, technicians and archivists; what guides and excites them; what terrifies or perplexes them; what struggles they experience with the materials that they keep and care for, with the built spaces they occupy, with the tools and means at their disposal.”<\/p><\/blockquote>\n\n\n\n
In all of this the attention of staff is steadily on the public they serve. Viewers will find the swan on water analogy \u2013 paddling away like crazy under the surface \u2013 surely applies. The series might lead some viewers to consider careers in the museum, arts and heritage sector and so study art history in more depth. <\/p>\n\n\n\n
The scope: <\/strong> The series cleverly puts the conservation challenges for these on a continuum with those of cleaning rare casts of architectural sculpture from Notre Dame cathedral in Paris, or finding display solutions for one of the first items ever placed in the V&A collection, a writing case from India. <\/p>\n\n\n\n
The OU’s OpenLearn has extensive content in connection with the series <\/a>subject areas; watch the V&A\u2019s skilled curators share an exclusive behind the scenes perspective of life at the museum and try your hand at curating priceless artefacts yourself<\/a>. <\/p>\n\n\n\n
BA (Honours) Arts and Humanities (R14)<\/a><\/p>\n\n\n\n
BA (Honours) Art History and Visual Cultures (R27)<\/a> <\/p>\n\n\n\n
And modules:<\/p>\n\n\n\n
Exploring Art & Visual Culture (A226)<\/a><\/p>\n\n\n\n
Art and its global histories (A344)<\/a> <\/p>\n\n\n\n
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