{"id":25853,"date":"2024-10-10T10:00:01","date_gmt":"2024-10-10T09:00:01","guid":{"rendered":"https:\/\/ounews.co\/?p=25853"},"modified":"2024-10-10T10:00:01","modified_gmt":"2024-10-10T09:00:01","slug":"five-spooky-stories-that-will-have-you-dropping-your-paperback-in-horror","status":"publish","type":"post","link":"https:\/\/www.open.ac.uk\/blogs\/news\/arts-social-sciences\/five-spooky-stories-that-will-have-you-dropping-your-paperback-in-horror\/","title":{"rendered":"Five spooky stories that will have you dropping your paperback in horror"},"content":{"rendered":"<p><em>If you\u2019re looking for something to send a shiver down your spine this spooky season check out the five book choices of The Open University\u2019s Jennie <\/em><em>Owen, Lecturer in Creative Writing. These tales include ghosts, ghouls, monsters and horror, and are guaranteed to have you checking under your bed as the nights draw in.<\/em><\/p>\n<h2><strong>1.<em> Carmilla<\/em><\/strong><strong> by J Sheridan Le Fanu<\/strong> <strong>(Pushkin Press, 2020)<\/strong><\/h2>\n<p>Thought Bramstoker was the first to explore the vampire myth? Le Fanu\u2019s novella was published around 30 years prior to the ubiquitous <em>Dracula<\/em>, at a time when the novel form was still finding its feet with the wider public.<\/p>\n<p><em>Carmilla<\/em> is the story of Laura who lives a quiet isolated life with her widowed father and governess in the rural Styria (part of Austria). It\u2019s written through Laura\u2019s recollections, which include a dream she had as a small child, of a girl watching her whilst she slept.<\/p>\n<p>Then Laura and her father witness a carriage crash and agree to look after the injured Carmilla, around the same age as Laura, as Carmilla\u2019s mother has to urgently continue her journey.<\/p>\n<p>Laura has always wished for company, but soon becomes uneasy, then terrified, as a series of local young girls die with no apparent reason.<\/p>\n<p>Suddenly, when a collection of paintings arrive at their home, they discover one dated 1698 depicting Mircalla, Countess Karnstein. Chillingly, she bears a striking resemblance to Carmilla.<\/p>\n<h2><strong>2.<em> The Haunting of Hill House,<\/em><\/strong> <strong>by<\/strong> <strong>Shirley Jackson (republished by Penquin 2006)<\/strong><\/h2>\n<p>If you\u2019re a lover of all things gothic, you may already be aware of the masterful <em>Haunting of Hill House <\/em>written by American author Shirley Jackson in 1959. It\u2019s a tale always worth revisiting, particularly at this time of year whilst under a blanket sipping from a cup of tea.<\/p>\n<p>After the death of her mother, Eleanor finds herself invited to take part in a study by Dr Montague at the sinister Hill House. Along with companions Theadora and Luke, Eleanor is selected because of a perceived history with paranormal events \u2013 a suggestion that the trio may be susceptible to their imaginations.<\/p>\n<p>There\u2019s an ambiguity that keeps you guessing in this ultimate haunted-house adventure. We are left wondering whether our protagonist, Eleanor, is falling foul of either the paranormal or the impact of the psychological trauma of her past.<\/p>\n<p>Hill House is the perfect sprawling and disorientating mansion, slowly decaying and casting a long shadow over the surrounding countryside and its inhabitants. It\u2019s reputation soon begins to make sense to those trapped inside.<\/p>\n<p>Jackson\u2019s writing is vivid, there is a sense that no word goes to waste as she brings the world of the 1950s America to life.<\/p>\n<p>If you have only watched the 1990\u2019s film adaptation \u2013 don\u2019t let that put you off! This is a genuinely chilling and atmospheric read.<\/p>\n<h2><strong>3. <em>Melmouth <\/em><\/strong><strong>by Sarah Perry (Serpent\u2019s Tail 2018) <\/strong><\/h2>\n<p>Sarah Perry shot to fame for the incredibly popular <em>The Essex Serpant<\/em> (Harper Collins 2016), proving a skill for bringing dark and atmospheric landscapes to life. But for horror, in my opinion, <em>Melmouth <\/em>really hits the spot.<\/p>\n<p>This is the tale of the mythical Melmouth, a ghoulish and pitiful creature cursed to spend eternity travelling the world, witnessing all the very worst in human nature.<\/p>\n<p>This is a reimagining of the 19<sup>th<\/sup> Century gothic novel <em>Melmouth the Wander<\/em> by Charles Maturin (1820). Alongside the monster, there are two other central characters.<\/p>\n<p>Our conduit into the story is the shy and reclusive Helen, who works as a translator in modern-day Prague. After hearing about the mythical Melmouth, she travels down a research rabbit\u2019s hole and her life, and previous traumas, seem to bring the titular figure to real and horrifying life.<\/p>\n<p>The third key character, although there are a host of engaging others as you move forwards and backwards in time, is the city of Prague itself.\u00a0 This serves as the perfectly eerie and vivid backdrop to Helen\u2019s experiences.<\/p>\n<h2><strong>4.<em> Starve Acre<\/em><\/strong><strong> by Andrew Hurley (John Murray Press 2019)<\/strong><\/h2>\n<p>Andrew Hurley had already proved himself as an original and compelling gothic voice in his previous novels <em>The Loney<\/em> and <em>Devil\u2019s Day<\/em>. In <em>Starve Acre, <\/em>first published on Halloween in 2019, there is something about the strange and creepy events of this novel that have left it lingering in my mind long after I shut the cover.<\/p>\n<p>Richard and Juliette are haunted by the memory of their son, Ewan, who died unexpectedly at the age of five, after they inherit a crumbling house in the countryside on the isolated North Yorkshire moors.<\/p>\n<p>This is an exploration of grief as the couple renegotiate their lives and their relationship while enduring an unfathomable loss.<\/p>\n<p>The book explores faith, love, the challenges of parenthood and something very very old lying beneath the ground. Oh, and did I mention a creepy hare?<\/p>\n<p>If you\u2019re in the mood for folk horror on the big screen, this novel has recently been adapted into a film starring Matt Smith and Morfydd Clark, directed by Daniel Kokotajlo and released September 2024.<\/p>\n<h2><strong>5. <em>The Dangers of Smoking in Bed<\/em><\/strong><strong> by Mariana Enriquez<\/strong> <strong>(Granta Books 2022) <\/strong><\/h2>\n<p>Enriquez is an Argentine writer and journalist, whose work has been widely translated. If you prefer to read something you can pick up and put down over the spooky season, her collections of short stories might just be for you.<\/p>\n<p>These tales are visceral, grotesque at times, and effectively capture the sense of the political landscape in her home country. Unlike some of the more rural recommendations above, these are contemporary urban stories, where the city is a dangerous and confusing place to navigate.<\/p>\n<p>This is Enriquez\u2019 second collection, after the critically acclaimed <em>Things We Lost In The Fire<\/em> (2018 Granta Books) If you\u2019ve already come across her writing, you\u2019ll also be excited to know she also has a new collection <em>A Sunny Place For Shady People<\/em> (Granta Books) coming out this Autumn.<\/p>\n<p><em>The Dangers of Smoking in Bed<\/em> contains sometimes gripping, sometimes stomach churning, stories about everything from sex, fetish, curses, the body, witchcraft, adolescence, and even cannibalism. They are also dark, twisty, and genuinely capable of making you sleep with the light on.<\/p>\n<p><em>Picture: Enrique for Pixabay<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you\u2019re looking for something to send a shiver down your spine this spooky season check out the five book choices of The Open University\u2019s Jennie Owen, Lecturer in Creative Writing. These tales include ghosts, ghouls, monsters and horror, and are guaranteed to have you checking under your bed as the nights draw in. 1. [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":25855,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,3],"tags":[296,869,1023,1525,1640],"class_list":["post-25853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-literature-music","category-arts-social-sciences","tag-book-review","tag-fass","tag-halloween","tag-news-home","tag-ou-home"],"_links":{"self":[{"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/posts\/25853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/comments?post=25853"}],"version-history":[{"count":0,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/posts\/25853\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/media\/25855"}],"wp:attachment":[{"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/media?parent=25853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/categories?post=25853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/tags?post=25853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}