{"id":5108,"date":"2017-02-25T10:30:37","date_gmt":"2017-02-25T09:30:37","guid":{"rendered":"https:\/\/ounews.co\/?p=5108"},"modified":"2017-02-25T10:30:37","modified_gmt":"2017-02-25T09:30:37","slug":"clockwork-orange-ultraviolence-russian-spies-fake-news","status":"publish","type":"post","link":"https:\/\/www.open.ac.uk\/blogs\/news\/arts-social-sciences\/art-literature-music\/clockwork-orange-ultraviolence-russian-spies-fake-news\/","title":{"rendered":"A Clockwork Orange: ultraviolence, Russian spies and fake news"},"content":{"rendered":"<p>The writer Anthony Burgess is most famous for his novel, <a href=\"https:\/\/www.anthonyburgess.org\/a-clockwork-orange\/\">A Clockwork Orange<\/a>. This month marks the centenary of the writer\u2019s birth and his dystopian vision still casts a long shadow over popular culture. But what is perhaps more intriguing is how the book was once drawn into a world of Russian espionage, fake news and paranoia.<\/p>\n<p>During his lifetime, Burgess wrote over 30 novels, 25 non-fiction books, three symphonies and countless other musical works. But 55 years after its publication, it\u2019s still A Clockwork Orange which has the most enduring influence.<\/p>\n<figure class=\"align-left \"><img decoding=\"async\" src=\"https:\/\/cdn.theconversation.com\/files\/158069\/width237\/image-20170223-24069-1b6bq5e.PNG\" alt=\"\" \/><figcaption><span class=\"caption\">Anthony Burgess.<\/span><br \/>\n<span class=\"attribution\"><a class=\"source\" href=\"https:\/\/www.flickr.com\/photos\/markhillary\/13880336105\/in\/photolist-o163Lo-RLVwFN-8iR9VZ-r7gcCH-sKro4-8k5o2E-nYSVTq-pyN6Qr-nYV6jK-hrmh4i-n9ymkK-CMMkJ4-ctaCoE-HxRwA-JeeWDz-9cMzkC-2oCBDj-ctaBR7-awG2mJ-hBqiL1-7SL7NW-hBq9EK-asYndC-9kixTJ-3snvph-7HSBEN-78efe6-oRKZnd-Ne8h4g-9oZTYw-C8Hp2V-BFAa63-xw4JWE-xuyzXf-wA1HWp-xfoeBT-xwTevn-PyGRgh-NRfqE5-t5XkhS-7yDMpo-62ok9R-4SpLFM\">Mark Hillary\/Flickr<\/a>, <a class=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY<\/a><\/span><\/figcaption><\/figure>\n<p>One of the more unusual examples of this influence was the novel\u2019s appropriation by the espionage community. During the 1970s, the title supposedly became the codename for an <a href=\"https:\/\/books.google.co.uk\/books?id=Q6NTDAAAQBAJ\">alleged campaign<\/a> to undermine the prime minister, Harold Wilson. Prompted, apparently, by fears that Wilson was a Soviet agent and that he\u2019d been placed in office after the KGB had poisoned the previous Labour leader Hugh Gaitskell.<\/p>\n<p>Elements within the British secret service are alleged to have bugged his staff\u2019s phones, burgled their houses and instigated a campaign to spread false rumours about him through the media. All of this was intended as a precursor to <a href=\"https:\/\/www.theguardian.com\/commentisfree\/2006\/mar\/15\/comment.labour1\">a coup<\/a> which would see the army seize Heathrow airport and Buckingham Palace and put an interim prime minster in place.<\/p>\n<figure class=\"align-center \"><img decoding=\"async\" src=\"https:\/\/cdn.theconversation.com\/files\/158068\/width754\/image-20170223-24069-1hqbsal.jpg\" alt=\"\" \/><figcaption><span class=\"caption\">A Clockwork Orange by Anthony Burgess.<\/span><br \/>\n<span class=\"attribution\"><a class=\"source\" href=\"https:\/\/www.flickr.com\/photos\/bluesmuse\/3990612536\/in\/photolist-75CW5q-nYV6jK-9FzHi-q7Ta8j-fcVZWp-98aS95-nY9JWn-7KLqt7-CMMkJ4-68NJ1m-5izAWS-A6MxW-2gAtam-jsQcTt-qhiHy1-FaM2m-7Djxem-7Z7K7n-eruDvh-DkEHA-4MvSPo-4mFX7x-fdbjhS-7HSBEN-7FU5HR-5yHDQA-D5Dd3-fdbj3d-8usmkU-FaM2o-ctaCoE-bne7jH-7yDMpo-4oMvBb-8EasUc-73CZjH-9cMzkC-5oQeWm-aCu6hf-4vbkXL-fWpfY8-8vmgVj-6bCcBm-dCafZ-NgJ5f-7xXesw-ctaBR7-bw96ft-6arB9-5yX6GV\">Simon Zirkunow\/Flickr<\/a>, <a class=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY<\/a><\/span><\/figcaption><\/figure>\n<p>The symbolism of the use of this title \u2013 of a novel about state brainwashing and civil disorder \u2013 is inventive, to say the least. It also has a strange resonance today, where again there\u2019s rampant speculation about the way fake news and the use of \u201ckompromat\u201d (compromising material) is being used to manipulate Donald Trump who some fear is under the control of the Russian secret service.<\/p>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>This story may appear as something of an outlier in the influence the book has had. But politics and culture have rubbed shoulders throughout its history.<\/p>\n<p>Someone else who was greatly influenced by the book was David Bowie. In the early 1970s, he\u2019d wanted to make a musical of another famous work of dystopian fiction, 1984, but George Orwell\u2019s widow, Sonia, <a href=\"http:\/\/www.openculture.com\/2016\/04\/david-bowie-dreamed-of-turning-george-orwells-1984-into-a-musical.html\">refused him the rights<\/a>. Instead, he adapted his ideas into Diamond Dogs and created his own dystopian world: a broken society where \u201c<a href=\"http:\/\/www.fabulousfreaks.uk\/diamond-dogs-album-info\">a disaffected youth \u2026 lived as gangs on roofs and \u2026 had the city to themselves<\/a>\u201d.<\/p>\n<p>In the Britain of that time, with its food shortages, power cuts and IRA bombings, an artistic fascination with these ideas isn\u2019t that surprising. The bleakness of the social landscape shared much of the <a href=\"https:\/\/bowiesongs.wordpress.com\/2010\/08\/26\/1984-dodo\/\">mood and outlook<\/a> of the post-war period in which Orwell was writing. But the world that Bowie ended up imagining arguably has as much to do with Burgess\u2019s \u201c<a href=\"https:\/\/www.amazon.co.uk\/Clockwork-Orange-Music-Modern-Plays\/dp\/0413735907\">world of adolescent violence and governmental retribution<\/a>\u201d depicted in A Clockwork Orange.<\/p>\n<p>Coincidentally, Sonia Orwell also played a bit part in an incident which was formative in the inception of the novel. In 1944, when Burgess was stationed with the army in Gibraltar, it was Sonia Orwell who <a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/clockwork-orange-1124980.html\">sent the letter<\/a> informing him that his wife, Lynne, had been attacked in London by four GIs. Lynne suffered a miscarriage and it seems likely that the incident contributed to her later ill-health and early death.<\/p>\n<h2>Violence and catharsis<\/h2>\n<p>Not only does A Clockwork Orange explore a society overrun by random acts of recreational violence but Burgess also includes a scene in which an unnamed writer is attacked and forced to watch while his wife is raped. In his <a href=\"https:\/\/www.penguin.co.uk\/books\/57023\/a-clockwork-orange\/\">introduction<\/a> to the novel, Blake Morrison suggests that writing this was a form of catharsis for Burgess \u2013 although later in his life Burgess spoke of the dejection he felt at the accusations that his artwork was some sort of promo glamorising violence.<\/p>\n<p>Following a failed attempt by the <a href=\"http:\/\/psychobabble200.blogspot.co.uk\/2010\/07\/august-14-2009-lost-world-rolling_25.html\">Rolling Stones to film the novel<\/a> and Andy Warhol\u2019s highly <a href=\"http:\/\/www.imdb.com\/title\/tt0059880\/\">experimental take on it<\/a>, Stanley Kubrick\u2019s celebrated adaptation came out in 1971. This further bolstered the cultural impact. Bowie, for example, borrowed from both its visual style and soundtrack for his <a href=\"https:\/\/bowiesongs.wordpress.com\/category\/the-rise-and-fall-of-ziggy-stardust-and-the-spiders-from-mars-1972\/\">live shows<\/a>, while his <a href=\"http:\/\/www.5years.com\/countdown30th.htm\">fascination<\/a> with Burgess\u2019s invented language, Nadsat, was to continue right up until his final album Blackstar, which features a song <a href=\"https:\/\/genius.com\/David-bowie-girl-loves-me-lyrics\">mostly written in it<\/a>.<\/p>\n<figure><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/wDCk1X2S00A?wmode=transparent&amp;start=0\" width=\"440\" height=\"260\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><figcaption><span class=\"caption\">David Bowie &#8211; Girl Loves Me (Audio)<\/span><\/figcaption><\/figure>\n<p>In 1973 \u2013 around the same time as the Wilson plot was first being hatched \u2013 Kubrick withdrew his film version of the novel from British cinemas, following several high-profile cases of supposed copycat violence. For Burgess, the film had always been a mixed blessing. When the novel came out in America, his publishers decided to cut the final chapter, which shows the protagonist grown up and wishing to settle down and start a family. Instead, it ends with him unrepentant and returned to the psychotic mindset that he\u2019d had prior to his brainwashing treatment. It was this version that Kubrick filmed.<\/p>\n<p>Burgess felt this prevented the book from working properly as a novel, where moral growth is a part of the essence of narrative. He saw the decision as symptomatic of the politics of the times \u2013 his book was Kennedyan, he wrote, when what was wanted was something Nixonian, \u201c<a href=\"http:\/\/wwnorton.tumblr.com\/post\/3971470377\/a-clockwork-orange-resucked\">with no shred of optimism in it<\/a>\u201d. He <a href=\"http:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/23\/juice-from-a-clockwork-orange\/\">concluded<\/a>: \u201cAmerica prefers the other, more violent, ending. Who am I to say America is wrong? It\u2019s all a matter of choice.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/counter.theconversation.edu.au\/content\/73240\/count.gif?distributor=republish-lightbox-basic\" alt=\"The Conversation\" width=\"1\" height=\"1\" \/><\/p>\n<p><a href=\"https:\/\/theconversation.com\/profiles\/philip-seargeant-317748\">Philip Seargeant<\/a>, Senior Lecturer in Applied Linguistics, <em><a href=\"http:\/\/theconversation.com\/institutions\/the-open-university-748\">The Open University<\/a><\/em><\/p>\n<p>This article was originally published on <a href=\"http:\/\/theconversation.com\">The Conversation<\/a>. Read the <a href=\"https:\/\/theconversation.com\/a-clockwork-orange-ultraviolence-russian-spies-and-fake-news-73240\">original article<\/a>.<\/p>\n<p><small>Photo by <a href=\"http:\/\/www.flickr.com\/photos\/61329603@N00\/6985288809\" target=\"_blank\" rel=\"noopener\">Prairiekittin<\/a> <a title=\"Attribution-NoDerivs License\" href=\"http:\/\/creativecommons.org\/licenses\/by-nd\/2.0\/\" target=\"_blank\" rel=\"nofollow noopener\"><img decoding=\"async\" src=\"https:\/\/ounews.co\/wp-content\/plugins\/wp-inject\/images\/cc.png\" \/><\/a><\/small><\/p>\n<p><small>Photo by <a href=\"http:\/\/www.flickr.com\/photos\/61329603@N00\/6985288809\" target=\"_blank\" rel=\"noopener\">Prairiekittin<\/a> <a title=\"Attribution-NoDerivs License\" href=\"http:\/\/creativecommons.org\/licenses\/by-nd\/2.0\/\" target=\"_blank\" rel=\"nofollow noopener\"><img decoding=\"async\" src=\"https:\/\/ounews.co\/wp-content\/plugins\/wp-inject\/images\/cc.png\" \/><\/a><\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The writer Anthony Burgess is most famous for his novel, A Clockwork Orange. This month marks the centenary of the writer\u2019s birth and his dystopian vision still casts a long shadow over popular culture. But what is perhaps more intriguing is how the book was once drawn into a world of Russian espionage, fake news [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":5110,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[44,138,744,865,1712,1948,2200,2304],"class_list":["post-5108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-literature-music","tag-a-clockwork-orange","tag-anthony-burgess","tag-dystopia","tag-fake-news","tag-philip-seargeant","tag-russia","tag-the-conversation","tag-ultraviolet"],"_links":{"self":[{"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/posts\/5108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/comments?post=5108"}],"version-history":[{"count":0,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/posts\/5108\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/media\/5110"}],"wp:attachment":[{"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/media?parent=5108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/categories?post=5108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.open.ac.uk\/blogs\/news\/wp-json\/wp\/v2\/tags?post=5108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}