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Call for papers on Music and Video Games

Royal Music Association Music and Philosophy Study Group Conference
Kings College, London
13th – 14th July 2017

Music in Video Games Panel
Conveners: William Gibbons and Derek Matravers

There has been great deal of interest in the past few years within musicology and music theory in the contribution of music to the experience of playing video games. The topic has been relatively neglected in philosophy, although it is related to several extant discussions concerning other media. We would like to invite papers from any discipline which reflect on this topic, thus contributing to developing a philosophical take on the role of music in video games.

Topics of interest might include (but are not limited to):

• The contribution of music to the experience of playing video games.
• The relation between the music and other aspects of the video game, in particular the game’s narrative content
• The contribution of music to the nature of video games and their status as art
• The ontological status of video game music between real and virtual worlds
• The role of games in (re)defining the musical act
• Video games and the idea of musical play
Proposals of no longer than 300 words should be submitted to Derek Matravers (derek.matravers@open.ac.uk) with the subject heading “MPSG Themed Session” by 15th October 2016.

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Derek Matravers interviewed for the Imperfect Cognitions blog

Derek was interviewed by Matilde Aliffi of the University of Birmingham. The interview can be found herehttp://imperfectcognitions.blogspot.co.uk/2016/08/art-and-emotion-interview-with-derek.html?m=1

You can find out why he got into aesthetics, what the relation is between fiction and non-fiction, and between music and the emotions, and why aesthetics is so much more difficult than meta-ethics. Also, why his work is now taking him towards ‘just war theory’ and the protection of cultural heritage.

 

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David Roden

David Roden, Associate Lecturer and Honorary Associate, has a commissioned piece, Letters from the Ocean Terminus, in an issue of Dis Magazine on the ‘postcontemporary’ edited by Suhail Malik and Armen Avenessian. Its theme is time and art in a globalised order whose stability is undermined by systems for pre-empting its futures.  It blends science fiction and philosophical commentary to imagine a febrile agent at home in this speculative present; one that refashions itself by mining uncanny posthuman futures. An introduction to the issue and links to other contributions can be found here.

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R. Scott Kretchmar essay prize winner

Christopher Yorke, an Open University PhD student in Philosophy, has won the R. Scott Kretchmar Graduate Student Essay Prize awarded by the International Association for the Philosophy of Sport conference, in September in Greece. This is the biggest conference in Philosophy of Sport, and there’s only one prize. Congratulations Chris!

The essay that won him the prize is called ‘Endless Summer: What Kinds of Games will Suits’ Utopians Play?’

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Derek Matravers interviewed in ASAGE

Derek Matravers answers questions about his book, Fiction and Narrative, put to him by Michel-Antoine Xhignesse for ASAGE, an online journal in aesthetics and the philosophy of art. The opener:

“For those of our readers who may not have had a chance to read your book yet, could you explain its main thrust?”

Go here to read his answer, and to find out why he is so appalled by Wind in the Willows (“Give one iota of thought to it, and it just falls to bits. It starts looking utterly horrific: animals talking to each other one moment, and then sticking each other between slices of bread and eating one another the next”).

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History of Philosophy Research Group seminar: Wednesday 6 April

Professor Thomas Uebel of the University of Manchester will present a Philosophy Department Research Seminar, at the Walton Hall campus, Wilson A, Meeting Room 05, from 2pm – 4pm on April 6.

Schlick and Wittgenstein: The Theory of ‘Konstatierungen’ Revisited

Abstract: Viewed from the perspective of the epistemology of science, Schlick’s theory of affirmations (‘Konstatierungen’) was a failure. Schlick meant affirmations to be observation statements that were not identical with the protocol statements recordable by scientists in the course of their work yet in some sense grounded our knowledge of the world. Interpreters either rejected the theory wholesale or saved only part of it for the price of discarding some other property that affirmations supposedly possessed. The present paper investigates whether it is possible to provide a more favourable interpretation of Schlick’s theory of affirmations by relating them more closely to the views and ideas of the ‘middle’ Wittgenstein, namely. In particular, it may be regarded as an attempt to improve his much earlier response to the challenge of skepticism by means which his familiarity with Wittgenstein’s unpublished writings made available to him.

All welcome. This event is hosted by the History of Philosophy Research Group. For information, contact: Cristina Chimisso

 

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Call for Papers — Owning our Emotions

Call for Papers

International conference on

Owning our Emotions — Emotions, Authenticity, and the Self

Senate House, London
21-22 September 2016

 

The conference is organised by The Reasons and Norms Research Group, Department of Philosophy, The Open University, with the support of The Mind Association and The Institute of Philosophy

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Emotion, fiction, and virtual worlds (7-15 July 2016)

This year the central topic of the summer school organized by the Swiss Center for Affective Sciences (SCAS) is “Emotion, fiction, and virtual worlds”.

A growing body of research is highlighting the potential power of new technologies such as virtual reality, robotics, videogames or human-computer interaction for health and learning purposes. Much of the current research, however, fails to bridge the gap between technology, virtual worlds and fundamental theoretical or empirical constructs such as emotions, immersion and reality, user engagement and related motivational aspects, as well as social interactions. ISSAS 2016 will address those gaps by discussing the role of emotions in fictional (e.g. novels) and virtual worlds (such as virtual reality worlds or videogames).

The scientific program for 2016 comprises plenary lectures from leading scholars in the field, discussions sessions and workshops aimed at theoretical integration and fostering new research ideas, group work in which the students design an interdisciplinary research project that will be presented and discussed on the last day.

The Open University’s Derek Matravers is one of these leading scholars. For more details, follow this link.

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Hear Sophie Grace Chappell rescuing the beautiful on Australian radio

And you don’t even need to be in Australia to do so: Rescuing the beautiful. She talks with Joe Gelonesi on the question, ‘Would you do something simply because it is the beautiful thing to do?’

The original broadcast was on Feb 11 2016. Other programmes in ABC Radio National’s Philosopher’s Zone series can be found on their past programmes page.

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