Skip to content

Toggle service links

Coronavirus: Course registration is open, but please be aware it may take us longer to respond than usual. Find out about our coronavirus response and current contact hours.

You are here

  1. Home
  2. Dr Peg Katritzky

Dr Peg Katritzky

Profile summary

Professional biography

I joined The Open University in 2001. A graduate of UCL, I gained my DPhil in 1995 from St Catherine’s College, University of Oxford, where I also served as Research Associate and Graduate Advisor from 2001 to 2005. During the 1990s, I held Alexander von Humboldt, Herzog August Library and Netherlands Institute for Advanced Study Fellowships, and was Senior Research Fellow at Wimbledon School of Art for four years. During 2017-2019, I served as Visiting Professor at the University of Trier (DFG Forschergruppe 2539), and as the UK member of the Technologies of Spectacle Research Group (NWO).

Research interests

My research focuses on early modern English, comparative and transnational drama and performance culture. At the OU, I direct GOTH (The Centre for Research into Gender and Otherness in the Humanities), serve on the Committee of the Health and Wellbeing PRA, and am a member of the HOBAR (Book History), Medieval and Early Modern and Classical Reception Research Groups. Research outputs funded by the Herzog August Library, AHRC and British Academy include my monographs: 
*Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter (Ashgate, 2012) 
*Women, Medicine and Theatre, 1500-1750: Literary Mountebanks and Performing Quacks (Ashgate, 2007)
*The art of commedia: a study in the commedia dell’arte 1560-1620 with special reference to the visual records (Rodopi, 2006)
 
I am editor (with Prof. Pavel Drábek) of the third collection of essays by the Theater Without Borders Research Collective (Transnational Connections in Early Modern Theatre, Manchester UP, 2020), series editor (with Prof. Jim Davis) of the four volume Ashgate Performance Practice Reprint Series (2014), hold the 2015 Stephen Joseph Award of the Society for Theatre Research, and outputs of my 2014-2015 Wellcome Trust funded research on monstrous performers include my articles:
*“Literary anthropologies and Pedro González, the “Wild Man” of Tenerife” (in Medical Cultures of the Early Modern Spanish Empire, 2014)
*"Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick" (in Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne, 2017)
*"The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608)" (in European Medieval Drama, 2017)
 
Since 1.1.2014, I have also published on:
MARGARET CAVENDISH
*“Margaret Cavendish’s Female Fairground Performers”, in The Palgrave Handbook of the History of Women on Stage, 2020.
WILLIAM SHAKESPEARE 
*"Shakespeare’s “portrait of a blinking idiot”: transnational reflections" in Transnational Mobilities in Early Modern Theater, 2014
*“'A plague o’ these pickle herring': from London drinkers to European stage clown" in Ninth World Shakespeare Congress: Renaissance Shakespeare: Shakespeare Renaissances, 2014
*"Shakespearean players in early modern Europe" (co-author Pavel Drábek), in The Cambridge Guide to the Worlds of Shakespeare, 2016
EDMUND SPENSER
SAMUEL BUTLER
*"Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s 'Hudibras'" in Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century, 2016
TRAVEL LITERATURE
THE MEDIEVAL RELIGIOUS STAGE
“The itinerant healer as a stage role: its origins in religious drama”, in Enacting the Bible in medieval and early modern drama, 2020
COMMEDIA DELL'ARTE 
*'Images of the commedia dell'arte' in The Routledge Companion to Commedia dell'Arte, 2014
*"Die Ikonografie der Commedia dell'arte bis 1750" in Spettacolo barocco! Triumph des Theaters, 2016
German-Speaking Countries. In: Commedia dell'Arte in Context, 2018.
*Commedia dell’arte related glass: early modern Venice. In Commedia dell’arte: Studi storici, n.s.1, 2018.
*Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain, 2018.
*“London and The Hague, 1638: Performing quacks at court", in: Transnational Connections in Early Modern Theatre, 2020.
*“Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia”, Music in Art 44 (2019)
 

I peer review for academic and trade publishers, journals and research funding bodies in the UK, Europe, US and Canada, and serve on the editorial boards of Early Theatre and Commedia dell'Arte: Studi storici, the Executive Committee of the UK AvH Association (co-organizer, with host Dr Ian MacLaren, 1st AvH Scotland Meeting, Glasgow, June 2016), the Steering Committee of Theater Without Borders (Organizer: TWB Annual Workshop 2012), and the TOIA Committee (The Oxford Italian Association).

My external presentations since 2014 include:

BARCELONA (Oct.2018 x2: ICTM & Museu Nacional d’Art de Catalunya); BELFAST (Oct 2018: QUB, HSTM Ireland); BERLIN (March 2015: RSA; Dec 2018); DURHAM (July 2016: SiTM); EDINBURGH (Oct 2017); ESSEN (KWI, Sept 2015); FLORENCE (Medici Palace, Oct 2017); FREIBURG (FRIAS, Feb 2017); GDANSK (July 2017: ESRA); GENOA (SiTM, July 2019); GIESSEN (Dec 2015 x2 & Dec 2017 x2); GLASGOW (June 2016); HARDWICK HALL (GOTH, May 2019); HULL (June 2018: TWB); IRSEE (Schwabenakademie, March 2015 & March 2016); KÖLN (Schloss Wahn, May 2017: TWB); LEEDS (Tetley, March 2017; IMC, July 2017 & July 2018; IMS, May 2018); LONDON (Globe, Jan 2016; Birkbeck, April & May 2016, Feb 2017: CHASE; Tower, Nov 2016: Gloriana Soc; KCL, Dec 2017; UCL, May & Oct 2018; Warburg, June 2018; Greenwich, April 2019; Mellon Centre, April 2019); MAINZ (May 2017); MIDDLETOWN (Wesleyan, June 2019, TWB); MUNICH (Hist Inst, March 2019); NEW DELHI (Nat. School of Drama, Jan 2014: 16th Nat. Festival of Indian Drama); NEW ORLEANS (March 2018: RSA); NICOSIA (April 2019, Othello's Island); NIJMEGEN (Feb. 2019); OXFORD (Oxford Embroiderers' Guild, Jan 2014; All Souls', Feb 2014; Ertegun House, June 2014: TWB & March 2017); PARIS (Sorbonne, May 2014; June 2015 [NYU Paris]: TWB & June 2016 [Sorbonne]: TWB); TOURS (Sept 2017); TRENT (Nov. 2019); TRIER (May 2017); TRONDHEIM (June 2019, Cavendish Soc); VIENNA (Dec 2015; June 2018); WIENHAUSEN (March 2018: SiTM-D); WOLFENBUETTEL (HAB: Aug 2015; July 2016; Feb 2017).

Commedia dell'arte, cover
 

Teaching interests

My teaching and supervisory interests focus on early modern English and comparative literature, drama and performance culture. OU courses to which I have contributed include A815, A334, A233 and AA305. I co-authored the teaching text book Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (1999), contributed to the OU English MA handbook (Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research, 2010), and welcome doctoral enquiries in my research areas (m.a.katritzky@open.ac.uk).

Research groups

NameTypeParent Unit
Book History and Bibliography Research GroupGroupFaculty of Arts
Gender in the Humanities Research GroupGroupFaculty of Arts
Renaissance and Early Modern Research GroupGroupFaculty of Arts
The Arts and their Audiences Research ClusterClusterFaculty of Arts

Publications

Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia (2019)
Katritzky, M. A.
Music in Art, 44 (pp. 83-104)


Commedia dell’arte related glass: early modern Venice (2018)
Katritzky, M. A.
Commedia dell’arte: Studi storici, 1, Article 1 (pp. 11-31)


The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608). (2017-11-30)
Katritzky, M. A.
European Medieval Drama, 20 (pp. 105-139)


Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England (2016-06-01)
Katritzky, M. A.
Spenser Review, 46, Article 6(1)


The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa (2016)
Katritzky, M. A.
Ludica. Annali di storia e civiltà del gioco, 2013-2014(19-20) (pp. 24-38)


A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture (2014-10)
Katritzky, M. A.
German Life and Letters, 67(4) (pp. 467-480)


Zan Bragetta a Jean Potage: Divadelní kočovníci v raně novověké Evropě (2010)
Katritzky, M. A.
Divaldelni Revue, 2(1) (pp. 48-61)


Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing (2009)
Katritzky, M. A.
The Sixteenth Century Journal, 40(4) (pp. 1167-1169)


Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents (2008-12)
Katritzky, M. A.
Early Theatre, 11(2) (pp. 141-155)


Secrets of women: Gender, generation and the origins of human dissection (2008-04)
Katritzky, M. A.
Social History of Medicine, 21(1) (pp. 198-199)


Improvisation in the arts of the middle ages and renaissance (2006)
Katritzky, M. A.
Early Theatre, 9(1) (pp. 149-152)


The commedia dell'arte: a theatre-iconographical perspective (2005)
Katritzky, M.A.
Maske und Kothurn, 50(3) (pp. 19-43)


Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds (2005)
Katritzky, M. A.
Shakespeare Yearbook, 15 (pp. 113-140)


Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall) (2004)
Katritzky, M. A.
Theatre Research International, 29(1) (pp. 78-81)


What did medieval stages look like? (2003-01-03)
Katritzky, M.A.
Times Higher Education Supplement(1570) (pp. 13-13)


'Unser sind drey': the quacks of Beer, Printz and Weise (2002)
Katritzky, M.A.
Maske und Kothurn, 48(1-4) (pp. 117-142)


Gendering tooth-drawers on the stage (2001-07)
Katritzky, M. A.
Ludica, annali di storia e civilta del gioco, 5-6 (2000) (pp. 144-181)


Marketing medicine: the image of the early modern mountebank (2001-06)
Katritzky, M.A.
Renaissance Studies, 15(2) (pp. 121-153)


Comic stage routines in Guarinonius's medical treatise of 1610 (2000)
Katritzky, M. A.
Theatre Research International, 25(3) (pp. 217-232)


Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography (1999)
Katritzky, M. A.
Theatre Research International, 24(2) (pp. 160-167)


Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97 (1999)
Katritzky, M. A.
Quaderni Veneti, 30, (pp. 61-126)


Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598 (1998)
Katritzky, M. A.
Theatre Research International, 23(2) (pp. 104-125)


The Commedia dell'arte: An introduction (1998)
Katritzky, M. A.
Theatre Research International, 23(2) (pp. 99-103)


Harlequin in renaissance pictures (1997)
Katritzky, M. A.
Renaissance Studies, 11(4) (pp. 381-419)


A German description of the Florentine intermedi of 1565 (1997)
Katritzky, M. A.
Italian Studies, 52(1) (pp. 63-93)


Eight portraits of Gelosi actors in 1589? (1996)
Katritzky, M. A.
Theatre Research International, 21(2) (pp. 108-120)


The Florentine entrata of Joanna of Austria and other entrate described in a German diary (1996)
Katritzky, M. A.
Journal of the Warburg and Courtauld Institutes, 59 (pp. 148-173)


How did the Commedia dell'arte cross the Alps to Bavaria? (1991)
Katritzky, M. A.
Theatre Research International, 16(3) (pp. 201-215)


A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? (1988)
Katritzky, M. A.
Nationalmuseum Bulletin, 12(1) (pp. 37-53)


Commedia dell'arte och kvinnornas debut pa teaterscenen (1988)
Katritzky, M.A.
Astra, 70(9) (pp. 24-27)


Lodewyk Toeput: Some pictures related to the commedia dell'arte (1987)
Katritzky, M. A.
Renaissance Studies, 1(1) (pp. 71-125)


Italian comedians in renaissance prints (1987)
Katritzky, M. A.
The Print Quarterly, 4(3) (pp. 236-254)


Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter (2012-04-01)
Katritzky, M.A.
The history of medicine in context
ISBN : 978-0-7546-6707-0 | Publisher : Ashgate


Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks (2007)
Katritzky, M. A.
Studies in performance and early modern drama
ISBN : 9780754650843 | Publisher : Ashgate | Published : Aldershot, UK


The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records (2006)
Katritzky, M. A.
Internationale Forschungen zur Allgemeinen und Vergleichenden Literatur
ISBN : 9042017988 | Publisher : Rodopi | Published : Amsterdam, Netherlands


Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (1999)
Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle
Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, A. William and de Vries, Lyckle eds.
ISBN : 9781580460446 | Publisher : University of Rochester Press | Published : Rochester, NY


Margaret Cavendish’s Female Fairground Performers (2020-03-24)
Katritzky, M. A.
In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage (pp. 151-175)
ISBN : 9783030238278 | Publisher : Palgrave Macmillan


The itinerant healer as a stage role: its origins in religious drama (2020-03)
Katritzky, M. A.
In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture (pp. 81-103)
ISBN : 9781526131591 | Publisher : Manchester University Press | Published : Manchester


Introduction (2020)
Drábek, Pavel and Katritzky, M. A.
In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre (pp. 1-19)
ISBN : 9781526139177 | Publisher : Manchester University Press | Published : Manchester


London and The Hague, 1638: Performing quacks at court (2020)
Katritzky, M. A.
In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre (pp. 114-138)
ISBN : 9781526139177 | Publisher : Manchester University Press | Published : Manchester


Shakespeare’s picture of ‘We Three’ An image for illiterates? (2020)
Katritzky, M. A.
In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600 (pp. 185-198)
Publisher : Bloomsbury | Published : London


Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany (2018-08-06)
Katritzky, M. A.
In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain (pp. 15-39)
ISBN : 9783110536874 | Publisher : Walter de Gruyter | Published : Berlin/Boston


German-Speaking Countries (2018-04-05)
Katritzky, M. A.
In: Balme, Christopher B.; Vescovo, Piermario and Vianello, Daniele eds. Commedia dell'Arte in Context (pp. 98-105)
ISBN : 978-1107028562 | Publisher : Cambridge University Press | Published : Cambridge


Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux (2018)
Katritzky, M. A.
In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales (pp. 99-116)
ISBN : 9782878549966 | Publisher : Presses Sorbonne Nouvelle | Published : Paris


Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick (2017-04-07)
Katritzky, M. A.
In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee (pp. 48-61)
ISBN : 978-3-7319-0520-2 | Publisher : Michael Imhof Verlag | Published : Petersberg


Die Ikonografie der Commedia dell'arte bis 1750 (2016-03-03)
Katritzky, M. A.
In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters (pp. 82-97)
ISBN : 9783731903475 | Publisher : KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag | Published : Vienna


German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria (2016-03-01)
Katritzky, M. A.
In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3) (pp. 126-142)
ISBN : 9783731903512 | Publisher : Michael Imhof Verlag | Published : Petersberg, Germany


Shakespearean players in early modern Europe (2016-01)
Drábek, Pavel and Katritzky, M. A.
In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare (pp. 1527-1533)
ISBN : 9781107057258 | Publisher : Cambridge University Press | Published : Cambridge


Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions (2015-03-13)
Katritzky, M. A.
In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14) (pp. 125-148)
ISBN : 9783954900381 | Publisher : Reichert Verlag | Published : Wiesbaden


Images of the commedia dell'arte (2014-12-08)
Katritzky, M. A.
In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte (pp. 284-299)
ISBN : 978-0-415-74506-2 | Publisher : Routledge | Published : Abingdon


Literary anthropologies and Pedro González, the “Wild Man” of Tenerife (2014-10-10)
Katritzky, M. A.
In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies (pp. 107-128)
ISBN : 978-1-4724-2813-4 | Publisher : Ashgate | Published : Farnham


Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras" (2014-10)
Katritzky, M .A.
In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity (pp. 59-84)
ISBN : 978-1-4724-1439-7 | Publisher : Ashgate | Published : Farnham


Shakespeare’s “portrait of a blinking idiot”: transnational reflections (2014-08-18)
Katritzky, M. A.
In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama (pp. 157-175)
ISBN : 978-1-4094-6829-5 | Publisher : Ashgate


Travelers’ tales: magic and superstition on early modern European and London stages (2013-02)
Katritzky, M. A.
In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama (pp. 217-238)
ISBN : 978-1-4094-4008-6 | Publisher : Ashgate | Published : Farnham; Burlington, VT


“‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare (2012-04-15)
Katritzky, M. A.
In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2) (pp. 223-244)
ISBN : 9783895008139 | Publisher : Reichert Verlag | Published : Wiesbaden


Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece (2011)
Katritzky, M. A.
In: Kümper, Hiram and Simić, Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26) (pp. 77-118)
ISBN : 9783883093062 | Publisher : Bautz | Published : Nordhausen


I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi (2010)
Katritzky, M. A.
In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia (pp. 461-509)
ISBN : 9788862271899 | Publisher : Fabrizio Serra Editore | Published : Pisa, Italy


Checklist of libraries, print, online and other research resources (2010)
Katritzky, M. A.
In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research (pp. 224-249)
ISBN : 978-0-415-48500-5 | Publisher : Routledge | Published : Abingdon


Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: Der Politische Quacksalber (1693) und Der Musicalische Qvack=salber (1700) (2009)
Katritzky, M.A.
In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband (pp. 319-340)
ISBN : 9783940310514 | Publisher : Neisse Verlag | Published : Dresden


English troupes in early modern Germany: the women (2008-06)
Katritzky, M. A.
In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama (pp. 35-46)
ISBN : 9780754662815 | Publisher : Ashgate | Published : Aldershot, UK


Reading the actress in commedia imagery (2008-03)
Katritzky, M. A.
In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama (pp. 109-143)
ISBN : 978-0-7546-6535-9 | Publisher : Ashgate | Published : Aldershot, UK


Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610 (2008)
Katritzky, M. A.
In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340) (pp. 107-137)
ISBN : 978-3-7030-0442-1 | Publisher : Universitätsverlag Wagner | Published : Innsbruck


'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals (2007-04)
Katritzky, M.A.
In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins (pp. 197-214)
ISBN : 0 7546 5557 1 | Publisher : Ashgate | Published : UK


Text and performance: medieval religious stage quacks and the commedia dell'arte (2007-03)
Katritzky, M.A.
In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology (pp. 99-126)
ISBN : 9783110193404 | Publisher : Walter de Gruyter | Published : Berlin


Reading the actress in commedia imagery (2005-10)
Katritzky, M.A.
In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama (pp. 109-143)
ISBN : 754609537 | Publisher : Ashgate | Published : Aldershot, UK


What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography (2004-09-27)
Katritzky, M.A.
In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften
ISBN : 370300388X | Publisher : Universitaetsverlag Wagner | Published : Innsbruck


The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte (2004)
Katritzky, M.A.
In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play (pp. 34-56)
ISBN : 9085550114 | Publisher : Pallas Publications | Published : Amsterdam


The mountebank: a case study in early modern theater iconography (2003)
Katritzky, M.A.
In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues (pp. 231-286)
ISBN : 810117568 | Publisher : Northwestern University Press | Published : Evanston, U.S.A.


Theatre iconography in costume series: the "New York" friendship album (2002)
Katritzky, M.A.
In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography (pp. 171-196)
ISBN : 8883197186 | Publisher : Bulzoni Editore | Published : Rome


Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history (2001)
Katritzky, M.A.
In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects (pp. 209-258)
ISBN : 905701023 2 | Publisher : G+B Arts International | Published : Amsterdam


Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum (2001)
Katritzky, M.A.
In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. (pp. 217-229)
ISBN : 9536106302 | Publisher : Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti | Published : Zagreb, Croatia


Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600 (2000)
Katritzky, M. A.
In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35) (pp. 603-633)
ISBN : 3447042656 | Publisher : Harrassowitz Verlag | Published : Wiesbaden


Performing-arts iconography: tradition, techniques, and trends (1999)
Katritzky, M.A.
In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (pp. 68-90)
ISBN : 9781580460446 | Publisher : University of Rochester Press | Published : Rochester, NY


Selected iconographic research resources (1999)
Katritzky, M. A. and Heck, Thomas F.
In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (pp. 163-186)
ISBN : 9781580460446 | Publisher : University of Rochester Press | Published : Rochester, NY


Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600) (1999)
Katritzky, M. A.
In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design (pp. 12-29)
ISBN : 754600068 | Publisher : Ashgate | Published : Aldershot


Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer] (1998)
Katritzky, M. A.
In: Lundgren, Eva ed. Drottningholms Slottsteater: Program 1998 (pp. 92-103)
Publisher : Expo Print AB | Published : Strangnas


Orlando di Lasso and the commedia dell'arte (1996-07-25)
Katritzky, M. A.
In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111) (pp. 133-155)
ISBN : 3769601068 | Publisher : Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag | Published : München, Germany


Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence (1996-06)
Katritzky, M. A.
In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre (pp. 209-288)
ISBN : 773488146 | Publisher : Edwin Mellen Press | Published : Lewiston, New York


The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568) (1992-12)
Katritzky, M. A.
In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3) (pp. 143-172)
ISBN : 773496084 | Publisher : Edwin Mellen Press | Published : Lewiston / Queenston / Lampeter


The Recueil Fossard 1928-88: a review and three reconstructions (1989)
Katritzky, M. A.
In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI) (pp. 99-116)
ISBN : 889460809 | Publisher : Edwin Mellen Press | Published : Lewiston/Queenston/Lampeter


Transnational Connections in Early Modern Theatre (2020)
Katritzky, M. A. and Drábek, Pavel eds.
ISBN : 9781526139177 | Publisher : Manchester University Press | Published : Manchester


European Theatre Performance Practice, 1580–1750 (2014-03)
Henke, Robert and Katritzky, M. A. eds.
Critical Essays on European Theatre Performance Practice
ISBN : 978-1-4094-1912-9 | Publisher : Ashgate | Published : Farnham


Critical Essays on European Theatre Performance Practice: 4-Volume Set (2014)
Katritzky, M. A. and Davis, Jim eds.
ISBN : 978-1-4094-1915-0 | Publisher : Ashgate | Published : Farnham


“A plague o’ these pickle herring”: from London drinkers to European stage clown (2014)
Katritzky, M. A.
In : Ninth World Shakespeare Congress: Renaissance Shakespeare: Shakespeare Renaissances: (17-22 Jul 2011, Prague, Czech Republic) (pp. 159-168)


Special section of [the journal] Early Theatre. Issues in Review Essays: New Developments in Commedia Research (2008)
Katritzky, M. A.
Centre for Reformation and Renaissance Studies


Special Issue of Theatre Research International: The Commedia dell'Arte (1998-07)
Katritzky, M. A.
Cambridge University Press


A court festival set in the garden of an Italian villa (1998)
Katritzky, M. A.
Trinity Fine Art, London.