Experience and meaning in music performance

The Open University


Project summary


Entrainment Network

Entrainment in Congado





The following publications by team members relate directly to the Experience and meaning in music performance project:

Martin Clayton

“Observing entrainment in music performance: video-based observational analysis of Indian musicians’ tanpura playing and beat marking”. Musicae Scientiae 11/1 (2007), pp.27-60. Follow this link for the Online Annexe

“Communication in Indian raga performance”. In Dorothy Miell, David Hargreaves, and Raymond MacDonald, eds. Musical Communication, Oxford: Oxford University Press (2005), pp.361-381. ISBN 0-19-852936-8.

“In time with the music: the concept of entrainment and its significance for ethnomusicology” European Meetings in Ethnomusicology 11 (ESEM Counterpoint 1), (2005), pp.3-75. (with Rebecca Sager and Udo Will) Download 2004 pre-print PDF version (941 KB)

Laura Leante

“Multimedia Aspects of Progressive Rock Shows: Analysis of the Performance of The Musical Box”, in: BORIO, GIANMARIO and FACCI, SERENA (eds.), Proceedings of the International Conference "Composition and Experimentation in British Rock 1966-1976", Philomusica on-linehttp://www.unipv.it/britishrock1966-1976/index.htm. (2007)