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the experience of reading in Britain, from 1450 to 1945...

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Listings for Author:  

W. H. Auden

  

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W. H. Auden : [unidentified poems]

'Meeting held at 22 Cintra Avenue: 23.6.36
    Francis E Pollard in the Chair.
1. Minutes of last read and, with the addition of No. 7, approved.

7. Frank Pollard then introduced the subject for the evening, Modern Authors. [...]

8. There followed a series of talks, in most cases acompanied by readings: these were in the order named
Janet Rawlings, on E. H. Young’s “Miss Mole’
Dorothy Brain, on T. S. Eliot’s “Murder in the Cathedral”
R. H Robson on some Poems of W. H. Auden
V. W. Alexander on René Bazin’s “La Terre qui meurt” and “Les Oberlé”, and finally
Charles Stansfield on Winifred Holtby’s “South Riding.”'

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

W. H. Auden : [unspecified poetical works]

Meeting held at School House, Leighton Park. Jan 27th 1942 J. Knox Taylor in the Chair.
1. In the absence of the Secretary the minutes of the last meeting were read by Alice Joselin.
2. With reference to Minute 6 of the last meeting, i.e. the selection of books for reading this year, it was decided that as two of the selected books could not be procured, Margaret Dilks and Mary S. W. Pollard should be asked to select two alternatives from the last list. The minutes were then approved and signed.
4. After partaking of coffee, the excellence of which & the enjoyment thereof, being in no way impaired by the introduction of powdered milk, (despite our host’s perturbation at this war-time inclusion!) we settled down with eager expectations and interest to the main business of the evening.
5. The subject was a provocative one “Modern Poetry” & we very gladly welcomed Kenneth Nicholson into our midst, as he had kindly consented to come & talk to us about modern poetry & to lead us into the strange regions of this somewhat unknown world.
6. Gerard Manley Hopkins & W. B. Yeats were apparently the leaders in breaking away from the old traditions of poetry-making, & of setting up a new form, even expressing a new spirit. We then listened to poems of T. S. Eliot, Wilfred Owen & W. Auden, & saw how this new way progressed & was elaborated.
We were bewildered, astounded & intrigued by turns! Through the intracacies [sic] of “sprung rhythm”, down the “arterial roads” of poetical imagery of the early 1920’s to the more apparently intelligible sombreness of recent poetry, we were led gently but inexorably, by our persuasive speaker, to see & realise that however strangely we might regard this literature of our age, we must acknowledge the urgency & sincerity of what the modern poet had to say.

Century: 1900-1945     Reader/Listener/Group: Kenneth F. Nicholson      Print: Book

  

W. H. Auden : [unspecified poetical works]

Meeting held at School House, Leighton Park. Jan 27th 1942 J. Knox Taylor in the Chair.
1. In the absence of the Secretary the minutes of the last meeting were read by Alice Joselin.
2. With reference to Minute 6 of the last meeting, i.e. the selection of books for reading this year, it was decided that as two of the selected books could not be procured, Margaret Dilks and Mary S. W. Pollard should be asked to select two alternatives from the last list. The minutes were then approved and signed.
4. After partaking of coffee, the excellence of which & the enjoyment thereof, being in no way impaired by the introduction of powdered milk, (despite our host’s perturbation at this war-time inclusion!) we settled down with eager expectations and interest to the main business of the evening.
5. The subject was a provocative one “Modern Poetry” & we very gladly welcomed Kenneth Nicholson into our midst, as he had kindly consented to come & talk to us about modern poetry & to lead us into the strange regions of this somewhat unknown world.
6. Gerard Manley Hopkins & W. B. Yeats were apparently the leaders in breaking away from the old traditions of poetry-making, & of setting up a new form, even expressing a new spirit. We then listened to poems of T. S. Eliot, Wilfred Owen & W. Auden, & saw how this new way progressed & was elaborated.
We were bewildered, astounded & intrigued by turns! Through the intracacies [sic] of “sprung rhythm”, down the “arterial roads” of poetical imagery of the early 1920’s to the more apparently intelligible sombreness of recent poetry, we were led gently but inexorably, by our persuasive speaker, to see & realise that however strangely we might regard this literature of our age, we must acknowledge the urgency & sincerity of what the modern poet had to say.

Century: 1900-1945     Reader/Listener/Group: Kenneth F. Nicholson      Print: Book

  

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