"Robert Blatchford, growing up in Halifax in the 1860s, read from the penny library there Defoe's Robinson Crusoe, Southey's Life of Nelson, Dickens's The Old Curiosity Shop, and novels by Captain Marryat, the Brontes, and Miss M. E. Braddon."
Century: 1850-1899 Reader/Listener/Group: Robert Blatchford Print: Book
"He [Mr Morrison] breeds horses, & the colts came up & talked to us, & his great kennelfulls of dogs who came to be patted & generally would easily become a tenant of Wild Fell Hall."
Century: 1800-1849 Reader/Listener/Group: Leslie Stephen Print: Book
'[Helen Crawfurd] derived lessons in socialism and feminism from Carlyle, Shaw, Wells, Galsworthy, Arnold Bennett, Ibsen's Ghosts and A Doll's House, Dickens, Disraeli's Sybil, Mary Barton, Jude the Obscure, Tess of the d'Urbervilles, Under the Greenwood Tree, Tennyson's The Princess, Longfellow, Whitman, Burns, Elizabeth Barrett Browning, George Eliot, George SAnd, the Brontes, Les Miserables and The Hunchback of Notre Dame'.
Century: 1900-1945 Reader/Listener/Group: Helen Crawfurd Print: Book
Charlotte Bronte to Ellen Nussey, 12 April 1849: 'I read Anne's letter [of 5 April] to you; it was touching enough ...'
Century: 1800-1849 Reader/Listener/Group: Charlotte Bronte Manuscript: Letter
'James Williams admitted that, growing up in rural Wales, "I'd read anything rather than not read at all. I read a great deal of rubbish, and books that were too 'old', or too 'young' for me". He consumed the Gem, Magnet and Sexton Blake as well as the standard boys' authors (Henty, Ballantyne, Marryat, Fenimore Cooper, Twain) but also Dickens, Scott, Trollope, the Brontes, George Eliot, even Prescott's "The Conquest of Peru" and "The Conquest of Mexico". He picked "The Canterbury Tales" out of an odd pile of used books for sale, gradually puzzled out the Middle English, and eventually adopted Chaucer as his favourite poet'.
Century: 1900-1945 Reader/Listener/Group: James Williams Print: Book
[Communist activists often displayed hostility to literature, including Willie Gallacher. However his 'hostility to literature abated' in later years and in his later memoirs] 'he confessed a liking for Burns, Scott, the Brontes, Mrs Gaskell, children's comics and Olivier's film of Hamlet... Of course he admired Dickens, and not only the obvious Oliver Twist: the communist MP was prepared to admit that he appreciated the satire of the Circumlocution Office in Little Dorrit'.
Century: 1900-1945 Reader/Listener/Group: William Gallacher Print: Book
'As I began to mend, the Governor, to keep me from brooding too much, gave orders that I was to have all the reading matter I wanted within the limits of the prison library, and my book changed just as often as I liked and at any hour of the day. To a man eager to improve his acquaintance with standard literature such a privilege was immeasurably great, and for the next six weeks or so I browsed among the Victorian novelists - Austin [sic?], the Brontes, Dickens, Thackeray, George Eliot, Meredith, Lytton, Kingsley, Reade, Hughes, Trollope and others.'
Century: 1900-1945 Reader/Listener/Group: Stuart Wood [pseud?] Print: Book
[From Charlotte Bronte's introduction to the 1850 edition of her sisters' novels:]
'One day in the autumn of 1845 I accidentally lighted on a MS. volume in verse in my sister Emily's handwriting. Of course I was not surprised, knowing that she could and did write verse. I looked it over, and something more than surprise seized me -- a deep conviction that these were not common effusions, nor at all like the poetry women generally write. I thought them condensed and terse, vigorous and genuine. To my ear they had also a peculiar music, wild, melancholy, and elevating. My sister Emily was not a person of demonstrative character, nor one on the recesses of whose mind and feelings even those nearest and dearest to her could, with impunity, intrude unlicenced: it took hours to reconcile her to the discovery I had made, and days to persuade her that such poems merited publication.... Meantime my younger sister quietly produced some of her own compositions, intimating that since Emily's
had given me pleasure I might like to look at hers. I could not but be a partial judge, yet I thought that these verses too had a sweet, sincere pathos of their own.'
Century: 1800-1849 Reader/Listener/Group: Charlotte Bronte Manuscript: Unknown
'Meeting held at 22 Cintra Avenue, Northcourt Avenue, 25th April 1945
F. E. Pollard in the chair.
[...]
2. The minutes of the last meeting were read & signed.
5. Alice Joselin introduced the subject of the evening with a biographical study of
the Brontė family. Contrary to her expressed idea that she could do little more
than recite a list of dates, Alice Joselin drew for us a vivid picture of the life at
Haworth Rectory and the way in which the three sisters took the literary world by
storm.
6. After adjourning for refreshment we turned our attentions to a study of the
works of Charlotte, Emily and Anne Brontė. First Margaret Dilks read from
Vil[l]ette the description of Mme. Rachel, the famous actress. Since this passage
is the only contribution Charlotte Brontė is allowed to make to the Oxford Book of
English Prose, it is presumably considered great by someone who should be
qualified to judge. But when the reader had finished, the only audible comment
from this learned gathering was Can someone tell me what all that means?
7. F. E. Pollard then gave us the benefit of his discerning criticism of the works of
these writers. Describing himself as of a naturally romantic & sentimental turn of
mind (cheers and prolonged applause) he championed Jane Eyre and Shirley.
There followed a lively discussion in which nearly all members took part. The
excessive wordiness of which both Emily & Charlotte are sometimes guilty, was
attributed to the bad influence of the continent on the Englishmans [sic!] natural
restraint. Several members of the fair sex expressed a distaste for the horrors of
Wuthering Heights, one even going so far as to suggest that the author was
probably mad. Cyril Langford, reading from a newspaper article, put forward an
interesting theory that the book was the natural psychological reaction of one
whose life was mainly occupied in household duties; and Thomas Hopkins crowned
all by telling us that he had once been presented with Wuthering Heights as a
Sunday School prize. Cyril Langford also drew our attention to Jane Eyres
description of her own paintings, which were clearly the forerunners of surrealism.
Other readings given were:-
Howard Smith from Wuthering Heights[,]
Rosamund Wallis from Shirley[,]
& Howard Smith from The Gondal Poems[.]'
Unknown
Century: 1900-1945 Reader/Listener/Group: Howard Smith
