'Since I heard, from authority, that you were the author of Scenes from "Clerical Life" and "Adam Bede", I have read them again; and I must, once more, tell you how earnestly fully, and humbly I admire them. I never read anything so complete, and beautiful in fiction, in my whole life before. [She then writes a bit about the imposture of Mr Liggins as the books' author, concluding] I should not be quite true in my ending, if I did not say before I concluded that I wish you [italics] were [end italics] Mrs Lewes. However, that can't be helped, as far as I can see, and one must not judge others. Once more, thanking you most gratefully for having written all - Janet's Repentance perhaps most especially of all, - (& may I tell you how I singled out the 2nd No of Amos Barton in Blackwood, & went plodging through our Manchester Sts to get every number, as soon as it was accessible from the Portico reading table - )'
Century: 1850-1899 Reader/Listener/Group: Elizabeth Cleghorn Gaskell Print: Book, Serial / periodical
'Since I heard, from authority, that you were the author of Scenes from "Clerical Life" and "Adam Bede", I have read them again; and I must, once more, tell you how earnestly fully, and humbly I admire them. I never read anything so complete, and beautiful in fiction, in my whole life before. [She then writes a bit about the imposture of Mr Liggins as the books' author, concluding] I should not be quite true in my ending, if I did not say before I concluded that I wish you [italics] were [end italics] Mrs Lewes. However, that can't be helped, as far as I can see, and one must not judge others. Once more, thanking you most gratefully for having written all - Janet's Repentance perhaps most especially of all, - (& may I tell you how I singled out the 2nd No of Amos Barton in Blackwood, & went plodging through our Manchester Sts to get every number, as soon as it was accessible from the Portico reading table - )'
Century: 1850-1899 Reader/Listener/Group: Elizabeth Cleghorn Gaskell Print: Book, Serial / periodical
'Since I heard, from authority, that you were the author of Scenes from 'Clerical Life' and 'Adam Bede', I have read them again; and I must, once more, tell you how earnestly fully, and humbly I admire them. I never read anything so complete, and beautiful in fiction, in my whole life before. [She then writes a bit about the imposture of Mr Liggins as the books' author, concluding] I should not be quite true in my ending, if I did not say before I concluded that I wish you [italics] were [end italics] Mrs Lewes. However, that can't be helped, as far as I can see, and one must not judge others. Once more, thanking you most gratefully for having written all - Janet's Repentance perhaps most especially of all, - (& may I tell you how I singled out the 2nd No of Amos Barton in Blackwood, & went plodging through our Manchester Sts to get every number, as soon as it was accessible from the Portico reading table - )'
Century: 1850-1899 Reader/Listener/Group: Elizabeth Cleghorn Gaskell Print: Serial / periodical
'My desultory and totally unorganised reading of George Eliot, Thackeray, Mrs Gaskell, Carlyle, Emerson and Merejkowski made little impression upon this routine, though their writings offered occasional compensation for its utter futility. "The reading of 'Romola,'" enthusiastically records my diary for April 27th, 1913, "has left me in a state of exultation!"'
Unknown
Century: 1900-1945 Reader/Listener/Group: Vera Brittain
'Did you − I forget − did you have a kick at the stern works of that melancholy puppy and humbug Daniel Deronda himself? − the Prince of Prigs: the literary abomination of Desolation in the way of manhood: a type which is enough to make a man forswear the love of women, if that is how it must be gained….'
Century: 1850-1899 Reader/Listener/Group: Robert Louis Stevenson Print: Book
