'I doubt if you ought to call France & Flaubert "dry". "L’Education Sentimentale" ought to be read with ease. Ditto "Thais", & "La Rotisserie". Personally, though, I think France over-rated. You ought to read "Bubu de Montparnasse" of Charles Louis Philippe. This is a great little novel, one of the finest modern French novels. I think "Coeur simple" is the best thing Flaubert ever wrote, except his correspondence, which is his best work, & ought to be read. I tell you that Lytton Strachey’s "Eminent Victorians" is a most juicy & devastating affair, I thoroughly enjoyed it.'
Century: 1900-1945 Reader/Listener/Group: Arnold Bennett Print: Book
'I doubt if you ought to call France & Flaubert "dry". "L’Education Sentimentale" ought to be read with ease. Ditto "Thais", & "La Rotisserie". Personally, though, I think France over-rated. You ought to read "Bubu de Montparnasse" of Charles Louis Philippe. This is a great little novel, one of the finest modern French novels. I think "Coeur simple" is the best thing Flaubert ever wrote, except his correspondence, which is his best work, & ought to be read. I tell you that Lytton Strachey’s "Eminent Victorians" is a most juicy & devastating affair, I thoroughly enjoyed it.'
Century: 1900-1945 Reader/Listener/Group: Arnold Bennett Print: Book
'At one time I knew entire pages of "Madame Bovary" by heart. But if "Madame Bovary" is a masterpiece "Salammbô" is close to a miracle. I well remember that when I was writing "[The]N[igger]of [the] N[arcissus]", "Salammbô" was my morning book.While taking coffee I would read a page or two at random--and there is hardly a page that isn't marvellous.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'At one time I knew entire pages of "Madame Bovary" by heart. But if "Madame Bovary" is a masterpiece "Salammbô" is close to a miracle. I well remember that when I was writing "[The]N[igger]of [the] N[arcissus]", "Salammbô" was my morning book.While taking coffee I would read a page or two at random--and there is hardly a page that isn't marvellous.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'You say [in Walpole's critical study "Joseph Conrad"(1916)] that I have been under the formative influence of "Madame Bovary". In fact I have read it only after finishing "A.[Almayer's] F.[Folly]" as I did all the other works of Flaubert; and anyway my Flaubert is the Flaubert of "St. Antoine" and "Ed[ucation] Sent[imentale]" and that only from the point of view of rendering of concrete things and visual impressions.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'At the foot of the bed was an oak "library table" [...]. There were several piles of books on it, W. W. Jacobs for light reading, de Maupassant, Flaubert, Galsworthy, Cunninghame Graham, various periodicals, and a book, which has always been a mystery to me, "Out of the Hurly Burly" by Max Ad[e]ler. In the window stood an arm chair of cherry wood, lacquered black, on which my father often sat to read for half an hour or so before "turning in".'
Century: 1900-1945 Reader/Listener/Group: Joseph Conrad Print: Book
'The first words of Conrad's first book ["Almayer's Folly"] were pencilled on the fly-leaves and margins of "Madame Bovary".'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'What really brought us [Ford and Conrad] together was a devotion to Flaubert and Maupassant. We discovered we both had Félicité , "St.-Julien l'Hospitalier", immense passages of "Madame Bovary", "La Nuit", "Ce Cochon de Morin" and immense passages of "Une Vie" by heart. Or so nearly by heart that what the one faltered over the other could take up.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'What really brought us [Ford and Conrad] together was a devotion to Flaubert and Maupassant. We discovered we both had Félicité, "St.-Julien l'Hospitalier", immense passages of "Madame Bovary", "La Nuit", "Ce Cochon de Morin" and immense passages of "Une Vie" by heart. Or so nearly by heart that what the one faltered over the other could take up.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'The writer [Ford Madox Ford] never saw Conrad read any book of memoirs except those of Maxime Ducamp and the Correspondence of Flaubert; those we read daily together over a space of years. But somewhere in the past Conrad had read every imaginable and unimaginable volume of politician's memoirs, Mme de Campan, the Duc d'Audiffret Pasquier, Benjamin Constant, Karoline Bauer, Sir Horace Rumbold, Napoleon the Great, Napoleon III, Benjamin Franklin, Assheton Smith, Pitt, Chatham, Palmerston, Parnell,The late Queen Victoria, Dilke, Morley [...] There was no memoir of all these that he had missed or forgotten—down to "Il Principe" or the letters of Thomas Cromwell. He could sugddenly produce an incident from the life of Lord Shaftesbury and work it into "Nostromo" [...].'
Century: 1850-1899 / 1900-1945 Reader/Listener/Group: Joseph Conrad Print: Book
'From that time for ten years Conrad followed the sea. The deep sea, reading all sorts of books. Once an officer with quarters of his own he resumed his reading of French along with the English popular works. He read with the greatest veneration Flaubert and Maupassant; with less, Daudet and Gautier; with much less, Pierre Loti. Tormented with the curiosity of words, even at sea, on the margins of the French books he made notes for the translation of phrases. The writer has seen several of these old books of Conrad, notably an annotated copy of "Pêcheur d'Islande" — and of course the copy of "Madame Bovary" upon the endpapers and margins of which "Almayer's Folly" was begun.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
