'Shakespeare incited his appetite for poetry: Cowper, Pope, Dryden, Goldsmith, Thomson, Byron. Not only were they more interesting than the fifty volumes of Wesley's Christian Library: eventually Barker realised that "the reason why I could not understand them was, that there was nothing to be understood - that the books were made up of words, and commonplace errors and mystical and nonsensical expressions, and that there was no light or truth in them". When his superintendent searched his lodgings and found Shakespeare and Byron there, Barker was hauled before a disciplinary committee'.
Century: 1800-1849 Reader/Listener/Group: Joseph Barker Print: Book
'While he read little but the Bible and religious periodicals, his son was working his way through the Rhymney Workmen's Institute Library and Cassell's National Library of 3d paperbacks. MacAulay's essays, Goldsmith's History of England, Far from the Madding Crowd, Self-Help, Josephus, Plutarch, Shakespeare, Pepys, Johnson's Lives of the Poets, and The Sorrows of Young Werther were among the books Jones read, often on his employer's time. (He hid them under the ledger at the Rhymney Iron Works, where he worked a thirteen-hour day as a timekeeper for 9s. a week.)'
Century: 1850-1899 Reader/Listener/Group: Thomas Jones Print: Book
'[Mary Smith] found emancipation in Shakespeare, Dryden, Goldsmith and other standard male authors, whom she extolled for their universality: "These authors wrote from their hearts for humanity, and I could follow them fully and with delight, though but a child. They awakened my young nature, and I found for the first time that my pondering heart was akin to that of the whole human race. And when I read the famous essays of Steele and Addison, I could realize much of their truth and beauty of expression... Pope's stanzas, which I read at school as an eight year old child, showed me how far I felt and shared the sentiment that he wrote, when he says,
Thus let me live unseen, unknown
Thus unlamented let me die;
Steal from the world and not a stone
Tell where I lie".'
Century: 1800-1849 Reader/Listener/Group: Mary Smith Print: Book
Henry Mayhew interviews a street author or street poet:
"I was very fond of reading poems in my youth, as soon as I could read and understand almost. Yes, very likely sir; perhaps it was that put it into my head to write them afterwards... I was very fond of Goldsmith's poetry always. I can repeat 'Edwin and Emma' now. No sir; I never read the 'Vicar of Wakefield'. I found 'Edwin and Emma' in a book called the 'Speaker'. I often thought of it in travelling through some parts of the country."
+ recites some of his own poetry to Mayhew
Century: 1800-1849 Reader/Listener/Group: anon Print: Book
[due to the fact that books in working class communities were generally cheap out of copyright reprints, not new works] Welsh collier Joseph Keating was able to immerse himself in Swift, Pope, Fielding, Richardson, Smollett, Goldsmith, Sheridan, Goldsmith, Keats, Byron, Shelley, Dickens and Greek philosophy, as well as the John Dicks edition of Vanity Fair in weekly installments. The common denominator among these authors was that they were all dead. "Volumes by living authors were too high-priced for me", Keating explained. "Our schoolbooks never mentioned living writers; and the impression in my mind was that an author, to be a living author, must be dead and that his work was all the better if he died of neglect and starvation".'
Century: 1850-1899 Reader/Listener/Group: Joseph Keating Print: Book
The Grecian History has pleased me much you know Mr Trant made a present of the Roman History, what a brave people the Greeks in general were.
Century: 1800-1849 Reader/Listener/Group: Anne Lister Print: Book
I was rather unwell for about an hour, but not very bad when I could go on reading The Vicar of Wakefield
Century: 1800-1849 Reader/Listener/Group: Anne Lister Print: Book
'[William Robertson] Nicoll's boyhood reading included Scott, Disraeli, the Brontes, Bulwer Lytton, Shelley, Johnson, Addison, Steele, Goldsmith, Emerson, Lowell, Longfellow ...' [Nicoll's father a Scottish clergyman who amassed library of 17,000 volumes.]
Century: 1850-1899 Reader/Listener/Group: William Robertson Nicoll Print: Book
My father's large bookcase was stuffed with odd volumes of the Gentleman's Magazine and other miscellaneous matters. Anacharsis' 'travels in Greece', Robertson's 'America', Goldsmith's 'History of England', Adams' 'Rome', Wesley's sermons and Fletcher's controversial volumes. All these had been read by me, either for my own amusement, or aloud to my father, whose sight had been lost for years.
Century: 1800-1849 Reader/Listener/Group: Anne Lutton Print: Book
Letter 8/2/1863 - "For, as far as I remember - my sayings to you have been very nearly limited to Goldsmith's model of a critical sentence on painter's work: "that it was very well - and would have been better if the painter had taken more pains."
Unknown
Century: 1850-1899 Reader/Listener/Group: John Ruskin
Letter 8/2/1863 - "I'm afraid to speak like the wicked girl in the fairy tale - who let - not pearls fall from her lips."
Century: 1850-1899 Reader/Listener/Group: John Ruskin Print: Book
'As a collier [Joseph Keating]... heard a co-worker sigh, "Heaven from all creatures hides the book of fate". Keating was stunned: "You are quoting Pope". "Ayh", replied his companion, "me and Pope do agree very well". Keating had himself been reading Pope, Fielding, Smollett, Goldsmith and Richardson in poorly printed paperbacks. Later he was reassigned to a less demanding job at a riverside colliery pumping station, which allowed him time to tackle Swift, Sheridan, Byron, Keats, Shelley and Thackeray'.
Century: 1850-1899 Reader/Listener/Group: Joseph Keating Print: Book
'Nottinghamshire collier G.A.W. Tomlinson volunteered for repair shifts on weekends, when he could earn time-and-a-half and read on the job. On Sundays, "I sat there on my toolbox, half a mile from the surface, one mile from the nearest church and seemingly hundreds of miles from God, reading the Canterbury Tales, Lamb's Essays, Darwin's Origin of Species, Wilde's Ballad of Reading Gaol, or anything that I could manage to get hold of". That could be hazardous: once, when he should have been minding a set of rail switches, he was so absorbed in Goldsmith's The Deserted Village that he allowed tubs full of coal to crash into empties'.
Century: 1900-1945 Reader/Listener/Group: G.A.W. Tomlinson Print: Book
'In 1768, Burney read in rapid succession Elizabeth and Richard Griffith's "A Series of Genuine Letters between Henry and Frances" (1757) ... Oliver Goldsmith's "The Vicar of Wakefield" (1766); and Samuel Johnson's "Rasselas" (1759).'
Century: 1700-1799 Reader/Listener/Group: Frances Burney Print: Book
"Forbidden David Copperfield, Bleak House, The Heart of Midlothian, and The Vicar of Wakefield ... [H. M. Swanwick] read them none the less ... When she was lent Dante Gabriel Rosetti's poems by a friend, 'Jenny' ... came as a welcome antidote [to Dickens's and Scott's treatments of fallen women]."
Century: 1850-1899 Reader/Listener/Group: H. M. Swanwick Print: Book
'It must be labour that makes things valuable Princes & Lords may flourish and may fade But a bold Peasantry, the Country's pride When once destroy'd can never be supplied.' [this is the first of a number of references to Goldsmith's poem]
Century: 1800-1849 Reader/Listener/Group: Robert Sharp Print: Book
'Robert Collyer grew up in a blacksmith's home with only a few books - "Pilgrim's Progress", "Robinson Crusoe", Goldsmith's histories of England and Rome - but their basic language made them easy to absorb and excellent training for a future clergyman:. "I think it was then I must have found the germ... of my lifelong instinct for the use of simple Saxon words and sentences which has been of some worth to me in the work I was finally called to do".'
Century: 1800-1849 Reader/Listener/Group: Robert Collyer Print: Book
'Robert Collyer grew up in a blacksmith's home with only a few books - "Pilgrim's Progress", "Robinson Crusoe", Goldsmith's histories of England and Rome - but their basic language made them easy to absorb and excellent training for a future clergyman: "I think it was then I must have found the germ... of my lifelong instinct for the use of simple Saxon words and sentences which has been of some worth to me in the work I was finally called to do".'
Century: 1800-1849 Reader/Listener/Group: Robert Collyer Print: Book
'Lancashire journalist Allen Clarke (b.1863), the son of a Bolton textile worker, avidly read his father's paperback editions of Shakespeare and ploughed through the literature section (Chaucer, Marlowe, Jonson, Beaumont and Fletcher, Milton, Pope, Chatterton, Goldsmith, Byron, Shelley, Burns, Wordsworth, Leigh Hunt) of the public library. With that preparation, he was winning prizes for poems in London papers by age thirteen...[he] went on to found and edit several Lancashire journals'.
Century: 1850-1899 Reader/Listener/Group: Allen Clarke Print: Book
'She was "surprised into tears" by "The Vicar of Wakefield", although she did not much like it.'
Century: 1700-1799 Reader/Listener/Group: Frances Burney Print: Book
'His plan was to make use of me as a talking dictionary and grammar, confining my teachings exclusively to the answering of such questions as he thought fit to put. Having made this arrangement he produced a copy of the "Vicar of Wakefield", and, commencing at the title-page, read it after me, looking to me for translation as he went along. In this way we got through four or five pages in the course of the first hour.'
Century: 1800-1849 Reader/Listener/Group: anon Print: Book
?As spring and autumn were our only really busy seasons, I had occasionally , during other parts of the year, considerable leisure, which, if I could procure a book that I considered at all worth the reading, was spent with such a book of my desk, in the little recess of the packing room. Here, therefore, I had opportunities for reading many books of which I had only heard the names before, such as Robertson?s "History of Scotland", Goldsmith?s "History of England", Rollin?s "Ancient History", Hume?s "Decline and Fall of the Roman Empire", Anachaises? "Travels in Greece"; and many other works on travels, geography, and antiquities.?
Century: 1800-1849 Reader/Listener/Group: Samuel Bamford Print: Book
'I had been made the more anxious to get some spare time, because several books which I had not before seen now fell in my way. This was through the courtesy of my young master whose kindly feelings I have already noticed. He now gave me free access to his little library, in which were Enfield's "Speaker", Goldsmith's "Geography", an abridged "History of Rome", a "History of England", Thomson's "Seasons", "The Citizen of the World", "The Vicar of Wakefield", and some other books the titles of which I do not now remember. These books furnished me with a large amount of amusing and instructive reading.'
Century: 1800-1849 Reader/Listener/Group: Thomas Carter Print: Book
'I had been made the more anxious to get some spare time, because several books which I had not before seen now fell in my way. This was through the courtesy of my young master whose kindly feelings I have already noticed. He now gave me free access to his little library, in which were Enfield's "Speaker", Goldsmith's "Geography", an abridged "History of Rome", a "History of England", Thomson's "Seasons", "The Citizen of the World", "The Vicar of Wakefield", and some other books the titles of which I do not now remember. These books furnished me with a large amount of amusing and instructive reading.'
Century: 1800-1849 Reader/Listener/Group: Thomas Carter Print: Book
?The day after this being the last of the year, I managed to finish reading Blackstone?s Commentaries and Goldsmith?s History of England, both for the 2d time over & in the evening danced out the year at the Assembly.?
Century: 1700-1799 Reader/Listener/Group: John Marsh Print: Book
'[B]e not thrown into wild delight because his genius has shone forth--misfortune & rage have occasioned this & whenever he may speak himself [underlined] Lord Byron will succeed--self is the sole inspirer of his genius he cannot like Homer Dante Virgil Milton Dryden Spencer Gray--Goldsmith [underlined] Tasso write on other subjects well[--]but what he feels he can describe extravagantly well--& therefore I never did doubt that he would one day or other write again as at first--but for God sake do not let this circumstance make you forget what a Rogue he is'.
Century: 1700-1799 / 1800-1849 Reader/Listener/Group: Lady Caroline Lamb Print: Book
'It was at this time that I read the remaining seven volumes of the "Spectator"; to which I added the "Rambler", the "Tatler", and some others of the "British Essayists". I also read the poetical works of Milton, Addison, Goldsmith, Gray, Collins, Falconer, Pomfret, Akenside, Mrs. Rowe, with others which I cannot now clearly call to mind. I remember, however, to have read Gay's poems. These gave me more than usual satisfaction. I was much amused with his "Trivia, or the Art of Walking London Streets" but I was especially pleased with his admirably burlesque "pastorals". These just squared with my humour, for I had then, as I have ever had, an utter dislike to the sickening stuff that is called the pastoral poetry...I must not omit to mention the pleasure I derived from reading a poem called "The Village Curate", which, I think, has fallen into unmerited oblivion.'
Century: 1800-1849 Reader/Listener/Group: Thomas Carter Print: Book
'search Blackstone and Goldsmith's "History"; much struck with style of latter; deserving, I think, to be more talked of'
Century: 1800-1849 Reader/Listener/Group: William Windham Print: Book
Sir John Hammerton looking back on his early days in Glasgow when he left school and became a correspondence clerk, he said of Cassell's Library "What an Aladdin's cave it proved to me! Addison, Goldsmith, Bacon, Steele, DeQuincey ..., Charles Lamb. Macaulay and many scores of others whom old Professor Morley introduced to me -- what a joy of life I obtained from these, and how greatly they made lifeworth living!"
Century: 1850-1899 / 1900-1945 Reader/Listener/Group: Sir John Hammerton Print: Book
'Mr Jaegle makes us read an English book that is called "The Vicar of Wakefield" which is very pretty, interesting, well wrote and where there are some very good characters'.
Century: 1700-1799 Reader/Listener/Group: Elizabeth (Betsey) Wynne Print: Unknown
Letter to Miss Ewing June 10 1774 'Yet I should like none of these climates, where
?Winter lingering chills the lap of May? if I could help it.'
Century: 1700-1799 Reader/Listener/Group: Anne Grant [nee MacVicar] Print: Book
Letter to Collector MacVicar, June 20 1773 'In the mean time I hope the best, and endeavour to pursue Oliver Cromwell through all his crooked paths. I have gone but a short way, my attention having been completely engrossed by a book that has bewitched me for the time; ?tis the Vicar of Wakefield, which you must certainly read. Goldsmith puts one in mind of Shakespear [sic]; his narrative is improbable and absurd in many instances, yet all his characters do and say exactly what might be supposed of them ?'
Century: 1700-1799 Reader/Listener/Group: Anne Grant [nee MacVicar] Print: Book
Letter to Miss Ourry March 27 1791 'I am very fond of the lower class of people; they have sentiment, serious habits, and a kind of natural courtesy; in short, they are not mob, an animal which Smollet most emphatically says he detests in its head, midriff, and members; and, in this point, I do not greatly differ with him. You would wonder how many of the genteeler class live here. They are not rich to be sure; so much the better for us; For "Where no contiguous palace rears its head/To shame the meanness of the humble shed" people do very well, and keep each other in countenance."'
Century: 1700-1799 Reader/Listener/Group: Anne Grant [nee MacVicar] Print: Book
'read Comus. Knight of the swan - 1st Vol of Goldth citizen of the world'
Century: 1800-1849 Reader/Listener/Group: Mary Shelley Print: Book
'Monday Oct. 24th. Rise at eight [...] M. reads aloud She stoops to [C]onquer -- She sets out to
see Shelley at eleven -- I stay at home & read Political Justice'.
Century: 1800-1849 Reader/Listener/Group: Mary Wollstonecraft Godwin Print: Book
'Thursday Jany. 23rd. Do an Italian exercise & read some of Moore's Anacreon [...] Read
Anarcharsis [...] Begin Goldsmith's History of Greece p.40.'
Century: 1800-1849 Reader/Listener/Group: Claire Clairmont Print: Book
'Thursday June 15th. [...] Go in a Calesse to Casa Ricci at Livorno. Read Vicar of Wakefield'.
Century: 1800-1849 Reader/Listener/Group: Claire Clairmont Print: Book
'Read Vicar of Wakefield'
Century: 1800-1849 Reader/Listener/Group: Mary Shelley Print: Book
'my dear father told thee that Goldsmith's would now be the [italics] deserted village [end italics]; perhaps thou dost not remember this compliment, but I remember the ingenuous modesty which disclamed it. He admired the Village, the Library, & the Newspaper exceedingly, & the delight with which he read them to his family could not but be acceptable to the Author, had he known the sound judgment & the exquisite taste which that excellent man possessed.'
Century: 1800-1849 Reader/Listener/Group: Richard Shackleton Print: Book
'Goldsmiths description of the Appennines is exact - "Woods over Woods in [italics] gay theatric pride [end italics]". Never was epithet more appropriate to the whole scenery'.
Century: 1800-1849 Reader/Listener/Group: Anne Romilly Print: Unknown
Remarks in E. M. Forster's Commonplace Book of 1926 include 'Nearly all novels go off at the end,' with further comments including 'V. of W. gets out of his [depth] 1/2 way through -- after the painting of the family group with Mrs Primrose as Venus all the grace and wit vanishes [...] the happy ending to the tragedy makes all worse than ever.'
Century: 1900-1945 Reader/Listener/Group: Edward Morgan Forster Print: Book
'He said of Goldsmith's "Traveller," which had been published in my absence, "There has not been so fine a poem since Pope's time".'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Unknown
'He [Dr Johnson] said, "Goldsmith's 'Life of Parnell' is poor; not that it is poorly written, but that he had poor materials; for nobody can write the life of a man but those who have eat and drunk and lived in social intercourse with him".'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
'On Saturday, April 3, the day after my arrival in London this year, I went to his house late in the evening, and sat with Mrs. Williams till he came home. I found in the "London Chronicle" Dr. Goldsmith's apology to the publick for beating Evans, a bookseller, on account of a paragraph 5 in a newspaper published by him, which Goldsmith thought impertinent to him and to a lady of his acquaintance. The apology was written so much in Dr. Johnson's manner that both Mrs. Williams and I supposed it to be his; but when he came home, he soon undeceived us. When he said to Mrs. Williams, "Well, Dr. Goldsmith's manifesto has got into your paper;" I asked him if Dr. Goldsmith had written it, with an air that made him see I suspected it was his, though subscribed by Goldsmith. Johnson. "Sir, Dr. Goldsmith would no more have asked me to write such a thing as that for him than he would have asked me to feed him with a spoon, or to do any thing else that denoted his imbecility. I as much believe that he wrote it as if I had seen him do it".'
Unknown
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson
' [Johnson said of Goldsmith] "Take him as a poet, his 'Traveller' is a very fine performance; ay, and so is his 'Deserted Village,' were it not sometimes too much the echo of his 'Traveller.' Whether, indeed, we take him as a poet,—as a comick writer,—or as an historian, he stands in the first class." Boswell. "An historian! My dear sir, you surely will not rank his compilation of the Roman History with the works of other historians of this age ?" Johnson. "Why, who are before him?" Boswell. "Hume, —Robertson,—Lord Lyttelton." Johnson. (His antipathy to the Scotch beginning to rise). "I have not read Hume; but, doubtless, Goldsmith's 'History' is better than the [italics] verbiage [end italics] of Robertson, or the foppery of Dalrymple." Boswell. "Will you not admit the superiority of Robertson, in whose 'History' we find such penetration—such painting?" Johnson. "Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history piece: he imagines an heroick countenance. You must look upon Robertson's work as romance, and try it by that standard. History it is not. Besides, sir, it is the great excellence of a writer to put into his book as much as his book will hold. Goldsmith has done this in his 'History'. Now Robertson might have put twice as much into his book. Robertson is like a man who has packed gold in wool: the wool takes up more room than the gold. No, sir; I always thought Robertson would be crushed by his own weight,—would be buried under his own ornaments. Goldsmith tells you shortly all you want to know: Robertson detains you a great deal too long. No man will read Robertson's cumbrous detail a second time; but Goldsmith's plain narrative will please again and again. I would say to Robertson what an old tutor of a college said to one of his pupils: 'Read over your compositions, and wherever you meet with a passage which you think is particularly fine, strike it out.' Goldsmith's abridgement is better than that of Lucius Florus or Eutropius; and I will venture to say, that if you compare him with Vertot, in the same places of the Roman History, you will find that he excels Vertot."'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
' [Johnson said of Goldsmith] "Take him as a poet, his 'Traveller' is a very fine performance; ay, and so is his 'Deserted Village,' were it not sometimes too much the echo of his 'Traveller.' Whether, indeed, we take him as a poet,—as a comick writer,—or as an historian, he stands in the first class." Boswell. "An historian! My dear sir, you surely will not rank his compilation of the Roman History with the works of other historians of this age ?" Johnson. "Why, who are before him?" Boswell. "Hume, —Robertson,—Lord Lyttelton." Johnson. (His antipathy to the Scotch beginning to rise). "I have not read Hume; but, doubtless, Goldsmith's 'History' is better than the [italics] verbiage [end italics] of Robertson, or the foppery of Dalrymple." Boswell. "Will you not admit the superiority of Robertson, in whose 'History' we find such penetration—such painting?" Johnson. "Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history piece: he imagines an heroick countenance. You must look upon Robertson's work as romance, and try it by that standard. History it is not. Besides, sir, it is the great excellence of a writer to put into his book as much as his book will hold. Goldsmith has done this in his 'History'. Now Robertson might have put twice as much into his book. Robertson is like a man who has packed gold in wool: the wool takes up more room than the gold. No, sir; I always thought Robertson would be crushed by his own weight,—would be buried under his own ornaments. Goldsmith tells you shortly all you want to know: Robertson detains you a great deal too long. No man will read Robertson's cumbrous detail a second time; but Goldsmith's plain narrative will please again and again. I would say to Robertson what an old tutor of a college said to one of his pupils: 'Read over your compositions, and wherever you meet with a passage which you think is particularly fine, strike it out.' Goldsmith's abridgement is better than that of Lucius Florus or Eutropius; and I will venture to say, that if you compare him with Vertot, in the same places of the Roman History, you will find that he excels Vertot."'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
' [Johnson said of Goldsmith] "Take him as a poet, his 'Traveller' is a very fine performance; ay, and so is his 'Deserted Village,' were it not sometimes too much the echo of his 'Traveller.' Whether, indeed, we take him as a poet,—as a comick writer,—or as an historian, he stands in the first class." Boswell. "An historian! My dear sir, you surely will not rank his compilation of the Roman History with the works of other historians of this age ?" Johnson. "Why, who are before him?" Boswell. "Hume, —Robertson,—Lord Lyttelton." Johnson. (His antipathy to the Scotch beginning to rise). "I have not read Hume; but, doubtless, Goldsmith's 'History' is better than the [italics] verbiage [end italics] of Robertson, or the foppery of Dalrymple." Boswell. "Will you not admit the superiority of Robertson, in whose 'History' we find such penetration—such painting?" Johnson. "Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history piece: he imagines an heroick countenance. You must look upon Robertson's work as romance, and try it by that standard. History it is not. Besides, sir, it is the great excellence of a writer to put into his book as much as his book will hold. Goldsmith has done this in his 'History'. Now Robertson might have put twice as much into his book. Robertson is like a man who has packed gold in wool: the wool takes up more room than the gold. No, sir; I always thought Robertson would be crushed by his own weight,—would be buried under his own ornaments. Goldsmith tells you shortly all you want to know: Robertson detains you a great deal too long. No man will read Robertson's cumbrous detail a second time; but Goldsmith's plain narrative will please again and again. I would say to Robertson what an old tutor of a college said to one of his pupils: 'Read over your compositions, and wherever you meet with a passage which you think is particularly fine, strike it out.' Goldsmith's abridgement is better than that of Lucius Florus or Eutropius; and I will venture to say, that if you compare him with Vertot, in the same places of the Roman History, you will find that he excels Vertot."'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
' [Johnson said of Goldsmith] "Take him as a poet, his 'Traveller' is a very fine performance; ay, and so is his 'Deserted Village,' were it not sometimes too much the echo of his 'Traveller.' Whether, indeed, we take him as a poet,—as a comick writer,—or as an historian, he stands in the first class." Boswell. "An historian! My dear sir, you surely will not rank his compilation of the Roman History with the works of other historians of this age ?" Johnson. "Why, who are before him?" Boswell. "Hume, —Robertson,—Lord Lyttelton." Johnson. (His antipathy to the Scotch beginning to rise). "I have not read Hume; but, doubtless, Goldsmith's 'History' is better than the [italics] verbiage [end italics] of Robertson, or the foppery of Dalrymple." Boswell. "Will you not admit the superiority of Robertson, in whose 'History' we find such penetration—such painting?" Johnson. "Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history piece: he imagines an heroick countenance. You must look upon Robertson's work as romance, and try it by that standard. History it is not. Besides, sir, it is the great excellence of a writer to put into his book as much as his book will hold. Goldsmith has done this in his 'History'. Now Robertson might have put twice as much into his book. Robertson is like a man who has packed gold in wool: the wool takes up more room than the gold. No, sir; I always thought Robertson would be crushed by his own weight,—would be buried under his own ornaments. Goldsmith tells you shortly all you want to know: Robertson detains you a great deal too long. No man will read Robertson's cumbrous detail a second time; but Goldsmith's plain narrative will please again and again. I would say to Robertson what an old tutor of a college said to one of his pupils: 'Read over your compositions, and wherever you meet with a passage which you think is particularly fine, strike it out.' Goldsmith's abridgement is better than that of Lucius Florus or Eutropius; and I will venture to say, that if you compare him with Vertot, in the same places of the Roman History, you will find that he excels Vertot."'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
'The [Tennyson] boys had one great advantage [as home-educated pupils], the run of their father's excellent library. Amongst the authors most read by them were Shakespeare, Milton, Burke, Goldsmith, Rabelais, Sir William Jones, Addison, Swift, Defoe, Cervantes, Bunyan and Buffon.'
Century: 1800-1849 Reader/Listener/Group: Tennyson children (boys) Print: Book
'I mentioned Mr. Maclaurin's uneasiness on account of a degree of ridicule carelessly thrown on his deceased father, in Goldsmith's "History of Animated Nature", in which that celebrated mathematician is represented as being subject to fits of yawning so violent as to render him incapable of proceeding in his lecture; a story altogether unfounded, but for the publication of which the law would give no reparation.'
Century: 1700-1799 Reader/Listener/Group: Mr Maclaurin Print: Book
'Langton. "There is not one bad line in that poem [Goldsmith's 'The Traveller']— no one of Dryden's careless verses." Sir Joshua. "I was glad to hear Charles Fox say, it was one of the finest poems in the English language." Langton. "Why were you glad? You surely had no doubt of this before." Johnson. "No ; the merit of 'The Traveller' is so well established, that Mr. Fox's praise cannot augment it, nor his censure diminish it." Sir Joshua. "But his friends may suspect they had too great a partiality for him".'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Unknown
'Langton. "There is not one bad line in that poem [Goldsmith's 'The Traveller']— no one of Dryden's careless verses." Sir Joshua. "I was glad to hear Charles Fox say, it was one of the finest poems in the English language." Langton. "Why were you glad? You surely had no doubt of this before." Johnson. "No ; the merit of 'The Traveller' is so well established, that Mr. Fox's praise cannot augment it, nor his censure diminish it." Sir Joshua. "But his friends may suspect they had too great a partiality for him".'
Century: 1700-1799 Reader/Listener/Group: Joshua Reynolds Print: Unknown
'Langton. "There is not one bad line in that poem [Goldsmith's 'The Traveller']— no one of Dryden's careless verses." Sir Joshua. "I was glad to hear Charles Fox say, it was one of the finest poems in the English language." Langton. "Why were you glad? You surely had no doubt of this before." Johnson. "No ; the merit of 'The Traveller' is so well established, that Mr. Fox's praise cannot augment it, nor his censure diminish it." Sir Joshua. "But his friends may suspect they had too great a partiality for him".'
Century: 1700-1799 Reader/Listener/Group: Bennet Langton Print: Unknown
'Langton. "There is not one bad line in that poem [Goldsmith's 'The Traveller']— no one of Dryden's careless verses." Sir Joshua. "I was glad to hear Charles Fox say, it was one of the finest poems in the English language." Langton. "Why were you glad? You surely had no doubt of this before." Johnson. "No ; the merit of 'The Traveller' is so well established, that Mr. Fox's praise cannot augment it, nor his censure diminish it." Sir Joshua. "But his friends may suspect they had too great a partiality for him".'
Century: 1700-1799 Reader/Listener/Group: Charles Fox Print: Unknown
'[Johnson said] "I remember a passage in Goldsmith's "Vicar of Wakefield", which he was afterwards fool enough to expunge: 'I do not love a man who is zealous for nothing'." BOSWELL. "That was a fine passage". JOHNSON. "Yes, Sir: there was another fine passage too, which he struck out: 'When I was a young man, being anxious to distinguish myself, I was perpetually starting new propositions. But I soon gave this over; for, I found that generally what was new was false'."'
Century: Reader/Listener/Group: Samuel Johnson Manuscript: Unknown
'Goldsmith talks of cows shedding their Horns, & Thompson makes his Hens and Chicks to be
Fed & defended by the fearless Cock.
whereas the Cock hates the Chickens, & takes all their Meat from them. [Thrale continues to critique Goldsmith's knowledge of natural history] Pennant speaks most rationally about Natural History of any of our Countrymen, and among the Foreigners, Buffon makes amends to [italics] most [end italics] readers by his elegant Style & profound Ratiocination for his frequent Mistakes in the Facts.-
Johnson in his Irene frequently mentions singing Birds though I believe the Birds about Constantinople are nearly mute: Thompson observes that in hot Climates the Birds scarce ever sing'
Century: Reader/Listener/Group: Hester Lynch Thrale Print: Book
'While their [her daughters'] Father's Life preserv'd my Authority entire, I used it [italics] all & only [end italics] for their Improvement; & since it expired with him, & my Influence perished by my Connection with Piozzi - I have read to them what I could not force or perswade them to read for themselves. The English & Roman Histories, the Bible; - not Extracts, but the whole from End to End - Milton, Shakespeare, Pope's Iliad, Odyssey & other Works, some Travels through the well-known Parts of Europe; some elegant Novels as Goldsmith's Vicar of Wakefield, Voltaire's Zadig &c. Young & Addison's works, Plays out of Number, Rollin's Belles Lettres - and hundreds of Things now forgot, have filled our Time up since we left London for Bath.'
Century: 1700-1799 Reader/Listener/Group: Hester Lynch Thrale and her daughters Hester, Susanna and Sophia Print: Book
'Played Bezique with Polly in the evening after I had read aloud three Acts of "She stoops to conquer".'
Century: 1850-1899 Reader/Listener/Group: John Buckley Castieau Print: Book
'In the evening took Polly out for a little walk after I had finished reading [aloud?] "She stoops to conquer".'
Century: 1850-1899 Reader/Listener/Group: John Buckley Castieau Print: Book
'Began to-night to read again "The Vicar of Wakefield" & was delighted with its quaint easy style, read two or three chapters to Harry who was very attentive & in a sad state when I had to send him away to his lessons.'
Century: 1850-1899 Reader/Listener/Group: John Buckley Castieau Print: Book
'I finish reading "The Vicar of Wakefield". The world has changed more in the last 30 years than in the previous 150'
Century: 1900-1945 Reader/Listener/Group: Thomas Kitching Print: Book
'Read "Vicar of Wakefield" and "Citizen of World" at coffee, and was sick of both.'
Century: 1850-1899 Reader/Listener/Group: John Ruskin Print: Book
'Read "Vicar of Wakefield" and "Citizen of World" at coffee, and was sick of both.'
Century: 1850-1899 Reader/Listener/Group: John Ruskin Print: Book
'The remainder of the evening was devoted to a play-reading from Oliver Goldsmith's 'The Goodnatured Man'. Although this play was Goldsmith's first experiment in writing for the theatre & contains many obvious faults it succeeded in obtaining a fair hearing at its first production in 1768 & brought the author a sum of £500. It has a rather weak plot & the character of Honeywood is not well brought out. Undoubtedly Croaker saved the piece, with help from Lofts. The reading of the play by members of the club made an interesting & enjoyable evening. The play certainly goes better in dialogue than when read through to oneself, although there is too little action in it for any success for acting. In this respect it is much inferior to 'She Stoops to Conquer'. [a lengthy cast list is given]
Century: 1900-1945 Reader/Listener/Group: members of XII Book Club Print: Book
'The remainder of the evening was devoted to a play-reading from Oliver Goldsmith's 'The Goodnatured Man'. Although this play was Goldsmith's first experiment in writing for the theatre & contains many obvious faults it succeeded in obtaining a fair hearing at its first production in 1768 & brought the author a sum of £500. It has a rather weak plot & the character of Honeywood is not well brought out. Undoubtedly Croaker saved the piece, with help from Lofts. The reading of the play by members of the club made an interesting & enjoyable evening. The play certainly goes better in dialogue than when read through to oneself, although there is too little action in it for any success for acting. In this respect it is much inferior to 'She Stoops to Conquer'. [a lengthy cast list is given]
Century: 1900-1945 Reader/Listener/Group: Ernest E. Unwin Print: Book
'The remainder of the evening was devoted to a play-reading from Oliver Goldsmith's 'The Goodnatured Man'. Although this play was Goldsmith's first experiment in writing for the theatre & contains many obvious faults it succeeded in obtaining a fair hearing at its first production in 1768 & brought the author a sum of £500. It has a rather weak plot & the character of Honeywood is not well brought out. Undoubtedly Croaker saved the piece, with help from Lofts. The reading of the play by members of the club made an interesting & enjoyable evening. The play certainly goes better in dialogue than when read through to oneself, although there is too little action in it for any success for acting. In this respect it is much inferior to 'She Stoops to Conquer'. [a lengthy cast list is given]
Century: 1900-1945 Reader/Listener/Group: Ernest E. Unwin Print: Book
[Elizabeth Carter to Elizabeth Vesey, 6 August 1766:]
'Be so good as to tell Mrs Handcock that I do like the "Vicar of Wakefield," and likewise that I do not [...] Indeed it has admirable things in it, though mixt with provoking absurdities, at which one should not be provoked if the book in general had not great merit [comments further].'
Century: 1700-1799 Reader/Listener/Group: Elizabeth Carter Print: Book
[From the diary of Elizabeth Firth, 6 January 1820:]
'Read Goldsmith's History of Rome.'
Century: 1800-1849 Reader/Listener/Group: Elizabeth Firth Print: Book
