'In general the coterie here are disposed to think it not by the same author as "Waverley", etc., and to think it superior to all three. I myself place it above Guy and Monkbarns, but "Waverley" being my first love, I canot give him up. [italics] as a whole [end italics], however, I believe it does bear the palm, and it surprises me by not sinking into flatness, after the return of Morton from abroad; which was a very slippery place for [italics] you [end italics], who profess never knowing what you are going to write....
I must mention a remark Mrs Weddell has repeatedly made: "this has the [italics] nature [end italics] of Daniel Defoe's novels, tho' with a higher style of writing. I can hardly forbear fancying every word of it true". And we are all agreed that instead of perverting history, it elucidates it, and would give a person partially acquainted with it the desire to be more so'.
Century: 1800-1849 Reader/Listener/Group: acquaintances of Louisa Stuart Print: Book
'In general the coterie here are disposed to think it not by the same author as "Waverley", etc., and to think it superior to all three. I myself place it above Guy and Monkbarns, but "Waverley" being my first love, I canot give him up. [italics] as a whole [end italics], however, I believe it does bear the palm, and it surprises me by not sinking into flatness, after the return of Morton from abroad; which was a very slippery place for [italics] you [end italics], who profess never knowing what you are going to write....
I must mention a remark Mrs Weddell has repeatedly made: "this has the [italics] nature [end italics] of Daniel Defoe's novels, tho' with a higher style of writing. I can hardly forbear fancying every word of it true". And we are all agreed that instead of perverting history, it elucidates it, and would give a person partially acquainted with it the desire to be more so'.
Century: 1800-1849 Reader/Listener/Group: acquaintances of Louisa Stuart Print: Book
