'Read Hallam on the study of Roman law in the Middle Ages'.
Century: 1850-1899 Reader/Listener/Group: George Eliot [pseud] Print: BookManuscript: Unknown
'began Hallam's Middle Ages'.
Century: 1850-1899 Reader/Listener/Group: George Eliot [pseud.] Print: Book
'Hallam's style does not appear to me so bad as it has been represented; indeed I am ashamed to say I rather think it a good style. He is a bold man and great names do not deter him from finding fault; he began with Pindar, and who has any right to complain after that? The characteristic excellencies of the work seem to be fidelity, accuracy, good sense, a love of Virtue and a zeal for Liberty'.
Century: 1800-1849 Reader/Listener/Group: Sydney Smith Print: Book
'I have been out reading Hallam in the garden ...'
Century: 1850-1899 Reader/Listener/Group: Robert Louis Stevenson Print: Book
'On his [Tennyson's] return [to Farringford] the evening books were Milton, Shakespeare's Sonnets, Thackeray's Humourists, some of Hallam's History and of Carlyle's Cromwell.'
Century: 1850-1899 Reader/Listener/Group: Alfred and Emily Tennyson Print: Book
Aubrey De Vere, on how he 'first made acquaintance with Alfred Tennyson's poetry':
'Lord Houghton, then Richard Monckton Milnes, a Cambridge friend of my eldest brother's, drove up to the door of our house at Curragh Chase one night in 1832 [...] He had brought with him the first number of a new magazine entitled The Englishman containing Arthur Hallam's essay on Tennyson's Poems, Chiefly Lyrical. The day on which I first took the slender volume into my hands was with me a memorable one. Arthur Hallam's essay had contrasted two different schools of modern poetry, calling one of these classes Poets of Reflection, and the other class Poets of Sensation, the latter represented by Shelley and Keats. Of Keats I knew nothing, and of Shelley very little; but the new poet seemed to me, while he had a touch of both the classes thus characterized, to have little in common with either. He was eminently original, and about that originality there was for me a wild, inexplicable magic and a deep pathos [goes on to discuss further]'.
Century: 1800-1849 Reader/Listener/Group: Aubrey De Vere Print: Serial / periodical
Books read by Oscar Wilde in Reading Gaol, December 1896 - March 1897, taken from his list of books requested and then sent by his friends. Source author notes that Wilde read and re-read everything available to him in prison. 'Gaston de Latour by Walter Pater, MA (Macmillan), Milman's History of Latin Christianity, Wordsworth's Complete Works in one volume with preface by John Morley (Macmillan, 7/6), Matthew Arnold's Poems. One volume complete. (Macmillan, 7/6), Dante and other Essays by Dean Church (Macmillan, 5/-), Percy's Reliques, Hallam's Middle Ages (History of), Dryden's Poems (1 vol. Macmillan. 3/6), Burns's Poems ditto, Morte D'Arthur ditto, Froissart's Chronicles ditto, Buckle's History of Civilisation, Marlowe's Plays, Chaucer's Canterbury Tales (edited by A. Pollard 2 vols 10/-) Macmillan, Introduction to Dante by John Addington Symonds, Companion to Dante by A.J. Butler, Miscellaneous Essays by Walter Pater, An English translation of Goethe's Faust'.
Century: 1850-1899 Reader/Listener/Group: Oscar Wilde Print: Book
Mr Lockhart to John Murray, 24 September 1839:
'Morritt has just finished "Hallam's Literature." He is in raptures with it, and says such a book,
forty years ago, would have been beyond all price for the direction of his studies. He is going to
interleave his copy and annotate largely.'
Century: 1800-1849 Reader/Listener/Group: Morritt Print: Book
