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the experience of reading in Britain, from 1450 to 1945...

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A. A. Milne

  

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A. A. Milne : The House at Pooh Corner

'Meeting held at 22 Cintra Avenue 10.3.41 F. E. Pollard in the Chair.
1. The minutes of the last meeting were read and signed.
[...]
3. Violet Clough read an exceedingly interesting paper on “Children’s Literature” showing the was it has developed from the “Moral Tales” of Maria Edgeworth published at the beginning of the 19th. Century, to the delightful tales by Beatrix Potter & A. A. Milne which are read today. The one retrogressive step she thought was in the binding of the books, which today seem to come to pieces almost at once. All the mothers present agreed with this, so it is no reflection on the Clough children in particular although it may be on the modern child in general.
4. Readings from children’s literature were then given as follows: Labour Lost from the Rollo Books. Selected by S. A. Reynolds & read by A. B. Dilks.
“The Fairchild Family” by Mrs. Sherwood read by Mrs. Pollard – this was particularly gruesome.
“Little Women” by Louisa Alcott read by Mary Stansfield.
Divers examples of children[’]s poetry read by Rosamund Wallis, which included an impromptu recitation by Howard Smith of one of Hillair[e] Belloc’s Cautionary Tales.
“Alice in Wonderland” by Lewis Carrol[l] read by F. E. Pollard.
“Samuel Whiskers” by Beatrix Potter read by Muriel Stevens.
“The Sing Song of Old Man Kangaroo” a Just So Story by Rudyard Kipling, read by Howard Smith.
“The Wind in the Willows” by Kenneth Grahame read by Margaret Dilks.
“The House at Pooh Corner” by A. A. Milne, read by A. B. Dilks.
5. Bruce Dilks sang two of Fraser-Simsons settings of A. A. Milne’s Poems. “Christopher Robin Alone in the Dark” and “Happiness”.

[Signed as a true record of the meeting by] S. A. Reynolds April 7th / 41'

Century: 1900-1945     Reader/Listener/Group: Bruce Dilks      Print: Book

  

A. A. Milne : [Unnamed works]

'Meeting held at 22 Cintra Avenue 10.3.41
F. E. Pollard in the Chair.
1. The minutes of the last meeting were read and signed.
[...]
3. Violet Clough read an exceedingly interesting paper on “Children’s Literature” showing the was it has developed from the “Moral Tales” of Maria Edgeworth published at the beginning of the 19th. Century, to the delightful tales by Beatrix Potter & A. A. Milne which are read today. The one retrogressive step she thought was in the binding of the books, which today seem to come to pieces almost at once. All the mothers present agreed with this, so it is no reflection on the Clough children in particular although it may be on the modern child in general.
4. Readings from children’s literature were then given as follows:
Labour Lost from the Rollo Books. Selected by S. A. Reynolds & read by A. B. Dilks.
“The Fairchild Family” by Mrs. Sherwood read by Mrs. Pollard – this was particularly gruesome.
“Little Women” by Louisa Alcott read by Mary Stansfield.
Divers examples of children[’]s poetry read by Rosamund Wallis, which included an impromptu recitation by Howard Smith of one of Hillair[e] Belloc’s Cautionary Tales.
“Alice in Wonderland” by Lewis Carrol[l] read by F. E. Pollard.
“Samuel Whiskers” by Beatrix Potter read by Muriel Stevens.
“The Sing Song of Old Man Kangaroo” a Just So Story by Rudyard Kipling, read by Howard Smith.
“The Wind in the Willows” by Kenneth Grahame read by Margaret Dilks.
“The House at Pooh Corner” by A. A. Milne, read by A. B. Dilks.
5. Bruce Dilks sang two of Fraser-Simsons settings of A. A. Milne’s Poems. “Christopher Robin Alone in the Dark” and “Happiness”.

[Signed as a true record of the meeting by] S. A. Reynolds April 7th / 41'

Century: 1900-1945     Reader/Listener/Group: Violet Clough      Print: Book

  

A. A. Milne : 

'Meeting held at 22 Cintra Avenue: 17. IV 40. F. E. Pollard in the chair
1. Minutes of last read & approved.
[...]
5. As an introduction to our subject of Modern English Humourists, R. H. Robson read a passage analysing the nature of Humour. Discussion followed on the distinction, if any, between wit & humour, & various alleged examples were forthcoming.
6. A. B. Dilks read from Grossmith’s Diary of a Nobody; many entries appealed to members as characteristic of themselves or their friends.
7. In the regretted absence of C. E. Stansfield, F. E. Pollard read T. Thompson’s Blitzkrieg, from the Manchester Guardian, in what purported to be the Lancashire dialect.
8 Howard R. Smith read from A. A. Milne: the reader shared fully in the mirth of the hearers.
9. M. Dilks gave us a passage from Macdonnell’s ‘England, their England’, which must have been salutary for any suffering from insular complacency.
10. Rosamund Wallis’ contribution was from P. G. Wodehouse’s ‘Carry on, Jeeves’; certain methods of being off with the old love & on with the new were characteristically indicated by the writer, effectively rendered by the reader, & clearly appreciated by the company.
11. R. H. Robson’s Saki story supplied further satire on English standards – in this case of music, & the services likely to secure a title.
12. The chapter from Barrie’s ‘Window in Thrums’, read by F. E. Pollard, told how Gavin Birse did his best to be off with the old love, but failed.
13. The idea of a Barrie evening was mooted.
[signed as a true record:] M. Stevens
18-7-40'

Century: 1900-1945     Reader/Listener/Group: Howard Smith      Print: Book

  

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