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the experience of reading in Britain, from 1450 to 1945...

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Wilfred Owen

  

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Wilfred Owen : [war poems]

'Growing up in a family that read newspapers only for sport and scandal, Vernon Scannell knew all the great prize fighters by age thirteen, "but I could not have named the Prime Minister of the day..." The history and geography he was taught at school were never related to contemporary events. Remarkably, Scannell had read widely about the last war: the poetry of Siegfried Sassoon and Wilfred Owen, Edmund Blunden's "Undertones of War", and Robert Graves's "Goodbye to All That". The Penguin edition of "A Farewell to Arms" so overwhelmed him that he tried to write his own Great War novel in a Hemingway style. But none of this translated into any awareness that another war might be on the way'.

Century: 1900-1945     Reader/Listener/Group: Vernon Scannell      Print: Book

  

Wilfred Owen : [war poetry]

'Later in my teens, on a first visit to London, I bought for one-and-six in the Charing Cross Road, a red-covered copy of "The War Poems of Siegfried Sassoon". it was my first clear view of my father's world of 1914-18, and I went on to read Graves, Blunden, Owen'.

Century: 1900-1945     Reader/Listener/Group: Charles Causley      Print: Book

  

Wilfred Owen : Strange Meeting

'Read "An Anthology of War Poems", introduced by Edmund Blunden. Owen's poetry stands well above all the others - his "Strange Meeting" is worth all the others put together - or nearly so. Branford's sonnets are conspicuous and Sassoon's work distinctive, but Owen has not only Branford's "high seriousness" and Sasoon's objectivity but also a sure craftsmanship - he is always the artist in full control of his medium. Beside his work, Sassoon's sounds almost hysterical and Blunden's slightly artificial. After laying down this book I realised for the first time that, notwithstanding the large company of our war poets, our really fine war poems are very few in number.'

Century: 1900-1945     Reader/Listener/Group: William Soutar      Print: Book

  

Wilfred Owen : [unknown]

'Meeting held at School House, Leighton Park. Jan 27th 1942 J. Knox Taylor in the Chair.
1. In the absence of the Secretary the minutes of the last meeting were read by Alice Joselin.
2. With reference to Minute 6 of the last meeting, i.e. the selection of books for reading this year, it was decided that as two of the selected books could not be procured, Margaret Dilks and Mary S. W. Pollard should be asked to select two alternatives from the last list. The minutes were then approved and signed.
4. After partaking of coffee, the excellence of which & the enjoyment thereof, being in no way impaired by the introduction of powdered milk, (despite our host’s perturbation at this war-time inclusion!) we settled down with eager expectations and interest to the main business of the evening.
5. The subject was a provocative one “Modern Poetry” & we very gladly welcomed Kenneth Nicholson into our midst, as he had kindly consented to come & talk to us about modern poetry & to lead us into the strange regions of this somewhat unknown world.
6. Gerard Manley Hopkins & W. B. Yeats were apparently the leaders in breaking away from the old traditions of poetry-making, & of setting up a new form, even expressing a new spirit. We then listened to poems of T. S. Eliot, Wilfred Owen & W. Auden, & saw how this new way progressed & was elaborated.
We were bewildered, astounded & intrigued by turns! Through the intracacies [sic] of “sprung rhythm”, down the “arterial roads” of poetical imagery of the early 1920’s to the more apparently intelligible sombreness of recent poetry, we were led gently but inexorably, by our persuasive speaker, to see & realise that however strangely we might regard this literature of our age, we must acknowledge the urgency & sincerity of what the modern poet had to say.'

Century: 1900-1945     Reader/Listener/Group: Kenneth F. Nicholson      Print: Book

  

Wilfred Owen : [unspecified poetical works]

Meeting held at School House, Leighton Park. Jan 27th 1942 J. Knox Taylor in the Chair.
1. In the absence of the Secretary the minutes of the last meeting were read by Alice Joselin.
2. With reference to Minute 6 of the last meeting, i.e. the selection of books for reading this year, it was decided that as two of the selected books could not be procured, Margaret Dilks and Mary S. W. Pollard should be asked to select two alternatives from the last list. The minutes were then approved and signed.
4. After partaking of coffee, the excellence of which & the enjoyment thereof, being in no way impaired by the introduction of powdered milk, (despite our host’s perturbation at this war-time inclusion!) we settled down with eager expectations and interest to the main business of the evening.
5. The subject was a provocative one “Modern Poetry” & we very gladly welcomed Kenneth Nicholson into our midst, as he had kindly consented to come & talk to us about modern poetry & to lead us into the strange regions of this somewhat unknown world.
6. Gerard Manley Hopkins & W. B. Yeats were apparently the leaders in breaking away from the old traditions of poetry-making, & of setting up a new form, even expressing a new spirit. We then listened to poems of T. S. Eliot, Wilfred Owen & W. Auden, & saw how this new way progressed & was elaborated.
We were bewildered, astounded & intrigued by turns! Through the intracacies [sic] of “sprung rhythm”, down the “arterial roads” of poetical imagery of the early 1920’s to the more apparently intelligible sombreness of recent poetry, we were led gently but inexorably, by our persuasive speaker, to see & realise that however strangely we might regard this literature of our age, we must acknowledge the urgency & sincerity of what the modern poet had to say.

Century: 1900-1945     Reader/Listener/Group: Kenneth F. Nicholson      Print: Book

  

Wilfred Owen : [war poetry]

'Meeting held at School House, Leighton Park. Jan 27th 1942 J. Knox Taylor in the Chair.
1. In the absence of the Secretary the minutes of the last meeting were read by Alice Joselin.
2. With reference to Minute 6 of the last meeting, i.e. the selection of books for reading this year, it was decided that as two of the selected books could not be procured, Margaret Dilks and Mary S. W. Pollard should be asked to select two alternatives from the last list. The minutes were then approved and signed.
4. After partaking of coffee, the excellence of which & the enjoyment thereof, being in no way impaired by the introduction of powdered milk, (despite our host’s perturbation at this war-time inclusion!) we settled down with eager expectations and interest to the main business of the evening.
5. The subject was a provocative one “Modern Poetry” & we very gladly welcomed Kenneth Nicholson into our midst, as he had kindly consented to come & talk to us about modern poetry & to lead us into the strange regions of this somewhat unknown world.
6. Gerard Manley Hopkins & W. B. Yeats were apparently the leaders in breaking away from the old traditions of poetry-making, & of setting up a new form, even expressing a new spirit. We then listened to poems of T. S. Eliot, Wilfred Owen & W. Auden, & saw how this new way progressed & was elaborated.
We were bewildered, astounded & intrigued by turns! Through the intracacies [sic] of “sprung rhythm”, down the “arterial roads” of poetical imagery of the early 1920’s to the more apparently intelligible sombreness of recent poetry, we were led gently but inexorably, by our persuasive speaker, to see & realise that however strangely we might regard this literature of our age, we must acknowledge the urgency & sincerity of what the modern poet had to say.'

Century: 1900-1945     Reader/Listener/Group: [a member of the XII Book Club – one of Isabel Taylor, Roger Moore, Margaret Dilks, A. G. Joselin, or F. E. Pollard]      Print: Book

  

Wilfred Owen : [unknown]

'Meeting held at School House, Leighton Park. Jan 27th 1942 J. Knox Taylor in the Chair.
[...]
5. The subject was a provocative one “Modern Poetry” & we very gladly welcomed Kenneth Nicholson into our midst, as he had kindly consented to come & talk to us about modern poetry & to lead us into the strange regions of this somewhat unknown world.
6. Gerard Manley Hopkins & W. B. Yeats were apparently the leaders in breaking away from the old traditions of poetry-making, & of setting up a new form, even expressing a new spirit. We then listened to poems of T. S. Eliot, Wilfred Owen & W. Auden, & saw how this new way progressed & was elaborated.
We were bewildered, astounded & intrigued by turns! Through the intracacies [sic] of “sprung rhythm”, down the “arterial roads” of poetical imagery of the early 1920’s to the more apparently intelligible sombreness of recent poetry, we were led gently but inexorably, by our persuasive speaker, to see & realise that however strangely we might regard this literature of our age, we must acknowledge the urgency & sincerity of what the modern poet had to say.
7. Isabel Taylor, Roger Moore, Margaret Dilks, A. G. Joselin, and F. E. Pollard all contributed readings, some from the poets already mentioned, others from the poetry of Day Lewis, Stephen Spender, McNeice & Dylan Thomas. Some pleased, others perplexed; we capitulated before such a phrase as “As a madman shakes a dead geranium”, but again were revived with what appeared to us as more lucid poems. One which pleased us with its clarity, evoked the remark from F. E. Pollard “that the only thing wrong with it was what was the matter with that except that it was immediately intelligible”!
Such was our introduction to “Modern Poetry,” whether or not we appreciated its “difference,” we were deeply grateful to K. Nicholson for inspiring us with the desire to read more.

[signed as a true record by] Arnold G. Joselin 23/2/42. [at the club meeting held at 72 Shinfield Road: see XII Book Club Minute Book, p. 113]'

Century: 1900-1945     Reader/Listener/Group: [a member of the XII Book Club – one of Isabel Taylor, Roger Moore, Margaret Dilks, A. G. Joselin, or F. E. Pollard]      Print: Book

  

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