During this Spring read Shakspeare [sic] regularly through, and studied the characters of Hamlet, Douglas, Osman in 'Zara', Sir Charles Racket &c and purchased & read a great number of pieces of dramatic biography, and theatrical criticisms.
Century: 1800-1849 Reader/Listener/Group: John Cole Print: Book
[due to the fact that books in working class communities were generally cheap out of copyright reprints, not new works] Welsh collier Joseph Keating was able to immerse himself in Swift, Pope, Fielding, Richardson, Smollett, Goldsmith, Sheridan, Goldsmith, Keats, Byron, Shelley, Dickens and Greek philosophy, as well as the John Dicks edition of Vanity Fair in weekly installments. The common denominator among these authors was that they were all dead. "Volumes by living authors were too high-priced for me", Keating explained. "Our schoolbooks never mentioned living writers; and the impression in my mind was that an author, to be a living author, must be dead and that his work was all the better if he died of neglect and starvation".'
Century: 1800-1849 Reader/Listener/Group: Joseph Keating Print: Book
Byron's "Detached Thoughts" (15 October 1821-18 May 1822), on R. B. Sheridan, 15 October 1821: 'One day I saw him take up his own "Monody on Garrick". -- He lighted upon the dedication to the Dowager Lady Spencer -- on seeing it he flew into a rage -- exclaimed "that it must be a forgery -- that he had never dedicated anything of his to such a d-- --d canting b-- --h &c. &c. &c." and so went on for half an hour ...'
Unknown
Century: Reader/Listener/Group: Richard Brinsley Sheridan
'As a collier [Joseph Keating]... heard a co-worker sigh, "Heaven from all creatures hides the book of fate". Keating was stunned: "You are quoting Pope". "Ayh", replied his companion, "me and Pope do agree very well". Keating had himself been reading Pope, Fielding, Smollett, Goldsmith and Richardson in poorly printed paperbacks. Later he was reassigned to a less demanding job at a riverside colliery pumping station, which allowed him time to tackle Swift, Sheridan, Byron, Keats, Shelley and Thackeray'.
Century: 1850-1899 Reader/Listener/Group: Joseph Keating Print: Book
'As a boy Percy Wall adored the "Magnet", the "Boy's Own Paper", and G.A. Henty novels... [Later] While he read Henty for enjoyment, he studied the "Clarion", the "Freethinker", "The Struggle of the Bulgarians for Independence" and "The Philippine Martyrs" for their politics, and did not allow one body of literature to affect the other'.
Century: 1900-1945 Reader/Listener/Group: Percy Wall Print: Book
'Pupils at Queen's College remembered the puritanical standards imposed by Owen Breen, English and Elocution Professor there in the 1890s. L. V. Hodson notes that when reading Sheridan in his classes, they first had to take a pencil and cross out all the expletives ...'
Century: 1850-1899 Reader/Listener/Group: English class, Queen's College Print: Book
'I finished reading "The Rivals", and have embarked on Bradley's "Shakespearean Tragedy"'.
Century: 1900-1945 Reader/Listener/Group: Hilary Spalding Print: Book
'I did a lot of "The Rivals", which I don't like a bit. It has momentary flashes of wit, but otherwise it's awful.'
Century: 1900-1945 Reader/Listener/Group: Hilary Spalding Print: Book
[List of books read in 1945]:
'For Whom the Bell Tolls; Henry Brocken; Doctor Faustus; Life of the Bee; The Screwtape Letters; Modern Short Stories; Letters of People in Love; Men and Women; The Headmistress; The People's Government; The Art of Writing; Speech and Sound; Background to the Life of Christ; The House of Prayer; Eleanor in the Fifth; Adventures of Jig and Co; Rendezvous with Fear; Antony and Cleopatra; Hamlet; The Poetry of James Elroy Flecker; Escape; Hangman's Holiday; The Body Behind the Bar; Strong Poison; The Critic; Magic Lantern; Listening Valley; Emma; Dragon Seed; Crowthers of Bankdam; The Rat Trap; The Vortex; Fallen Angels; The Spanish House; O the Brave Music; The Light that Failed; Ghosts; The Antiquary; The Knightes Tale; Luria; The Best of Hazlitt; Pericles; The Rivals; Hamlet [again]; Antony and Cleopatra [again]; Knightes Tale [again]; Julius Caesar; Merchant of Venice; The Critic; The Rivals; Cymbeline; Adventures of a Young Soldier in Search of a Better World; The Nine Tailors; The Conquered; The Professor; Peter Abelard; Then They Pulled Down the Blind; The Unpleasantness at the Bellona Club; Portrait of a Man with Red Hair; Winnie-the-Pooh; The House at Pooh Corner; Mrs Parkinson; Adele and Co; Frossia; Cluny Brown; Four Gardens; The World is Square; Being Met Together; Best Sporting Stories; Selected stories by Q; And Five were Foolish; Campaspe; Endimion [by Lyly]; Midas; Dr Faustus [again]; Twelfth Night; Mrs Warrent's Proffession [sic]; The Spanish Tragedy; The Jew of Malta; Galathea; Tambourlaine; Sun is my Undoing; By Greta Bridge; Utopia; England, their England; The Art of Poetry; Old Wives Tale; The Reader is Warned; Long, Long Ago; Friar Bacon & Friar Bungay; James IV of Scotland; The Handsome Langleys; The Dog Beneath the Skin; Death Comes for the Archbishop; The Island of Youth; I'll Say She Does; The Forsyte Saga; In Youth is Pleasure; On Forsyte Change; Genesis to Nehemiah.'
Century: 1900-1945 Reader/Listener/Group: Hilary Spalding Print: Book
[List of books read in 1945]:
'For Whom the Bell Tolls; Henry Brocken; Doctor Faustus; Life of the Bee; The Screwtape Letters; Modern Short Stories; Letters of People in Love; Men and Women; The Headmistress; The People's Government; The Art of Writing; Speech and Sound; Background to the Life of Christ; The House of Prayer; Eleanor in the Fifth; Adventures of Jig and Co; Rendezvous with Fear; Antony and Cleopatra; Hamlet; The Poetry of James Elroy Flecker; Escape; Hangman's Holiday; The Body Behind the Bar; Strong Poison; The Critic; Magic Lantern; Listening Valley; Emma; Dragon Seed; Crowthers of Bankdam; The Rat Trap; The Vortex; Fallen Angels; The Spanish House; O the Brave Music; The Light that Failed; Ghosts; The Antiquary; The Knightes Tale; Luria; The Best of Hazlitt; Pericles; The Rivals; Hamlet [again]; Antony and Cleopatra [again]; Knightes Tale [again]; Julius Caesar; Merchant of Venice; The Critic; The Rivals; Cymbeline; Adventures of a Young Soldier in Search of a Better World; The Nine Tailors; The Conquered; The Professor; Peter Abelard; Then They Pulled Down the Blind; The Unpleasantness at the Bellona Club; Portrait of a Man with Red Hair; Winnie-the-Pooh; The House at Pooh Corner; Mrs Parkinson; Adele and Co; Frossia; Cluny Brown; Four Gardens; The World is Square; Being Met Together; Best Sporting Stories; Selected stories by Q; And Five were Foolish; Campaspe; Endimion [by Lyly]; Midas; Dr Faustus [again]; Twelfth Night; Mrs Warrent's Proffession [sic]; The Spanish Tragedy; The Jew of Malta; Galathea; Tambourlaine; Sun is my Undoing; By Greta Bridge; Utopia; England, their England; The Art of Poetry; Old Wives Tale; The Reader is Warned; Long, Long Ago; Friar Bacon & Friar Bungay; James IV of Scotland; The Handsome Langleys; The Dog Beneath the Skin; Death Comes for the Archbishop; The Island of Youth; I'll Say She Does; The Forsyte Saga; In Youth is Pleasure; On Forsyte Change; Genesis to Nehemiah.'
Century: 1900-1945 Reader/Listener/Group: Hilary Spalding Print: Book
'Went to hear Mr and Mrs Wigan read Tennyson and "the Rivals" at Apsley House'.
Century: 1850-1899 Reader/Listener/Group: Mr and Mrs Wigan Print: BookManuscript: Unknown
[transcribed in what appears to be Lady Caroline's hand]: 'With modest sidelong look and downcase glance / Behold the well matched couple now advance / His hand held hers. The other grasped her hip[...]'
Unknown
Century: 1800-1849 Reader/Listener/Group: Lady Caroline Lamb
'Our syllabus was large, covering at least twelve set books: two plays of Shakespeare's, two volumes of Milton and two of Keats; Chaucer, Sheridan, Lamb, Scott's "Old Mortality" and the first book of "The Golden Treasury", with its marvellous pickings of Coleridge, Shelly, Byron and, especially, Wordsworth, which excited me, at that age, more than any other poetry written.'
Century: 1900-1945 Reader/Listener/Group: Norman Nicholson Print: Book
'Finished Sheridan's "Life of Swift"....'
Century: 1700-1799 Reader/Listener/Group: Thomas Green Print: Book
'Finished the 'Novel of "Nourjahad" in the evening. Nothing, I think, can be more happily conceived for its purpose, than the plan of this little romance...'
Century: 1700-1799 Reader/Listener/Group: Thomas Green Print: Book
'I could not but smile, at the same time that I was offended, to observe Sheridan, in "The Life of Swift", which he afterwards published, attempting, in the writhings of his resentment, to depreciate Johnson, by characterising him as "A writer of gigantick fame in these days of little men"; that very Johnson whom he once so highly admired and venerated'.
Century: 1850-1899 Reader/Listener/Group: James Boswell Manuscript: Unknown
'Her [Mrs Sheridan's] novel, entitled "Memoirs of Miss Sydney Biddulph", contains an excellent moral, while it inculcates a future state of retribution; and what it teaches is impressed upon the mind by a series of as deep distress as can affect humanity, in the amiable and pious heroine who goes to her grave unrelieved, but resigned, and full of hope of "heaven's mercy". Johnson paid her this high compliment upon it: "I know not, Madam, that you have a right, upon moral principles, to make your readers suffer so much".'
Century: 1850-1899 Reader/Listener/Group: James Boswell Print: Book
'Her [Mrs Sheridan's] novel, entitled "Memoirs of Miss Sydney Biddulph", contains an excellent moral, while it inculcates a future state of retribution; and what it teaches is impressed upon the mind by a series of as deep distress as can affect humanty, in the amiable and pious heroine who goes to her grave unrelieved, but resgned, and full of hope of "heaven's mercy". Johnson paid her this high compliment upon it: "I know not, Madam, that you have a right, upon moral principles, to make your readers suffer so much".'
Century: 1850-1899 Reader/Listener/Group: Samuel Johnson Print: Book
'Before dinner Dr. Johnson seized upon Mr. Charles Sheridan's "Account of the late Revolution in Sweden", and seemed to read it ravenously, as if he devoured it, which was to all appearance his method of studying. "He knows how to read better than any one (said Mrs. Knowles;) he gets at the substance of a book directly; he tears out the heart of it". He kept it wrapt up in the tablecloth in his lap during the time of dinner, from an avidity to have one entertainment in readiness when he should have finished another; resembling (if I may use so coarse a simile) a dog who holds a bone in his paws in reserve, while he eats something else which has been thrown to him.'
Century: 1700-1799 Reader/Listener/Group: Samuel Johnson Print: Book
'The Characters in the modern Comedies of Puff, Snake & Spatter are quite new, & peculiar to this age I think; it is to Novels & Dramatic Representations that one owes the History of Manners certainly, yet those which give one nothing else are paltry performances: witness Tom Jones and the Clandestine Marriage, yet they are the best in their kind acording to my Notion'.
Century: 1700-1799 Reader/Listener/Group: Hester Lynch Thrale Print: Book
'The Characters in the modern Comedies of Puff, Snake & Spatter are quite new, & peculiar to this age I think; it is to Novels & Dramatic Representations that one owes the History of Manners certainly, yet those which give one nothing else are paltry performances: witness Tom Jones and the Clandestine Marriage, yet they are the best in their kind acording to my Notion'.
Century: 1700-1799 Reader/Listener/Group: Hester Lynch Thrale Print: Book
'Was pleased with Harry. This evening he read a scene with me from the School for Scandal & showed a good deal understanding'
Century: 1850-1899 Reader/Listener/Group: Harry Castieau Print: Book
'Spent the evening reading with Harry & Sissy, both of these youngsters have some idea of dramatic reading & like very much to show off their capabilities. Sissy & I read a scene from the School for Scandal. Harry & I soared higher for we tried several Shaksperian (sic) pieces.'
Century: 1850-1899 Reader/Listener/Group: Castieau family Print: Book
Robert Southey to Grosvenor Charles Bedford, 25 September - 14 October, 1796: 'I have been reading Sidney Biddulph. Grosvenor what a mass of misery do prejudices occasion? the distress of many novels turns upon the discovery of incest — where is the crime if a brother & sister should marry unknowingly? or knowingly? — here again is a young woman must not marry the man she loves because he is a Bastard forsooth: the very reason says Mr Shandy why she should: & there was wisdom in all his systems.'
Century: 1700-1799 Reader/Listener/Group: Robert Southey Print: Book
'I begin to find like Joseph Surface that too good a character is inconvenient.'
Unknown
Century: 1800-1849 Reader/Listener/Group: Walter Scott
'I don't know what I have done to gain so much credit for generosity but I suspect I owe it to being supposed, as Puff says, one of "those whom Heaven has blessed with afluence."'
Unknown
Century: 1800-1849 Reader/Listener/Group: Walter Scott
From the Commonplace book of Mrs Austen of Ensbury: Transcription of 'By Mr B Sheridan Esq to his Wife'.
Unknown
Century: 1800-1849 / 1850-1899 Reader/Listener/Group: Catherine Austen
From the Commonplace book of Mrs Austen of Ensbury: Transcription of 'Verses by R. B. Sheridan Esq'
Unknown
Century: 1800-1849 / 1850-1899 Reader/Listener/Group: Catherine Austen
Thursday, 4 January 1827:
'After tea I broke off work and read my young folks the farce of The Critic and "merry folks were we."'
Century: 1800-1849 Reader/Listener/Group: Walter Scott Print: Book
'Whinfell, Upper Redlands Rd., 30. i. 32.
Alfred Rawlings in the Chair.
1. Minutes of last read and approved.
[...]
3. Howard Smith spoke to us of the social and literary sides of Sheridan's life.[...]
4. Reginald H. Robson followed with an account of Sheridan as Parliamentarian, telling us of
his thirty-two years in opposition to reactionary government, his aversion from bribery in a
corrupt age, and his conduct of the Hastings Impeachment. This last brought into remarkable
combination Sheridan's dramatic and rhetorical gifts; so that we quite fell beneath the spell,
accepting him as a heroic character, and were ready to condone, if not indeed even to
acclaim, his less creditable convivialities with the Prince Regent and Mrs.[or Mr.] Robson's
ancestors!
5. Francis E. Pollard then read a passage from Sheridan's speech on the devastation of
Oudh.[...]
6. We then listend to extracts from "The School for Scandal" starring Mrs. Robson as Lady
Teazle and C. E. Stansfield as Sir Peter. As is not unusual on such occasions the humours of
the play as devised by the author had to compete with other unrehearsed attractions — actors
borrowing books, adjusting their spectacles, turning two pages instead of one, and, perhaps
best of all, the pure milk of the expurgated editions looking a little sour at the strong wine of
the original text.
Be that as it may, ancestral portraits from the brush of Vandyke or Lely, Kneller or Rawlings
changed owners with the accustomed success: Mr. Robson* as Joseph Surface mad love to his
own wife as Lady Teazle[...].
* R.H.R. states that Gio. B. was Jos. Surface [Footnote is in MS]'
Century: 1900-1945 Reader/Listener/Group: Francis E. Pollard Print: Book
'Whinfell, Upper Redlands Rd., 30. i. 32.
Alfred Rawlings in the Chair.
1. Minutes of last read and approved.
[...]
3. Howard Smith spoke to us of the social and literary sides of Sheridan's life.[...]
4. Reginald H. Robson followed with an account of Sheridan as Parliamentarian, telling us of
his thirty-two years in opposition to reactionary government, his aversion from bribery in a
corrupt age, and his conduct of the Hastings Impeachment. This last brought into remarkable
combination Sheridan's dramatic and rhetorical gifts; so that we quite fell beneath the spell,
accepting him as a heroic character, and were ready to condone, if not indeed even to
acclaim, his less creditable convivialities with the Prince Regent and Mrs.[or Mr.] Robson's
ancestors!
5. Francis E. Pollard then read a passage from Sheridan's speech on the devastation of
Oudh.[...]
6. We then listend to extracts from "The School for Scandal" starring Mrs. Robson as Lady
Teazle and C. E. Stansfield as Sir Peter. As is not unusual on such occasions the humours of
the play as devised by the author had to compete with other unrehearsed attractions — actors
borrowing books, adjusting their spectacles, turning two pages instead of one, and, perhaps
best of all, the pure milk of the expurgated editions looking a little sour at the strong wine of
the original text.
Be that as it may, ancestral portraits from the brush of Vandyke or Lely, Kneller or Rawlings
changed owners with the accustomed success: Mr. Robson* as Joseph Surface mad love to his
own wife as Lady Teazle[...].
* R.H.R. states that Gio. B. was Jos. Surface [Footnote is in MS]'
Century: 1900-1945 Reader/Listener/Group: Mary E. Robson Print: Book
'Whinfell, Upper Redlands Rd., 30. i. 32.
Alfred Rawlings in the Chair.
1. Minutes of last read and approved.
[...]
3. Howard Smith spoke to us of the social and literary sides of Sheridan's life.[...]
4. Reginald H. Robson followed with an account of Sheridan as Parliamentarian, telling us of
his thirty-two years in opposition to reactionary government, his aversion from bribery in a
corrupt age, and his conduct of the Hastings Impeachment. This last brought into remarkable
combination Sheridan's dramatic and rhetorical gifts; so that we quite fell beneath the spell,
accepting him as a heroic character, and were ready to condone, if not indeed even to
acclaim, his less creditable convivialities with the Prince Regent and Mrs.[or Mr.] Robson's
ancestors!
5. Francis E. Pollard then read a passage from Sheridan's speech on the devastation of
Oudh.[...]
6. We then listend to extracts from "The School for Scandal" starring Mrs. Robson as Lady
Teazle and C. E. Stansfield as Sir Peter. As is not unusual on such occasions the humours of
the play as devised by the author had to compete with other unrehearsed attractions — actors
borrowing books, adjusting their spectacles, turning two pages instead of one, and, perhaps
best of all, the pure milk of the expurgated editions looking a little sour at the strong wine of
the original text.
Be that as it may, ancestral portraits from the brush of Vandyke or Lely, Kneller or Rawlings
changed owners with the accustomed success: Mr. Robson* as Joseph Surface mad love to his
own wife as Lady Teazle[...].
* R.H.R. states that Gio. B. was Jos. Surface [Footnote is in MS]'
Century: 1900-1945 Reader/Listener/Group: Charles E. Stansfield Print: Book
'Whinfell, Upper Redlands Rd., 30. i. 32.
Alfred Rawlings in the Chair.
1. Minutes of last read and approved.
[...]
3. Howard Smith spoke to us of the social and literary sides of Sheridan's life.[...]
4. Reginald H. Robson followed with an account of Sheridan as Parliamentarian, telling us of
his thirty-two years in opposition to reactionary government, his aversion from bribery in a
corrupt age, and his conduct of the Hastings Impeachment. This last brought into remarkable
combination Sheridan's dramatic and rhetorical gifts; so that we quite fell beneath the spell,
accepting him as a heroic character, and were ready to condone, if not indeed even to
acclaim, his less creditable convivialities with the Prince Regent and Mrs.[or Mr.] Robson's
ancestors!
5. Francis E. Pollard then read a passage from Sheridan's speech on the devastation of
Oudh.[...]
6. We then listend to extracts from "The School for Scandal" starring Mrs. Robson as Lady
Teazle and C. E. Stansfield as Sir Peter. As is not unusual on such occasions the humours of
the play as devised by the author had to compete with other unrehearsed attractions — actors
borrowing books, adjusting their spectacles, turning two pages instead of one, and, perhaps
best of all, the pure milk of the expurgated editions looking a little sour at the strong wine of
the original text.
Be that as it may, ancestral portraits from the brush of Vandyke or Lely, Kneller or Rawlings
changed owners with the accustomed success: Mr. Robson* as Joseph Surface mad love to his
own wife as Lady Teazle[...].
* R.H.R. states that Gio. B. was Jos. Surface [Footnote is in MS]'
Century: 1900-1945 Reader/Listener/Group: Reginald H. Robson Print: Book
'Whinfell, Upper Redlands Rd., 30. i. 32.
Alfred Rawlings in the Chair.
1. Minutes of last read and approved.
[...]
3. Howard Smith spoke to us of the social and literary sides of Sheridan's life.[...]
4. Reginald H. Robson followed with an account of Sheridan as Parliamentarian, telling us of
his thirty-two years in opposition to reactionary government, his aversion from bribery in a
corrupt age, and his conduct of the Hastings Impeachment. This last brought into remarkable
combination Sheridan's dramatic and rhetorical gifts; so that we quite fell beneath the spell,
accepting him as a heroic character, and were ready to condone, if not indeed even to
acclaim, his less creditable convivialities with the Prince Regent and Mrs.[or Mr.] Robson's
ancestors!
5. Francis E. Pollard then read a passage from Sheridan's speech on the devastation of
Oudh.[...]
6. We then listend to extracts from "The School for Scandal" starring Mrs. Robson as Lady
Teazle and C. E. Stansfield as Sir Peter. As is not unusual on such occasions the humours of
the play as devised by the author had to compete with other unrehearsed attractions — actors
borrowing books, adjusting their spectacles, turning two pages instead of one, and, perhaps
best of all, the pure milk of the expurgated editions looking a little sour at the strong wine of
the original text.
Be that as it may, ancestral portraits from the brush of Vandyke or Lely, Kneller or Rawlings
changed owners with the accustomed success: Mr. Robson* as Joseph Surface mad love to his
own wife as Lady Teazle[...].
* R.H.R. states that Gio. B. was Jos. Surface [Footnote is in MS]'
Century: 1900-1945 Reader/Listener/Group: George Burrow Print: Book
'Whinfell, Upper Redlands Rd., 30. i. 32.
Alfred Rawlings in the Chair.
1. Minutes of last read and approved.
[...]
3. Howard Smith spoke to us of the social and literary sides of Sheridan's life.[...]
4. Reginald H. Robson followed with an account of Sheridan as Parliamentarian, telling us of
his thirty-two years in opposition to reactionary government, his aversion from bribery in a
corrupt age, and his conduct of the Hastings Impeachment. This last brought into remarkable
combination Sheridan's dramatic and rhetorical gifts; so that we quite fell beneath the spell,
accepting him as a heroic character, and were ready to condone, if not indeed even to
acclaim, his less creditable convivialities with the Prince Regent and Mrs.[or Mr.] Robson's
ancestors!
5. Francis E. Pollard then read a passage from Sheridan's speech on the devastation of
Oudh.[...]
6. We then listend to extracts from "The School for Scandal" starring Mrs. Robson as Lady
Teazle and C. E. Stansfield as Sir Peter. As is not unusual on such occasions the humours of
the play as devised by the author had to compete with other unrehearsed attractions — actors
borrowing books, adjusting their spectacles, turning two pages instead of one, and, perhaps
best of all, the pure milk of the expurgated editions looking a little sour at the strong wine of
the original text.
Be that as it may, ancestral portraits from the brush of Vandyke or Lely, Kneller or Rawlings
changed owners with the accustomed success: Mr. Robson* as Joseph Surface mad love to his
own wife as Lady Teazle[...].
* R.H.R. states that Gio. B. was Jos. Surface [Footnote is in MS]'
Century: 1900-1945 Reader/Listener/Group: Unidentified members of the XII Book Club Print: Book