Concert to open London conference

Robert Samuels is co-organiser of the conference ‘Silence, Absence and Ellipsis in Words and Music’ to be held at Senate House, London, from 7-10 August. To open the conference, a concert of specially-composed works will be presented at 7.30 p.m. on Wednesday 7 August in the Chancellor’s Hall. The concert is free and open to the public, and details are given here: Concert flyer

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Pomp, Pageantry and Parade, 27 July, BBC Radio 4

Helen Barlow can be heard on the BBC Radio 4 broadcast Pomp, Pageantry and Parade, for which she was a consultant, on Saturday morning, 27 July 2013. Presenter Courtney Pine looks at British military music, its development and functions, talks to serving Guards bandsmen and young musicians aspiring to a career in military bands, and considers whether the cost of present-day state ceremonial can be justified.

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Conference on Congregational Music

Byron Dueck (OU Music) will present alongside Suzel Reily (Queen’s University Belfast) at the first plenary session of the Christian Congregational Music Conference, to be held 1–3 August 2013 at Ripon College Cuddesdon. He will give a paper entitled ‘“Your own heart will make its own music”: Manitoban aboriginal gospel song, individuation, and the comforting community’.

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Film and Music

Ben Winters has just returned from Ottawa, Canada – where he gave a paper at the 5th annual conference of the IMS ‘Music and Media’ Study Group at Carleton University (‘Music on Small Screens’). His paper was entitled ‘Idolising the Score: Indiana Jones Hypertexts on the Small Screen.’

Later this week, he will also be appearing as part of the pre-conference activities prior to the 3rd annual conference of the RMA’s ‘Music and Philosophy’ Study Group at King’s College, London. Along with the Philosophy department’s Derek Matravers, Ben will be taking part a in discussion called ‘Music and Film’ organised by the London Aesthetics Forum. Details can be found here.

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OU itunesU channel presents World Music

This week the OU’s iTunes U channel is promoting a selection of its content on World Music.

Norma Waterson: English Folk Singing

The tracks on this album focus on English Folk singing, the traditions behind the songs, and the stories behind the traditions. Performances from folk singer Norma Waterson complete the fascinating journey through English folk heritage.

Inuit Throat Singing

The 6 tracks in this album focus on Tanya Tagaq, who describes the amazing art of throat singing and how her heritage and culture, carried in her heart forever, has driven her to continue with this unique tradition.

Indian Raga Music

The tracks in this album focus on three instruments – the tabla, the alap and the voice – all central to the existence of Raga. Each instrument is broken down into the individual sounds that make up the intricate compositions.

Voice of Indian Song

Traditional Indian singing is intoxicating – but what is it about singing, and listening to others sing, that makes it so significant? In this album, Sudokshina Chatterjee breaks down the unique Indian style, and explains the emotions and meaning behind the songs of her culture.

Italian Cantastorie

This album explores the tradition of the Cantastorie – the Italian Storyteller. Cantastorie Mauro Geraci explains the intricacies of the music, the paintings, the instruments and the drama of the performance.

Open Learn

Black British Jazz

This video looks at the history of jazz and how the story dates back as far as 1919, documenting how successive waves of black musicians have contributed to developing new and uniquely British sounds, as well as addressing the problematic issues surrounding race and cultural identity.

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Global Circulations of Jazz, Paris

Catherine Tackley is an invited speaker at a conference on the ‘Global Circulations of Jazz’ taking place on 27-28 June at the Musée du Quai Branly in Paris. The event is co-organized by the Centre Européen de Sociologieet de Science Politique (CESSP) and the Centre d’Etudes de l’Indeet de l’Asie du Sud (CEIAS) at the L’Ecole des Haute Etudes de Sciences Sociales. Catherine will give a paper on ‘Race, Identity and the Meaning of Jazz in Britain, 1935-1948′, presenting some of her recent research on Benny Carter, the West Indian Dance Orchestra and West Indian jazz musicians in Britain during and after World War Two (which will form a chapter in a forthcoming volume on Black Music in Britain). The conference is open to the general public.

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RMA Study Day: Twentieth-Century British Poets in Music

On Friday 28 June 2013 this interdisciplinary event at the University of Hull will bring together musicologists, literary scholars, postgraduate students and composers interested in the connections between poetry and music. The study day considers the transformation of referential words into musical sounds from a number of practical and theoretical perspectives, with a keynote lecture by Professor Stephen Banfield. The event ties in with related performances, competitions and workshops on 27th and 29th June, foregrounding music and creative writing generated in response to the poetry of D.H. Lawrence and Philip Larkin. The OU is represented by Fiona Richards, who is speaking on Australian composer, Peter Sculthorpe’s transformations of Lawrence’s words into music.

Programme RMA HULL

Continue reading

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Special issue of Black Music Research Journal featuring OU Music Research

Issue 33/1 of the Black Music Research Journal, a themed number exploring race and musical transmission in British jazz, has just been published. Edited by Jason Toynbee (OU Sociology) and Byron Dueck (OU Music), it features articles by researchers who worked together on the AHRC-funded ‘What is Black British Jazz?’ project based at the OU from 2009 to 2011.

The following articles are make up the issue:

  • ‘Race, History, and Black British Jazz’ by Jason Toynbee
  • ‘Audiences, Cosmopolitanism, and Inequality in Black British Jazz’ by Jason Toynbee and Linda Wilks
  • ‘Out But In: Between Discourse and Practice in a London
Jazz Quartet’ by Nathan C. Bakkum
  • ‘The Tomorrow’s Warriors Jam Sessions: Repertoires
of Transmission and Hospitality’ by Mark Doffman
  • ‘Jazz Endings, Aesthetic Discourse, and Musical Publics’ by Byron Dueck
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OU Music Academics at Cardiff Conference

The OU’s Music Department will be well-represented at the biennial conference on music in nineteenth-century Britain, to be held in Cardiff 24-27 June. Professor Trevor Herbert will speak on Military Music, Dr Helen Barlow on Listening Experiences, and Dr Rosemary Golding on the College of Organists. Three of our PhD students, Samantha Bassler, Andrew Cusworth and Martyn Strachan, will present on musical antiquarians, Welsh musical traditions and Sullivan’s music. The conference also includes a contribution from Dr Delia da Sousa Correa, from the OU English Department, who will speak on music in Daniel Deronda. Full details of the conference programme can be found here: http://www.cardiff.ac.uk/music/newsandevents/events/conferences/13MNCB/

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Atlantic Sounds Colloquium 2: Music, Heritage, Regeneration, Tourism; Falmouth, 14 June 2013

The programme for the second Atlantic Sounds Colloquium has now been launched. This event takes place at the National Maritime Museum in Falmouth, Cornwall, timed to coincide with Falmouth International Sea Shanty Festival, which takes place from 14-16 June 2013.

All events are open to the public and free to attend. For further information please email atlantic-sounds@open.ac.uk

10am-noon Remembering Maritime Music – oral history drop in session
  • Are you interested in maritime music?
  • Do you have memories of the maritime folk music revival since the 1960s?
  • Do you have views about the role music can play in maritime history and heritage?

If so, we’d like to talk to you! Please drop in any time during the morning, no need to book.

2pm Music, Culture and Maritime Regeneration Panel Discussion – including David Prior, Associate Professor for Music and Sound Art, University of Falmouth and Richard Gates, Falmouth Town Manager
3pm Shanty Singing Panel Discussion – including representatives from the Wareham Whalers, Shake a Leg and the Exmouth Shantymen
4pm International Keynote Lecture – The Contribution of Liberian Kru Seamen to the Development of Early West/Central African Popular Music’ – Professor John Collins, University of Ghana and BAPMAF African Music Archives
5pm Atlantic Sounds Lecture – ‘Music and the Sea’ (illustrated with recordings) – Dr Catherine Tackley, principal investigator of the Atlantic Sounds project
6.30pm Why not stay around for the opening of the Falmouth International Sea Shanty Festival? We are delighted to be supporting the Festival by sponsoring a performance by Shake a Leg at Events Square, just outside the Museum, at 7pm.
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