''"My masters... in poetry, were Swinburne and Meredith among the living, Rossetti, Matthew Arnold and Robert Browning among the lately dead. To these I would add Edward Fitzgerald... In prose, the masters were Stendhal, Flaubert, Villiers del'Isle-Adam, Guy de Maupassant, Prosper Merimee and Walter Pater".'
Century: 1850-1899 / 1900-1945 Reader/Listener/Group: John Masefield Print: Book
Leon Edel, introducing vol 1 of Henry James's Letters: " ... [By the end of his life Henry James] had read Flaubert's general correspondence with the close attention of a craftsman seeking to discover how a fellow-artist lived and worked. He had read critically all of Stevenson's letters ..."
Century: 1850-1899 / 1900-1945 Reader/Listener/Group: Henry James Print: Book
'[Around 1912-13, when she began her association with Mrs Catherine Dawson Scott] Charlotte [Mew] [...] was reading Flaubert as always, Chekhov, Conrad and Verlaine'.
Century: 1900-1945 Reader/Listener/Group: Charlotte Mew Print: Book
'Absorbed as always in books, Willie read seriously in both French and German literature. His favourites in French were the "Maximes" of La Rochefoucauld, "La Princesse de Cleves" (which inspired his play "Caesar's Wife"), the tragedies of Racine, the novels of Voltaire, Stendhal's "Le Rouge et le Noir" and "La Chartreuse de Parme", Balzac's "Pere Goriot", Flaubert's "Madame Bovary", the works of Anatole France, the exotic tales of Pierre Loti and the well-crafted stories of Maupassant'.
Century: 1850-1899 Reader/Listener/Group: Somerset Maugham Print: Book
'I find I have no time for reading except times of fatigue when I wish merely to refresh myself. O − and I read over again for this purpose − Flaubert?s "Tentation de Saint Antoine":it struck me a good deal at first, but this second time it has fetched me immensely; I am but just done with it, so you will know the large proportion of salt to take with my present statement that it?s the finest thing I ever read! Of course, it isn?t that, it?s full of [italics] longueurs [end italics], and it is not quite ?red up?, as we say in Scotland, not quite articulate, but there are splendid things in it.'
Century: 1850-1899 Reader/Listener/Group: Robert Louis Stevenson Print: Book
'[...] you remind me a little of Flaubert, whose "Madame Bovary" I have just reread with respectful admiration.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
Sunday 17 December: 'I dined with Clive [Bell] to see Sickert the other night [15 December] [...] he [Sickert]'s chiselled, severe; has read: was reading Goldoni he said. & Flaubert's letters.'
Century: 1900-1945 Reader/Listener/Group: Walter Sickert Print: Book
Sunday 21 June 1936, during composition of The Years: 'A very strange, most remarkable summer [...] I am learning my craft in the most fierce conditions. Really reading Flaubert's letters I hear my own voice cry out Oh art! Patience. Find him consoling, admonishing.'
Century: 1900-1945 Reader/Listener/Group: Virginia Woolf Print: Book
'In the early thirties she had read a lot of French, starting with Stendhal: and a chunk of his "De l'amour", in the French, found its way into "To the North". In 1932 she was reading for the first time Flaubert's "L'education sentimentale", and told Lady Ottoline:
"What perfect writing, and what a clear powerful mind, and what a perfect picture of an enchantment he can produce. And what compass he has: this picture of colour and movement compared with the sad immobility of poor Bovary."
A few months later she began translating it'.
Century: 1900-1945 Reader/Listener/Group: Elizabeth Bowen Print: Book
'I doubt if you ought to call France & Flaubert "dry". "L’Education Sentimentale" ought to be read with ease. Ditto "Thais", & "La Rotisserie". Personally, though, I think France over-rated. You ought to read "Bubu de Montparnasse" of Charles Louis Philippe. This is a great little novel, one of the finest modern French novels. I think "Coeur simple" is the best thing Flaubert ever wrote, except his correspondence, which is his best work, & ought to be read. I tell you that Lytton Strachey’s "Eminent Victorians" is a most juicy & devastating affair, I thoroughly enjoyed it.'
Century: 1900-1945 Reader/Listener/Group: Arnold Bennett Print: Book
'I doubt if you ought to call France & Flaubert "dry". "L’Education Sentimentale" ought to be read with ease. Ditto "Thais", & "La Rotisserie". Personally, though, I think France over-rated. You ought to read "Bubu de Montparnasse" of Charles Louis Philippe. This is a great little novel, one of the finest modern French novels. I think "Coeur simple" is the best thing Flaubert ever wrote, except his correspondence, which is his best work, & ought to be read. I tell you that Lytton Strachey’s "Eminent Victorians" is a most juicy & devastating affair, I thoroughly enjoyed it.'
Century: 1900-1945 Reader/Listener/Group: Arnold Bennett Print: Book
Leonard Woolf to Lytton Strachey, 2 January 1903:
'I don't think my December list of books read equals yours. It includes however Bernard Shaw, Schopenhauer, Barry Pain, Browning, D'Aurevilly, Oscar Wilde, Flaubert, A Manual of Ethics & Shakespeare [...] I don't see how anyone, after reading Madame Bovary, can doubt which is the supremest of all novels -- though I now remember writing the same to you about Le Pere Goriot.'
Century: 1900-1945 Reader/Listener/Group: Leonard Woolf Print: Book
'The clerk who cashes my cheques at the bank is quite a bright, intelligent-looking boy. To-day I had a copy of [italics] Bouvard et Pecuchet [end italics]. He looked at it with curiosity then said "I expect you think I'm rude, looking like that. But I used to read a lot of those sorts of books once" "What sort of books?" "Oh, yellow books like that. I picked up a lot in a booksellers. But mine were much bigger than that" "What were they?" "Oh I don't remember their names or what they were about" "Do you remember the authors?" "Can't say I do. I seem to remember one was some sort of a Japanese story" "And they were in French?" "Oh yes, in French of course".'
Century: 1900-1945 Reader/Listener/Group: Antonia White Print: Book
Leonard Woolf to Lytton Strachey, 29 September 1907:
'I read Madame Bovary again as I went up to Hatton in the train last week to look after cattle disease. As I read it again, it seemed to me to be the saddest & most beautiful book I had ever read. Surely it is the beginning & end of realism [comments further].'
Century: 1900-1945 Reader/Listener/Group: Leonard Woolf Print: Book
Gone on with Comparetti Vergilio nel Medio Evo. Bourget’s Physiologie de l’Amour. [next unclear] Dumas Nouveaux Entr’actes. Ribot Maladies de la Volonté. In Flaubert’s Correspondance. Mercier Sanity and Insanity. Zola La fortune des Rougon. Son Excellence ER. Loti Roman d’un Enfant. Zola La Curée. Mme Bovary. Manresa (Spiritual Exercises of St Ignatius). Ribot. Hérédité Psychologique. Zola Nana. Bjornson. In God’s Way. Tolstoy Marchez pendant que vous avez la lumiere. In Mary Wilkins. Tolstoy Les fruits de la Science. Vacherot Science et conscience. Tolstoy. Ivan imbecile etc. Zola Au bonheur des Dames. Julius Caesar. In Numa Roumestan 2nd time. In Chartreuse de Parma 3rd time. Zola La Terre. Tolstoy & Bondareff. Le Travail. Ibsen Canard Sauvage & Rosmersholm. Goncourt Clairon. Meinhold Amber Witch. The Newcomes. Ibsen H. Gabler. Kingsley Alton Locke. Spencer etc Plea for Liberty. Arnold White Tries at Truth. Merimée Venus d’Ille & Ames du Purgatoire. [next unclear] Havelock Ellis The Criminal. Zola La Reine. Stevenson Cervennes. Maeterlinck Les Aveugles, L’Intruse. Maupassant Bel Ami. Fabre L’abbe Tigrane. Much Kipling – Meredith Beauchamp. Morris News from nowhere. Mill on the Floss.- Zola l’argent. Diderot Religieuse. Laveleye Luxe. Mary Marguerites. Spencer Ethics. Sand La Morceau Diable. La Petite Fadette. Guyau Morale sans obligation. In Hazlitt. Zola Pot Bouille. Balzac Paysans.
Century: 1850-1899 Reader/Listener/Group: Vernon Lee Print: Book
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
'In his copy of Vigny's "Chatterton" he marked the sentence, "En toi la reverie continuelle a tue l'action", and in Renan he marked a comment that the Celts knew how to plunge their hands into a man's entrails and bring out secrets of the infinite. What he always thought of as his Celtic strain would have been fascinated by "La Tentation de St Antoine", in which Flaubert meticulously describes the saint's visions of strange and dreadful beings. Owen read the book with care, underlining frequently. Tailhade had also marked it, writing "cretin!" against a criticism by the editor of the novel's "grands defauts". Evidently agreing with Tailhade, Owen went on to read at least two more of Flaubert's novels, "Madame Bovary" and "Salammbo". "Flaubert has my vote for novel-writing!", he exclaimed to Gunston in July 1915, and he told his mother that he was reading "Salammbo" "with more interest than the Communiques".'
Century: 1900-1945 Reader/Listener/Group: Wilfred Owen Print: Book
'In his copy of Vigny's "Chatterton" he marked the sentence, "En toi la reverie continuelle a tue l'action", and in Renan he marked a comment that the Celts knew how to plunge their hands into a man's entrails and bring out secrets of the infinite. What he always thought of as his Celtic strain would have been fascinated by "La Tentation de St Antoine", in which Flaubert meticulously describes the saint's visions of strange and dreadful beings. Owen read the book with care, underlining frequently. Tailhade had also marked it, writing "cretin!" against a criticism by the editor of the novel's "grands defauts". Evidently agreing with Tailhade, Owen went on to read at least two more of Flaubert's novels, "Madame Bovary" and "Salammbo". "Flaubert has my vote for novel-writing!", he exclaimed to Gunston in July 1915, and he told his mother that he was reading "Salammbo" "with more interest than the Communiques".'
Century: 1900-1945 Reader/Listener/Group: Wilfred Owen Print: Book
'In his copy of Vigny's "Chatterton" he marked the sentence, "En toi la reverie continuelle a tue l'action", and in Renan he marked a comment that the Celts knew how to plunge their hands into a man's entrails and bring out secrets of the infinite. What he always thought of as his Celtic strain would have been fascinated by "La Tentation de St Antoine", in which Flaubert meticulously describes the saint's visions of strange and dreadful beings. Owen read the book with care, underlining frequently. Tailhade had also marked it, writing "cretin!" against a criticism by the editor of the novel's "grands defauts". Evidently agreing with Tailhade, Owen went on to read at least two more of Flaubert's novels, "Madame Bovary" and "Salammbo". "Flaubert has my vote for novel-writing!", he exclaimed to Gunston in July 1915, and he told his mother that he was reading "Salammbo" "with more interest than the Communiques".'
Century: 1900-1945 Reader/Listener/Group: Wilfred Owen Print: Book
'Symonds has gone off to Italy with your Bouvard et Pecuchet, a most loathsome work.'
Century: 1850-1899 Reader/Listener/Group: Robert Louis Stevenson Print: Book
'Pearl's conversation was always full of references to the works of the French novelists of the period, so I proceeded to read books by Balzac, Stendhal, Flaubert, Anatole France and Colette. I had to read the Italian poets in translation. All this was a great joy to me, and, as I have said, a wonderful education.'
Century: 1850-1899 Reader/Listener/Group: Zoe Procter Print: Book
'At one time I knew entire pages of "Madame Bovary" by heart. But if "Madame Bovary" is a masterpiece "Salammbô" is close to a miracle. I well remember that when I was writing "[The]N[igger]of [the] N[arcissus]", "Salammbô" was my morning book.While taking coffee I would read a page or two at random--and there is hardly a page that isn't marvellous.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'At one time I knew entire pages of "Madame Bovary" by heart. But if "Madame Bovary" is a masterpiece "Salammbô" is close to a miracle. I well remember that when I was writing "[The]N[igger]of [the] N[arcissus]", "Salammbô" was my morning book.While taking coffee I would read a page or two at random--and there is hardly a page that isn't marvellous.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'You say [in Walpole's critical study "Joseph Conrad"(1916)] that I have been under the formative influence of "Madame Bovary". In fact I have read it only after finishing "A.[Almayer's] F.[Folly]" as I did all the other works of Flaubert; and anyway my Flaubert is the Flaubert of "St. Antoine" and "Ed[ucation] Sent[imentale]" and that only from the point of view of rendering of concrete things and visual impressions.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'At the foot of the bed was an oak "library table" [...]. There were several piles of books on it, W. W. Jacobs for light reading, de Maupassant, Flaubert, Galsworthy, Cunninghame Graham, various periodicals, and a book, which has always been a mystery to me, "Out of the Hurly Burly" by Max Ad[e]ler. In the window stood an arm chair of cherry wood, lacquered black, on which my father often sat to read for half an hour or so before "turning in".'
Century: 1900-1945 Reader/Listener/Group: Joseph Conrad Print: Book
'The first words of Conrad's first book ["Almayer's Folly"] were pencilled on the fly-leaves and margins of "Madame Bovary".'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'What really brought us [Ford and Conrad] together was a devotion to Flaubert and Maupassant. We discovered we both had Félicité , "St.-Julien l'Hospitalier", immense passages of "Madame Bovary", "La Nuit", "Ce Cochon de Morin" and immense passages of "Une Vie" by heart. Or so nearly by heart that what the one faltered over the other could take up.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'What really brought us [Ford and Conrad] together was a devotion to Flaubert and Maupassant. We discovered we both had Félicité, "St.-Julien l'Hospitalier", immense passages of "Madame Bovary", "La Nuit", "Ce Cochon de Morin" and immense passages of "Une Vie" by heart. Or so nearly by heart that what the one faltered over the other could take up.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
'The writer [Ford Madox Ford] never saw Conrad read any book of memoirs except those of Maxime Ducamp and the Correspondence of Flaubert; those we read daily together over a space of years. But somewhere in the past Conrad had read every imaginable and unimaginable volume of politician's memoirs, Mme de Campan, the Duc d'Audiffret Pasquier, Benjamin Constant, Karoline Bauer, Sir Horace Rumbold, Napoleon the Great, Napoleon III, Benjamin Franklin, Assheton Smith, Pitt, Chatham, Palmerston, Parnell,The late Queen Victoria, Dilke, Morley [...] There was no memoir of all these that he had missed or forgotten—down to "Il Principe" or the letters of Thomas Cromwell. He could sugddenly produce an incident from the life of Lord Shaftesbury and work it into "Nostromo" [...].'
Century: 1850-1899 / 1900-1945 Reader/Listener/Group: Joseph Conrad Print: Book
'From that time for ten years Conrad followed the sea. The deep sea, reading all sorts of books. Once an officer with quarters of his own he resumed his reading of French along with the English popular works. He read with the greatest veneration Flaubert and Maupassant; with less, Daudet and Gautier; with much less, Pierre Loti. Tormented with the curiosity of words, even at sea, on the margins of the French books he made notes for the translation of phrases. The writer has seen several of these old books of Conrad, notably an annotated copy of "Pêcheur d'Islande" — and of course the copy of "Madame Bovary" upon the endpapers and margins of which "Almayer's Folly" was begun.'
Century: 1850-1899 Reader/Listener/Group: Joseph Conrad Print: Book
