Available online
Media not available in the Digital Archive
You can view clips from this programme
Description
A workshop in which the Director, John Russell-Brown, examines something of the relationship, in Shakespeare's Henry IV, between Falstaff and Prince Hal.
A workshop in which the Director, John Russell-Brown, examines something of the relationship, in Shakespeare's Henry IV, between Falstaff and Prince Hal.
| Module code and title: | A361, Shakespeare |
|---|---|
| Item code: | A361; 01 |
| Recording date: | 1982-12-13 |
| Published: | 1982 |
| Rights Statement: | Rights owned or controlled by The Open University |
| Restrictions on use: | This material can be used in accordance with The Open University conditions of use. A link to the conditions can be found at the bottom of all OUDA web pages. |
| Duration: | 00:24:21 |
| + Show more... | |
| Producer: | David Hoyle |
| Contributors: | Cicely Palser Havely; John Russell-Brown; Michael Thomas; Timothy West; David Ryall; Miriam Karlin |
| Publisher: | Open University |
| Subject terms: | Falstaff, John, Sir (Fictitious character); Shakespeare, William, 1564-1616; Shakespeare, William, - 1564-1616 - Study and teaching; Henry IV, King of England, 1367-1413 - Drama |
| Footage description: | CHECK P AS C BEFORE RE-USE |
| Production number: | FOUA168J |
| Videofinder number: | 1899 |
| Available to public: | yes |
Related Archive Content
Cicely Havely, Lecturer in Literature, looks at a little known aspect of Charlotte ...Bronte's work: her drawings and paintings. From these strange and beautiful works we can get an insight into Charlotte's imagination which enhances our understanding of her writing. From childhood her imagination fed on woodcuts and engravings which came her way. In her writing we find her creating word pictures often similar in detail and feeling. Cicely Havely looks at works by Bewick and John Martin which Char
This programme explores the problematic relationship between event, text and perfor...mance in Shakespeare's Henry V. The programme also focusses on the way war, and images of war, are presented on stage and on film, and is in five main sections: the background and influences og Olivier's film HenryV; re-enacting the battle of Agincourt in the present day; likely expectations and experiences of an audience in 1600; difficulties experienced in staging Henry V from 1600 into the twentieth century; th
This first programme on "Hamlet" takes just two scenes from the play and shows how ...academic interpretation can take on dramatic life in actual performance. The first scene is the meeting of Hamlet and Ophelia in Act II scene i ("Get thee to a nunnery.") and is introduced by Cicely Havely, Lecturer in Literature. The scene is played in two contrasting ways, hinging on how one interprets the relationship between the two lovers. The second scene, introduced by Brian Stone, Reader in Literature, is
