Blaenau Gwent arts project celebration event

Aspiring Poets, musicians and artists from across Blaenau Gwent got together over video last month in a cultural celebration of their area, history and people.

The group are part of BG REACH (Blaenau Gwent Residents Engaging in Arts, Culture and Heritage) a celebration of the heritage, history and people of Blaenau Gwent past and present, led by Dr. Richard Marsden, Senior Lecturer and Staff Tutor in History. The group met for the first time in February 2020 at creative workshops in Aberbeeg. The pandemic cut short face-to-face sessions, but the group kept in touch over video and carried on working together.

‘Back then we didn’t anticipate the imminent challenges to come in the form of severe flooding and then a global pandemic,’ explains Sarah Roberts, the OU in Wales’ partnerships coordinator for south-east Wales. ‘But by working together and mainly down to the commitment and passion of people within the Aberbeeg community group, here we are today to share and celebrate some of the creative work that’s been happening during these challenging times.’

During the online celebration, the group shared a music project, poems, art and photography with each other and the Open University academics who had worked with them. Linc Cymru Housing Association staff, who also supported the project, were among the attendees alongside family and friends. Cynefin2, a video created and recorded remotely by the group during the pandemic which celebrates in words and music the beauty of the area, was also premiered during the event.

The BG REACH team hope to keep gathering more creative work which celebrates heritage in Blaenau Gwent. This can include photography, creative writing, artwork, or music which will be shown in an exhibition in 2021. If you live in the area and interested in sharing your work email to find out more.

New online resource on UK peace activism in the Cold War

On 21 November a new online resource for exploring the British peace movement during the height of the Cold War was launched, developed by our own Dr Luc-André Brunet. This resource, entitled ‘Peace Activism in the UK during the Cold War’, is a collaboration between The Open University and the Peace and Security project at LSE IDEAS, of which Dr Brunet is Co-Director. You can explore it here.

This online resource features newly digitised documents from the collection of the Campaign for Nuclear Disarmament (CND), housed at LSE Library, providing new insights into different aspects of the British peace movement in the 1980s. These are complemented with video commentary by activists, policymakers, and academics. Organised around six themes, the resource enables students, researchers, current activists, and members of the public to reassess peace activism in the Cold War and to draw lessons that can be applied to the international situation today.

The resource was launched with a public event at LSE on 22 November, featuring Dr Brunet, CND General Secretary Kate Hudson, and Sam Dudin from the Royal United Services Institute (RUSI). Event details can be found here.

John Slight interviewed about the history of Thomas Cook

Dr. John Slight, Lecturer in Imperial and Global History, has been interviewed by Agence France Presse, Al-Hakam Weekly newspaper, BBC Radio Nottingham, Northampton, West Midlands, Coventry and Warwickshire, and Three Counties, about the history of Thomas Cook, especially its involvement with the Hajj pilgrimage from colonial India to Mecca in the nineteenth century. Slight’s research has also been featured in an article by Carolein Roelants, one of the most influential commentators on the Middle East in the Netherlands.

The OU at 50: Emeritus Professor Anne Laurence on History at the OU

I joined the OU in 1976 straight from doing my DPhil at Oxford, having been an undergraduate at York (the university was only six years old when I joined, as was the Open University when I joined that). The History Department, led by Professor Arthur Marwick, consisted of about seven central academics (based at Milton Keynes) and four staff tutors.

Arthur Marwick was a controversial figure in the historical profession but he had three outstanding qualities. First, he understood what good history was. Second, he was deeply committed to teaching good history and to ensuring that students learnt not just about historical periods but about the techniques of the historian—not something that was in the ‘60s and ‘70s widely taught except in rather dull historiography courses. Third, he was extremely loyal and supportive of the members of history department, keen to help younger scholars make their way, and taking pride in their successes.

By the time I joined the department, my colleagues were working on the remaining level 3 modules and contributing to the remake of the interdisciplinary level 1 module and level 2 modules. The faculty had a very limited number of modules: all students were expected to take the one level 1 module and both of the level 2 modules. The only specialisation was at level 3. There was an existing level 3 module on War and Society and, in production, two 30 credit modules, one on the Revolutions of 1848 and the other on English Urban History c.1560-1780.

The consequence of this arrangement was that virtually everyone worked on interdisciplinary modules, so we knew our colleagues (of whom there were not very many) in other departments. This had a huge benefit for us all in that we began to learn not just the subject matter but the methodologies of other disciplines. It was a terrific education for a young historian and, in my case, resulted in my working on buildings and material culture later in my career.

There was a great sense of excitement in producing modules because we were working in such unknown pedagogical territory and were learning how to teach at a distance as we went along. Arthur Marwick is credited with having invented the written tutorial, taking students through teaching material with separate readings and exercises to reinforce what students had learnt, an attempt to bridge the distance between tutor and student.

We were also experimenting with TV and radio. There was a department of the BBC which worked solely with the OU. The Arts Faculty (along with Science) made much more use of it than other faculties. We learned pretty quickly that televised lectures were not an effective way of teaching (a message that has still not reached colleagues in other universities). So each discipline in the faculty experimented in different ways: the philosophers decided that TV wasn’t for them and concentrated on radio. Our programmes had to be comprehensible to the general public as all our TV and radio were broadcast on the normal BBC television channels and radio stations. Historians concentrated on using TV for film history and discussing newsreels. In addition, both the modernists and the early modernists used it as a substitute for field trips to take students to places to which they probably couldn’t travel themselves. We walked viewers round towns and buildings to show them historical evidence on the ground. I worked with the same producers for a good many years filming sites in Britain, Ireland and France and taking students round ruins in fields, up sixteenth century towers and round the backs of palaces to show them how we could read not just the history of the place, but the social history of the time from this kind of evidence. One of the great perks was going on the recces for the filming, and having backdoor access to Versailles Palace, filming without visitors at 9 pm in the palace at Holyrood, and viewing parts of country houses not normally open at all to the public.

Another particular benefit for me was that Christopher Hill, Master of Balliol College, Oxford and the most celebrated seventeenth century historian in the country, came to work at the OU. It was agreed that he would not have to do the usual administration of a module team chair so I was appointed to see to that side of the work. As it turned out, I was also his chauffeur as he didn’t like driving and we lived near one another in Oxford. I had always admired his work but hadn’t known him when I was a postgraduate, even though we were at the same university. Over the three years he was at the OU I learnt so much more about Civil War England by chatting in the car—he talked about men I had written about in my DPhil thesis as if they were personal acquaintances. It was a wonderful education. He was also a considerable politician so I also learnt a good deal about how to get people to do what you want—which stood me in good stead later as both module chair and head of department.

It’s hard now, at a distance of 40 years, to summon up how exciting it was to work at the OU, the sense of experiment and the sense of reaching a huge body of people to whom university education had previously been inaccessible. I’m certain that this sense of mission was an important part of firing us on to try to teach better. The 1980s was a rather dismal period because, although the university was well funded, it was not well enough funded to appoint new staff and for about 10 years I was the youngest person in the department. In the 1990s we began to face much more seriously the challenges of the new technologies. Because of the need to make OU materials accessible to all students we couldn’t be at the cutting edge of teaching technologies: we had to wait for students to be able to receive BBC2 (unavailable in several parts of the country in the 1970s), then to acquire video players, then computers. I worked with IT colleagues to explore the possibilities of teaching on DVD in a non-linear fashion impossible with transmitted programmes or videotape. By the 2000s we were beginning to aquire a better understanding of these technologies. However, we lost a great deal when the OU BBC department was closed down as its producers had both pedagogic and subject expertise.

One constant in our history teaching, in all the different generations of modules I worked on, was the emphasis on trying to get students to read and understand primary sources and the ways in which historians use them. I even ventured on a rather ill-fated attempt to get history students to understand how to compile and use a spreadsheet. The new availability of online resources means that there has been a convergence of the experience of students in conventional universities with that of students at a distance. The idea of being able to have access at home to all the standard journal articles in the subject, something we now take for granted, was an impossible dream in the ‘70s, ‘80s and ‘90s.

Perhaps the greatest cost lay in the research careers of colleagues. Some colleagues managed to keep their research going, but the relentless timetable of module production and the demands of maintaining existing modules meant that a good many people’s research careers were slow to take off. In the early days there was no national assessment of research, so there was no external pressure, though we recruited people for their research expertise as well as for their apparent capacity to teach at a distance.

However, I count myself extraordinarily lucky to have worked at the OU during this period of experiment and innovation.

The OU at 50: Emeritus Professor Clive Emsley on History at the OU

I joined the Open University in 1970 straight from doing research in Cambridge.  I was the only Englishman in the department which had three Scots, all from Edinburgh: Professor Arthur Marwick; Christopher Harvie, a lecturer like me; and Neil Wynn, Arthur’s research student.

I wasn’t entirely sure what to expect, but the job seemed a bit of an adventure in as much as it was planned as a university that was going to teach at a distance and work alongside the BBC in preparing radio and television programmes to accompany the written material.  Arthur Marwick was a ‘character’ – he loved football, wine and women (I’m never entirely sure what the order of preference was) and he believed that he had the infallibility of a Pope.  But he had also thought deeply about the teaching of history and how it might be done at the OU.  When I went for my interview at the beginning of February 1970, he had written two units – the first ever teaching units produced, admittedly in draft but when I attended my first Faculty meeting everyone else seemed to be sitting round the table still wondering how they might write their material.

Equally important to the writing of the course were two members of the Institute of Educational Technology established at the OU and whose task it was to make us think about how to construct courses and how to make them guide students towards their degree.  Arthur was already well along this path, but it was stimulating to think of the aims and objectives of each course, each unit within the course and how they cross-referenced and linked together.  I don’t think that anyone who taught me at the University of York, where I was one of the first 150 undergraduates, good as they may have been (and several were excellent) ever considered these issues.  I felt completely thrown off guard in one of the first course teams for which I worked by being asked what I expected students to be able to do when they had read my units and the course as a whole, that they could not do before.  Most, if not all universities construct aims and objectives now, but in 1970 there were very few.

A lot of academics in other institutions were quite disparaging of the OU.  They considered that we spoon-fed the students.  Shortly after my appointment I was invited back to Cambridge for a formal dinner.  It was not my old college, but I was faced at High Table by a young Fellow historian who was clearly a critic of what the OU was doing.  After getting a smug earful from him, I couldn’t resist asking him what he expected someone to be able to do when they finished a History Degree at Cambridge.  He coughed, huffed and puffed, and finally came out with “I suppose they should be able to use a good library like the Cambridge University Library.”  Wow!

In addition, there were problems about what some people assumed our politics to be.  In 1972 we produced an interdisciplinary course called the Age of Revolutions.  A worried MP raised a question in the House of Commons about whether the Secretary for Education was aware that the Open University was recommending as a set book something written by a self-confessed Marxist, namely Eric Hobsbawm.  My colleague Chris Harvie was invited to the Commons on the strength of this. But Chris never forgave me because in the television programmes that accompanied the course, he shot a television programme in Oldham (at least I think it was Oldham) as he had written about the Industrial Revolution, whereas I got to travel to the United States and Paris as I had written about political revolutions.

In the early years the radio and television producers were members of course teams and, consequently the programmes were closely tied into the courses. The radio programmes were often there to get students to hear leading academics express their ideas and sometimes to argue with each other.  They also enabled young historians like me to meet and talk to these leading figures about their work; Edward Thompson, for example, who wrote The Making of the English Working Class – a book that had a profound influence on social history when I was an undergraduate and long after – gave me a wonderful 30-minute tutorial in a taxi from the studios at Alexandra Palace, and I stayed in touch.

The history television programmes were designed to take people to key areas and show sights that they probably would learn nothing of on a tourist trip – the traboules of old Lyon for example, covered ways between streets that enabled the city’s silk weavers to carry their precious woven cloth from their home on their master or the merchant without risk of rain damage.  In the French Revolution the same passageways were useful to counter-revolutionary murder gangs, and 150 years later during the Second World War they were used by members of the French Resistance to disappear from one street and emerge in another.  The TV programmes also enabled us to get students to think about film as an archival source, and when dealing with 20th-century issues to ensure that the film we employed was not just wallpaper but added to the issue under discussion.  It was sad to see this policy disappear as the BBC programme makers ceased to be course team members and went back to using film as wall-paper.  I recall a long and heated exchange when a director decided to cover an account of members of the German Army destroying French school-books in Alsace-Lorraine during 1940 with shots of Nazi Brown-shirts burning books in Berlin several years earlier.

Working with the BBC also opened up sources for us that we might otherwise have missed for our own research.  In the early 1990s while making a film about 19th-century Italy the director and I were talking with some officers of the Carabinieri who told us about their archive in Rome.  I manged to get the script doctored a little so that we could get into the archive and the corps museum, subsequently I was able to go back and do some serious research in the archive for a book that I had been thinking about doing on Gendarmerie-style policing in nineteenth-century Europe.  My problem when I organised my return to Rome was that the Carabinieri who ran the archive had no way of letting me pay for photocopying, but they hinted that they enjoyed a good malt whisky. I managed to get the whisky (technically under the heading photocopying) paid for out of my research grant – probably not something that you could do today and the Carabinieri have woken up to this and now the officers in charge insist on two copies of any publication that follows work in the archive, though I dare say that the bottle of single malt whisky still significantly aids the research.

In addition to the teaching units and the broadcasts, students were required to attend a one week summer school for some intensive teaching and seminar work.  Members of staff were required to do two weeks of summer school.  It was exhausting as many students sought to have a year’s worth of face-to-face teaching in six days – and some combined it with a year’s worth of partying.  But one statistic that we found interesting, at least in the History Exam Boards, was how a large number of students’ grades jumped upwards in the assignments that they did after the summer school.  I can understand why the summer schools have gone, but it is also a great loss.

I suspect that as you get older (and certainly in my case more curmudgeonly) the past has a rosy glow.  The requirement that every course be the same length is one example. I remember a directive giving precise lengths for units that were the same for History as for Maths, and I still cannot fathom this.  My best man at my wedding got a PhD in Maths at Cambridge and his thesis was about one third the size of the average History thesis.  One size does not fit all in teaching.

Arthur Marwick had individual meetings with us to find out how we were coping with the teaching, what research we were doing and how it was going, and if there was anything that we felt we needed for our work.  This was unofficial, but then came the annual appraisal which had to be signed off by the Dean and forwarded up to others not in the faculty.  The more formal annual appraisals always had a box at the end saying what would help improve your performance and that your request would be answered and acted upon.  A couple of bloody-minded individuals that I used to appraise with this form always used to write something in that box, but we never received any response.

Much of the above has shown my annoyance at the way things have developed – but it is not only the Open University where the box-ticking has become ridiculous.   Things have to change given new technologies and I am full of admiration for the material that the historians at the OU produce and the ways in which they do it.  I used to think that I had the best job in the world – I hope that they do now.

Annika Mombauer features in BBC Two’s WW1: The Final Hours

On 8 November 1918, an Englishman, a Frenchman and a German gathered in secret, on a train carriage in a forest near Paris. Their meeting would last for three days. Its aim: bring peace to Europe, and an end to four long years of brutal and deadly war. One hundred years after the end of the First World War, this new 60-minute documentary uncovers the extraordinary events leading up to the Armistice negotiations, and the repercussions that would ripple across the continent, and throughout the 20th century. Now, leading historians including our Professor of European History, Annika Mombauer, have examined the meeting from the perspectives of the three key players on the train, as well as the people who sent them there. Each had the weight of their nation on their shoulders. Admiral Rosslyn Wemyss joined the Navy at just 13, and grew up to be the commander of the most powerful navy on earth. Britain had ruled the waves for over 100 years, and Wemyss has been sent to the meeting with one objective; keep it that way. He had to make sure that the negotiations not only gave Britain the upper hand at sea, but ensured that Germany never threaten Britain’s naval dominance again – whatever the cost. Marshall Ferdinand Foch was in charge of the war on land. He had seen his beloved France decimated by a war of attrition which had cost millions of lives, on a front line which never moved more than a few miles. He was single-minded and unapologetic in his aim: dismantle Germany and prevent them from ever invading France again. German Matthias Erzberger was, unlike his French and British counterparts, not a military man, but a politician. Sent to negotiate for a nation on its knees, he had little room for manoeuvre, but still faced harsher terms than he had ever expected. While fighting his corner in the train carriage, events in Germany were unfolding faster than he could possibly imagine. This programme follows the meeting, and its consequences – not only for the individuals on the train, but the countries they represented. This is the story of the end of one World War, and the beginning of another.

The documentary airs on BBC Two on Thursday 8 November at 9pm.

New FREE OpenLearn course on The First World War: trauma and memory

The First World War was a war of unprecedented scale and brutality, with countless casualties. It also left a poisonous legacy for the twentieth century and beyond, and many of the issues that were left unresolved in 1918 would lead to another world war in 1939. 1914-1918 was a period in history that has proved provocative and culturally resonant for the last hundred years. In this free online course, The First World War: trauma and memory, you can study the subject of physical and mental trauma, its treatments and its representation. The focus is not only on the trauma experienced by combatants but also the effects of the First World War on civilian populations. Over three weeks, students will discover just how devastating the effects of the First World War were in terms of casualties across the many combatant nations, and look in depth at the problem of ‘shell shock’ and how deeply it affected the lives of those who lived through it. Students will also develop the skills to carry out your own independent research. However, the war was not only experienced on the battlefield. Students will explore the many and varied ways in which the war impacted on civilians, including the way combatant casualties affected the lives of loved ones who were left behind. Finally, students will look at how the trauma of the war has been depicted in art and literature, and see what has been learned from the past in the modern day treatment of combat stress reactions and post-traumatic stress disorder (PTSD). This course is aimed at anyone with an interest in the First World War. Some prior knowledge of the history involved may be helpful in understanding the context of some elements of the course, but is not necessary. By enrolling on the course students can track their progress and gain a Statement of Participation for completing the whole course. The course was written by Prof. Annika Mombauer and Dr. Vincent Trott.

Ancestor image of the Great War with bullets and a soil background.

Richard Marsden’s piece in The Conversation on Game of Thrones and visions of the Middle Ages

Dr. Richard Marsden, Lecturer and Staff Tutor in History, has published a piece in The Conversation on Game of Thrones: imagined world combines romantic and grotesque visions of Middle Ages.

The article explores how the hit fantasy-drama series draws on romantic and grotesque perceptions of the medieval period, arguing that while the series illuminates little about the past, it reveals much about how we imagine that past.

Luc-André Brunet’s article in The Globe and Mail

Dr Luc-André Brunet, Lecturer in History, has published an article in The Globe and Mail, Canada’s leading newspaper of record. Current Canadian Prime Minister Justin Trudeau has been facing opposition by environmental groups around his decision to extend an oil pipeline from Alberta to the Pacific Ocean. Dr Brunet draws on his research on peace activism in Canada in the 1980s – which was directed against then Prime Minister Pierre Trudeau, the father of Canada’s current leader – to discuss similarities between the two issues and what lessons can be drawn for today’s policymakers. You can read the article here: