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The Robert Minter Collection: A Handlist of Seventeenth- and Eighteenth-Century Trumpet Repertory

Trevor Herbert

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Number of records: 1044     Go to: [1]   1   2   3  4  5  6  7    [53]

IDCat NoComposerDateTitleInstrumentsSourceGenreNotes
21 A1021 ECCLES, J l17C Symphony 2 Trp. Timp. 2(?) Vln. Vla. Bass. Cont. Unspec. Symphony in 2 sections Originally on pp.96-102 of a bound volume. 
22 A1022 RIEPEL, J e18C Concerto in D Trp. 2 Corn. 2 Fl. 2(?)Vln. Vla. Bass. Cont. Unspec. (but see Addinf) Solo concerto for clarino trumpet The Trp. plays only in solo accompanied episodes and never in ripieno groupings. In 3 mvt. form: Allegro non troppo, Adagio, Presto. Source probably at US:Wc. 
23 A1023 MOZART, W A 1773 Divertimento No.6 K.188 (K.240b) 2 Fl. 5 Trp. Timp (4 in CGDA) 1880 Peters (W.A.M.188) 6 pieces forming a divertimento All 6 pieces are in C. 
24 A1024 ARNE, T m18C Trumpet Song Trp. Timp. 2 Ob. 2 Vln. Vl. Bass. Cont. Unspec. Acc. aria with obbligato Trp. and Timp. This trumpet song is from "The Prophetess". 
25 A1025 MANCINI, F 1705 Symphony and Aria Trp. Vln. Vla. Bass. Cont. I:Mc Ms Noseda G.10 Opera (part) "Gl' Amanti Generosi" The selections consist of: The Sinfonia, a staccato Adagio, Minuet.The aria forms scene XIII, "Empia stella nemica e rubella". 
26 A1026 ANTONII, P degli c1700 Aria "Date Lilia" Trp./Vln. Vlc. Bass. Cont. Unspec. Bass arias This work in Latin might be dedicated to one or more holy virgins or martyrs. Recitatives intersperse the 3 arias. 
27 A1027 KERN, J 1669 Sonata a 9 Trp. 2 Vln. 3 Vla. 3 Pos. CS:KRa. IV.49 Sonata with solo clarino A 3 mvt. sonata. The first mvt. alternates tempi. 
28 A1028 ALCOCK, J m18C Voluntaries Org. Unspec. Trumpet voluntaries in 2 parts. These voluntaries, Nos.1, 6 and 9, use special trumpet and echo stops. 
29 A1029 JACCHINI, G 1695 Sonata in D 2 Trp. 2 Vln. Vla. Vlc. Pos. Bass. Cont. I:Bsp. D.12.7 Sonata in 9 parts A full score transcription made by Minter in 14.2.81. 
30 A1030 COLONNA, G P 1776 Messa a 5 Voci 2 Trp. 5 part Str. Cont. A:Wn Cod.18940 Vocal mass Vocal parts scored: S S A T B. 2 Trp. used in "Dominus Deus, Rex coelestis" 
31 A1031 CALDARA, A 1729 Missa Clementiae Trp.solo. Str. Cont. A:Wn Cod.15899 Vocal mass Pos. are indicated to double Vla. 
32 A1032 FASCH, J F e18C Overture in D 3 Trp. Timp. 2 Corn. 2 Ob. Fag. Str. Cont. D:Dlb 2423 l n/28 Orchestral suite Brass and timp. tacet in Andante. 
33 A1033 FASCH, J F e18C Overture in D 3 Trp. Timp. 2 Corn. 2 Ob. Fag. Str. Cont. D:Dlb 2423 l N/40 Orchestral Suite Traverse Fl. in place of Ob. in the Air. 
34 A1034 J M F [sic.] e18C Concerto a 6 Trp. Vln. Str. Cont. D:ROmi XVIII. 66. 38 [Ex Bibliotheca Academiae Rostockiensis DDR] Concerto The Vln. is marked concertino. 
35 A1035 ZELENKA, G D c1700 Laudate Pueri Trp. Ten.solo. Str. Cont. D:Dlb Mus.2358 l D/67 Motet This is in full score. 
36 A1036 PEZEL, J l17C "Singet dem Herrn ein neues Leid" 2 Trp. Timp. Fg. Str. Cont. Bds.Ms.16900, No.8 Motet Following this in ms. is a Cantata for the XIII after Trinity No.1684 "Meine Seufzer, Meine Klagen". SdH opens with an instrumental sonata. See A3011. 
37 A1037 COLONNA, G P 1679 Beatus Vir 9 voci. Trp. Str. Cont. A:Wn 15.543 Cantata - motet This is for double choir and solo soprano, bass. This should be classed as a motet. 
38 A1038 COLONNA, G P l17C Confitebor SSAB, AB soli. Trp. Str. Cont. A:Wn Cod. [18824] Cantata - motet This is in D major (F sharp only as key-signature). Trp. tacet in 2nd [B minor] section of opening mvt. It has arioso recitative (secco). 
39 A1039 COLONNA, G F 1676 Laudate Pueri SATB, Trp. Str. Cont. A:Wn Cod.15543 Motet Refer to A1035 for another LP. There is detailed figuring of bass in the second section with its suspensions and sequences. 
40 A1040 COLONNA, G P 1688 Motetto a 5 voci SSATB, Trp. Str. Cont. A:Wn Cod. 16781 Motet Given in full score i.e. senza parti in ms. The opening line reads:"Plectra lyras [? voces], plaudite, canite, promite ad sideras". 
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