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The final programme in the series of four about television fiction, Politics of Drama, begins with the argument that all television output is political before going on to question why some kinds of... drama - plays with left-wing views - have attracted this label. In a discussion at the I.C.A. playwright Trevor Griffiths and director Ken Loach raise issues about progressive drama and the institutional constraints on its production. The programme is divided into four sections, with clips from the following dramas. 1) What are the advantages and limitations of naturalistic drama? (Cathy Come Home, Z Cars). 2) What does progressive realism mean and how does the critique of realism in the course reader apply to it? (Days Of Hope, The Cheviot, The Stag And The Black, Black Oil). 3) How does the single play slot construct alternative or art drama? (Vote, Vote, Vote For Nigel Barton, The Parachute, Country). 4) What are the potentialities of popular drama - series and serials? (Bill Brand, Angels, Rock Follies). The programme contains interviews with Trevor Griffifths, Ken Loach, and John McGrath (author of The Cheviot, The Stag And The Black, Black Oil and Artistic Director of the 7:84 Theatre Company), as well as the producer and script editor of Angels. Descriptions of the extracts, television listings, and questions for discussion are contained in the broadcast notes.
The final programme in the series of four about television fiction, Politics of Drama, begins with the argument that all television output is political before going on to question why some kinds of... drama - plays with left-wing views - have attracted this label. In a discussion at the I.C.A. playwright Trevor Griffiths and director Ken Loach raise issues about progressive drama and the institutional constraints on its production. The programme is divided into four sections, with clips from the following dramas. 1) What are the advantages and limitations of naturalistic drama? (Cathy Come Home, Z Cars). 2) What does progressive realism mean and how does the critique of realism in the course reader apply to it? (Days Of Hope, The Cheviot, The Stag And The Black, Black Oil). 3) How does the single play slot construct alternative or art drama? (Vote, Vote, Vote For Nigel Barton, The Parachute, Country). 4) What are the potentialities of popular drama - series and serials? (Bill Brand, Angels, Rock Follies). The programme contains interviews with Trevor Griffifths, Ken Loach, and John McGrath (author of The Cheviot, The Stag And The Black, Black Oil and Artistic Director of the 7:84 Theatre Company), as well as the producer and script editor of Angels. Descriptions of the extracts, television listings, and questions for discussion are contained in the broadcast notes.
| Module code and title: | U203, Popular culture |
|---|---|
| Item code: | U203; 08 |
| First transmission date: | 19-06-1982 |
| Published: | 1982 |
| Rights Statement: | |
| Restrictions on use: | |
| Duration: | 00:49:17 |
| + Show more... | |
| Producer: | Susan Boyd-Bowman |
| Contributors: | Tony Holland; Ken Loach; John McGrath; Julia Smith; Janet Woollacott; Trevor Griffiths |
| Publisher: | BBC Open University |
| Keyword(s): | Art television; Convention; Naturalistic drama; Progressive realism |
| Master spool number: | 6HT/73900 |
| Production number: | FOUP087A |
| Videofinder number: | 1229 |
| Available to public: | no |
