Available online
Description
Paul Griffiths considers the musical trends between the first and second World Wards, and reaches the conclusion that Neoclassicism in various guises was the most important influence on composers o...f the period. He illustrates the talk with music by Stravinsky, Schoenberg, Poulenc, Roussel, Weill, Bartok, Berg, Honegger, Varese, and Messiaen.
Paul Griffiths considers the musical trends between the first and second World Wards, and reaches the conclusion that Neoclassicism in various guises was the most important influence on composers o...f the period. He illustrates the talk with music by Stravinsky, Schoenberg, Poulenc, Roussel, Weill, Bartok, Berg, Honegger, Varese, and Messiaen.
| Module code and title: | A308, The rise of modernism in music 1890-1935 |
|---|---|
| Item code: | A308; 11 |
| Recording date: | 1979-06-05 |
| First transmission date: | 27-07-1979 |
| Published: | 1979 |
| Rights Statement: | Rights owned or controlled by The Open University |
| Restrictions on use: | This material can be used in accordance with The Open University conditions of use. A link to the conditions can be found at the bottom of all OUDA web pages. |
| Duration: | 00:38:14 |
| Note: | Also on AC500B |
| + Show more... | |
| Producer: | Robert Philip |
| Contributor: | Paul Griffiths |
| Publisher: | BBC Open University |
| Keyword(s): | Bartok; Berg; Honegger; neoclassicism; Poulenc; Roussel; Schoenberg; Stravinsky; Varese; Weill |
| Master spool number: | TLN23950H344 |
| Production number: | TLN23950H344 |
| Available to public: | no |
