audio record
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Description
Nigel Blake discusses the nature and impact of Baudelaire's art criticism and looks into the meaning of the quality 'imagination' which the poet-critic advocated for modern artists. Who were the pa...inters whom Baudelaire found wanting and which ones did he admire . What light does his singling out of the draughtsman Constantin Guys throw in Baudelaire's concepts of 'imagination' and 'modern life'. In his poetry we find examples of Baudelaire's interest in artificiality, 'correspondences' and a sense of beauty in what might appear ugly. Nigel Blake shows how these complex elements that contribute to Baudelaire's criticism and poetry can be seen as having much in common with works by Manet - for example the seemingly contradictory Victorine Meurend in a Matador's costume of 1852 , and why painters like Ingres, Delacroix and Courbet did not win Baudelaire's approval.
Metadata describing this Open University audio programme
Module code and title: A315, Modern art and modernism: Manet to Pollock
Item code: A315; 03
Recording date: 1983-02-14
First transmission date: 1983-02-27
Published: 1983
Rights Statement: Rights owned or controlled by The Open University
Restrictions on use: This material can be used in accordance with The Open University conditions of use. A link to the conditions can be found at the bottom of all OUDA web pages.
Duration: 00:16:42
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Producer: Nick Levinson
Contributor: Richard Derrington
Publisher: BBC Open University
Keyword(s): France; Poet
Master spool number: 952H563
Production number: 952H563
Available to public: no