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Description
This programme is split into 2 sections. In the first Dr Barsham explains how to write cadences. The terms root position and first inversion are explained. In the second part of the programme Ian G...raham-Jones discusses phasing and slurring when playing the recorder.
This programme is split into 2 sections. In the first Dr Barsham explains how to write cadences. The terms root position and first inversion are explained. In the second part of the programme Ian G...raham-Jones discusses phasing and slurring when playing the recorder.
| Module code and title: | A241, Elements of music |
|---|---|
| Item code: | A241; 02 |
| First transmission date: | 17-04-1977 |
| Published: | 1977 |
| Rights Statement: | |
| Restrictions on use: | |
| Duration: | 00:24:35 |
| + Show more... | |
| Producers: | David Seligman; Robert Philip |
| Contributors: | Dinah Barsham; Ian Graham-Jones; Bernard Thomas; Ross Winters |
| Publisher: | BBC Open University |
| Keyword(s): | Cadence; Music; Recorder; 'The ash grove' |
| Footage description: | Dr. Dinah Barsham introduces the programme, and gives examples of perfect and imperfect cadences. She plays through the first bars of "The Ash Grove", pointing out the cadences Dr. Barsham then explains how chords could be added to these cadences. She does this for the first perfect cadence. Dr. Barsham now writes the chords for the imperfect cadence and for the 2nd perfect cadence in the tune. Dr. Barsham alters the chords which were in root position, so that they are first inversions. Ian Graham-Jones, plays "Sommeil" on the recorder and explains how some notes need to be slurred. He demonstrates this by playing the "Ash Grove". The section ends with the recorder group extemporising a piece using the pentatonic scale. |
| Master spool number: | HOU3256 |
| Production number: | 6HT72384 |
| Videofinder number: | 3866 |
| Available to public: | no |
