History of the OU

The below is part of a posting written on an OU blog by Linda Anderson in 2018.

I fetched up at the OU in 2002, already a designer and deliverer of a successful distance learning writing course. Here’s what I knew. Distance learning widens participation in a dramatic way. It is a truly intimate form of shared learning. It empowers shyer people to have their say. Students benefit from a permanent record of feedback and discussions that they can return to as necessary. I also knew about the risk of quarrels that can blaze suddenly, leaving relationships in tatters. I knew on a deeply personal level about tutor burnout. I had been warned about it on the OU training course but had naively failed during the first couple of years to set limits to word counts or frequency of submissions to tutors. In the production of A215, I hope I kept in mind the tutors’ right to have a life.

I still remember how thrilled and challenged I felt by the job. At its core was a highly demanding form of teaching that had to be lucid and accessible as well as replete with lively, planned activities to both practise and test skills. But there was a cluster of other exciting elements: team management, peer review, editing, programme-making, interviewing famous writers, liaising with publishers internal and external, and ultimately, tutor training and supervision.

In the making of A215, what I wanted to import from the Lancaster model was the student-centred approach, to mix tutor-led online conferencing with occasional face-to-face day schools. I wanted students to try their hand at the three main genres of fiction, poetry, and life writing, finally being free to specialise in their chosen form or forms. The production team was a superb one, and despite our fair share of arguments and injured feelings, our work was relatively frictionless. The main authors were myself; Mary Hammond, an expert on publishing; Sara Haslam, a prime mover in the establishment of the ‘Start Writing’ series; W.N. Herbert, award-winning poet based at Newcastle University; and Derek Neale, who was steeped in the UEA writing culture both as an MA and PhD graduate and tutor for many years. Bob Owens, despite his workload as head of department and staff tutor in London, edited the Readings section of the Workbook. He and Shirley Coulson (course manager) contributed their extensive knowledge of how to navigate OU systems, a vital role in a team with so many new staff. Clare Spencer gave us an AL perspective.

I was surprised at how much teamwork kept us to a tight schedule while not curbing our creativity. Different colleagues often pushed the boundaries to create ambitious or unexpected elements, such as Sara Haslam’s recorded panel discussion by eminent biographers – Michael Holroyd, Blake Morrison, and Jackie Kay, chaired by Robert Fraser – a beautifully realised debate. Derek Neale included a range of innovative styles of biographical writing in the Workbook, showing how to mix fact and fiction. Within a couple of years we had an array of audio CDs, a study guide, and a 600 plus page book, Creative Writing: A Workbook with Readings, co-published with Routledge.

The course launched in 2006 with approximately 2500 students and gained the highest retention level in the University as well as high scores of student satisfaction. The Workbook was acclaimed and is still in wide use in other universities. Over a hundred ALs, most of them new to the OU, were trained and supported in online teaching. These successes remained consistent over eight years, so that 22,000 students had taken the course by the time I left in 2013. It was Maggie Butt, our first external examiner, who made what felt to me like the best tribute to the course: ‘You have managed the industrial scale without losing the personal touch.’

Creative Writing has gone from strength to strength. Derek Neale chaired A363: Advanced Creative Writing, which launched in 2008. Although I had some hand in the production, the course materials were largely written or produced by Derek Neale and Bill Greenwell. Derek designed a distinctive approach of experimenting with form. He aimed to deepen students’ engagement with fiction, poetry, and life writing while also introducing scriptwriting for various media. The core text A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice was co-published with A & C Black. When both courses were up and running, we were organising teaching and assessment of more than 3000 students annually with a very small course team.

Research developments

The PhD programme began in 2008. Of the four researchers I co-supervised with Derek Neale, two won internal scholarships against Faculty-wide competition and all gained their doctorates either shortly before or shortly after I retired. Three of their four novels have now been published and widely reviewed: The Longest Fight by Emily Bullock was named as ‘a fine addition to the canon of boxing literature’ in ‘The Independent’; Owl Song at Dawn by Emma Sweeney was shortlisted for the Amazon Rising Star Award in 2016; Heather Richardson’s Doubting Thomas was recently listed by ‘The Independent’ as one of the nine best Scottish fictions of 2017.

In the spring of 2012 I founded The Contemporary Cultures of Writing research group with my creative writing colleagues. I organised and chaired our first series of seminars at the Institute of English Studies, University of London on the theme of ‘The Rise of Creative Writing’ to coincide with just over forty years of Creative Writing in higher education in the UK. We explored the question of whether writing courses had a traceable and positive impact on literary culture. I found that eminent authors and academics like Maureen Freely, Andrew Cowan, and Alison MacLeod, were prepared to travel to London and speak for expenses only. (It’s a generosity that my colleagues have subsequently also been able to rely on.) The audiences were gratifyingly large, with about 25 people showing up to two events and a dozen for one on poetry. These series are still going strong and have given colleagues experience in event organisation and panel chairing as well as raising the public profile of the OU.

Linda Anderson worked as Reader in Creative Writing at The Open University from 2002 – 2013. She is a contributor to the short story anthology The Glass Shore, ed. Sinead Gleeson, which won the 2016 Irish Book of the Year Award. She is co-editor with Dawn Sherratt-Bado of the acclaimed anthology Female Lines: New Writing by Women from Northern Ireland (New Island 2017), described by Arts Council Head Damian Smyth as ‘one of the most important books to be published about Northern Ireland in half a century.’ Her novel Cuckoo, first published in 1986 by The Bodley Head, will be reissued in 2018 as a modern Irish classic by Turnpike Books.

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Source: https://www.open.ac.uk/blogs/english/on-establishing-creative-writing-programmes/

​In June 2024 Peter Keogh, Professor of Health and Society in the Faculty of Wellbeing, Education and Language Studies attended the graduation in Mountjoy Women’s Prison in Dublin of OU’s first female in Students in Secure Environments (SiSE) to graduate in Ireland.

He said:

“I was incredibly fortunate that the first SiSE graduation I attended after transferring to the OU in Ireland was for the OU’s first female graduate in Ireland. This was a huge achievement for the graduate herself but also for The Open University and the prison education staff.
“Talking to the graduate, I was struck by how little she made of the obstacles she faced studying in a secure environment. She expressed admiration for learners on the outside who juggle their learning with childcare and jobs. But the barriers she faced were all too real and included not only having to overcome the difficulties she faced in her own life but also having to fight entrenched norms against women prisoners learning, and significant technical and IT barriers.
“It was great to have an opportunity to discuss these things with a group of female prisoners who have been inspired to follow in her footsteps and study for qualifications with the OU. The SiSE team in Ireland deserve huge credit for supporting and facilitating all these amazing journeys. ”

“To me, these graduation events go to the heart of the OU’s mission in promoting equality and social justice through education. Never has the term ‘the university of the second chance’ been so appropriate.”

The event was also attended by John D’Arcy, Director of Ireland. He added:

“It was a privilege to attend this degree ceremony at Mountjoy Prison. I was so impressed by our new graduate’s commitment to her studies and how much she was inspiring other prisoners to undertake study. The commitment of the Irish Prison Service Staff and tutors from City of Dublin Education and Training Board with our SISE manager Tony Peoples is a model of good practice.”

On 22 January 2024 an Employment Tribunal found that Prof Jo Phoenix was discriminated against and harassed by her employer, the Open University, because of her gender critical beliefs. See here https://www.judiciary.uk/wp-content/uploads/2024/01/Joanna-Phoenix-v-The-Open-University-Employment-Tribunal-Reserved-Judgment.pdf Prof Phoenix also succeeded in her claim for constructive dismissal.

There are transcripts here: https://tribunaltweets.substack.com/p/professor-jo-phoenix-v-the-open-university

The Watford Employment Tribunal ruled that:
• Jo Phoenix holds protected gender critical beliefs, meaning that she believes that biological sex is real, that it matters, that it is not possible for someone to change their biological sex, and that biological sex should not be conflated with the gender identity.
• The OU directly discriminated against Prof Phoenix, treating her less favourably because of her gender critical beliefs.
• Prof Phoenix was harassed by her colleagues and by OU management in relation to her beliefs.
• Prof Phoenix was constructively dismissed by the OU.
• The OU victimised Prof Phoenix after she was dismissed.
Jo Phoenix was employed as an OU Prof of Criminology from 1 August 2016. In June 2021, she was one of those who established the Gender Critical Research Network at the OU, a research group focused on the importance of sexed bodies in different academic disciplines. 368 OU staff signed a public letter calling for the group to be disaffiliated from the OU. There were allegations of transphobia. Discrimination and harassment was experienced by Prof Phoenix and she left the OU on 2 December 2021. She issued a statement: https://jophoenix.substack.com/p/my-resignation-letter?r=mt0ab&utm_campaign=post&utm_medium=web&triedRedirect=true The OU issued a statement: https://openuniv.sharepoint.com/sites/oulife/Pages/Resignation-of-Professor-Jo-Phoenix-.aspx

Rulings from the judgement were:
• The complaints of direct discrimination because of the Claimant’s gender critical beliefs are well founded.
• The complaints of harassment related to the Claimant’s gender critical beliefs are well founded.
• The Claimant’s complaint of constructive unfair dismissal is well founded.
• The Claimant’s claim for wrongful dismissal is well founded.
• The Claimant’s claim for post employment victimisation is well founded.
• The Claimant’s claim for post employment harassment is well founded.
The case received considerable publicity. For example: https://www.theguardian.com/world/2024/jan/22/open-university-academic-wins-tribunal-case-over-gender-critical-views The VC issued a statement. https://openuniv.sharepoint.com/sites/oulife/Pages/OU-statement-on-employment-tribunal-ruling.aspx
Others commented, for example: https://sex-matters.org/posts/publications/learning-from-the-jo-phoenix-case/

In March 2024, Professor Phoenix announced that she had agreed a compensation settlement with the Open University. The amount to be paid was not disclosed. https://www.personneltoday.com/hr/open-university-agrees-settlement-in-gender-critical-belief-case-ou-phoenix/
The OU Council commissioned an independent review of the key issues raised in the ruling. See https://openuniv.sharepoint.com/sites/oulife/Pages/Independent-Review-Announcement–.aspx

Joan Bellamy, nee Shaw, 1926-2023, was an Open University tutor, Staff Tutor and between 1984 and 1990, Dean of Arts. She contributed to a number of courses, modules, including for A101, with Colin Cunningham, Tomorrow and Tomorrow and Tomorrow; The Roots of Western Society; Studying the Arts (1977) and for A102 she co-edited Culture – Production, consumption. She provided ‘Milton and marvell’ for A203 (1981) and for A205, Culture and Belief in Europe, 1450-1600: Royal and Religious Authority. The British Isles. (1996). She also wrote for the OU-focused journal Teaching at a Distance, notably in 1978, an article on ‘Special Support for Students with Academic Difficulties: Experiences in Yorkshire’ and, with John Purkis, Milton Study Guide.

The daughter of Hilda and Tom Shaw (a coal miner and Labour councillor) she grew up in West Yorkshire, read English at Leeds and in the 1940s worked full time for the Communist Party of GB. After her husband, Ron Bellamy, a Marxist economist at Leeds University, accepted a Senior Lectureship at the University of Ghana the couple spent 1963-66 in Ghana where Joan worked in the press office of President Kwame Nkrumah. After a coup ousted Nkrumah the couple returned to Leeds, where Ron became Dean of the Faculty of Economic and Social Studies, 1970-72 while in 1970 Joan (as Communist Parliamentary candidate for Leeds East) received 513 votes. Following the demise of the CPGB she joined one of its successors, her political position unchanged. In 1988, in a collection of essays entitled In search of Victorian values she assessed gender relations while Ron contributed a Marxian economic analysis. Having written for the journal of the South African Communist Party, The African Communist and Communist pamphlets (eg Homes, Jobs, Immigration: the Facts, 1968 and Unite against racism: defeat the immigration bill, 1971 and a ‘Bibliography on Africa’ for the Marx Memorial Library Bulletin (1971), Joan turned to literature. She edited, with fellow OU academics Anne Laurence and Gill Perry, Women, Scholarship and Criticism C. 1790-1900: Gender and Knowledge (2000) and wrote More precious than rubies: Mary Taylor, Friend of Charlotte Bronte, Strong Minded Woman (2002).

Her interest in empowering people and understanding democracy as a process pervaded her work at the OU and her wider contributions. In 1975 she wrote in the CPGB weekly Comment that to rely on the 1976 Race Relations Act was to ‘ignore the potential of the democratic participation of those most bitterly affected by discrimination, the black people themselves’. In 1992, for Labour History Review she contributed a piece on ‘The use of trade union banners in education’. She reported on how she had asked students to analyse trade union banners, her aim being ‘to illuminate the lives, values and culture of sections of the organised working class of the past’. When, in 2018 she offered, via the Guardian, a critique of the proposed developments of OU Vice Chancellor Peter Horrocks, it was in terms of a defence of the OU’s social democratic reputation. She opposed that which could ‘be the final hammer blows to the drawn-out process of demolishing one of Labour’s greatest achievements’. Having travelled to Iraq, Syria, Mongolia, Ghana and Moscow, she returned to the county of her birth and long retained an engagement with the Brontes and with women and Victorian fiction.

Degrees of Freedom: Prison Education at The Open University edited by Rod Earle & James Mehigan, Policy, 2019.

For half a century The Open University has provided higher education to those in prison. This book gives voice to ex-prisoners whose lives have been transformed by the education they received. It offers vivid personal testimonies, reflective vignettes and academic analysis of prison life and education in prison. It has chapters by both OU staff and former students.

‘The Open University and Prison Education in the UK – the first 50 years’, Incarceration, Journal of Prison Education and Reentry, 7, 1, 2021, (D Weinbren, J Mehigan, R Earle and A Pike).

Abstract: In 2019, The Open University (henceforth, The OU), based in Milton Keynes in the UK, celebrated its 50th anniversary. Since 1971 it has pioneered the delivery of Higher Education in prisons and other secure settings. Some 50 years on, in 2021 there is much to celebrate and still more to learn. In this article we briefly review the establishment of the OU in 1969 and explore how it has maintained access to higher education in the prison system. It draws from a collection of essays and reflections on prison learning experiences developed by OU academics and former and continuing OU students in prison (Earle & Mehigan, 2019). We begin by outlining the unique features of the OU and the circumstances of its establishment in the post-war period in the UK. We then present an account of its work with students in prison in the UK (and elsewhere) and conclude with some critical reflections on the place and prospects of higher education in an expanding Higher Education sector and an escalating preference for carceral punishment in the UK. No country on Earth can match the penal preferences of the United States, but the UK’s habit of slipstreaming behind its massive carceral bulk tends to obscure the fact that the UK punishes more people with imprisonment, and with longer sentences, than any other Western European state. It also manages to exceed the United States in rates of racial disproportionality in its carceral population (Phillips, 2013). Despite these outlier features in incarceration, a silver lining to the carceral cloud can be found in The OU’s pioneering work with imprisoned men and women.

Keywords: education, prison, prisoner, The Open University

The focus in this posting is on the final object of 50 in the series, the people at the heart of the OU, the learners.

← President Cath. No longer a duck, she fits the bill.

It was contributed by Cath Brown. She is well qualified to write about students. She been a student  (she has a BSc in Molecular Sciences (i.e. Chemistry) and a BSc Open (mainly physics, engineering and history) and she is currently studying Computing at the OU. In addition, she has been a STEM Faculty Representative on 2016-18 Central Executive Committee, has chaired an Students Association affiliated society (OU Alchemy) held various OUSA posts and moderated an online forum. Currently she is President of OUSA.

Philip Sully with then OU Chancellor Betty Boothroyd on the occasion of the naming of the building
(Source )

Visitors to the OU’s Milton Keynes campus will see buildings named after many illustrious figures – Perry and Horlock for the first and second Vice-Chancellors, Wilson and Jennie Lee for our political founders, and eminent scientists Alan Turing and Robert Hooke. But the Philip Sully building is the only one (to date) named after a student.

When the building was named in 2006, Philip had completed 61 modules, and his qualifications included two undergraduate degrees, a masters and a doctorate. I somehow doubt he has stopped studying since then – the signs of OU addiction are clear to see!

It’s good to be reminded, in this era in which education is too often seen as solely a means to an end, of the joy and the value of the pursuit of knowledge for its own sake. The Philip Sully building thus serves as a splendid symbol of lifelong learning.

Our 50th object – the building – is here standing for Philip, and by extension all OU students, without whom there would be no university. What have these students looked like over the years?

In the early days, there were a significant number of teachers who’d taken the accelerated post-war training, but were now in search of a degree.  These days, there’s still that teaching link – it’s a particularly popular career with OU graduates – but it’s often classroom assistants looking for the degree to embark on initial teacher training.

The OU was once christened the “university of the second chance”. Being told that university was “not for the likes of you” was all too common in days gone by; in 1950 only 3.4% of young people participated in higher education, and this was only up to 8.4% in 1970 and just 19.6% still in 1990.  So  the OU was the natural destination for many whose background had hitherto prevented them pursuing that degree.  Even if they had the formal qualifications for admission to a “brick” university, part-time or flexible courses at conventional institutions were unheard of, so for the employed aspiring graduate, the OU was almost the only game in town.

In the 21^st century, we are edging up to half of young people entering higher education (though who knows whether government proposals will knock that down again). So there are fewer of the “second chancers”. Today’s “typical” OU student (in so far as such a creature exists) is in their 20s, working, and aiming to improve or change their career. In a surprising move, a fifth of OU students are now studying at full time intensity.   Then we have the students with disabilities for whom the OU is a much more feasible and flexible option, and the students who are carers, who can only contemplate studying if they can fit it around the demands of their lives.  Many of these students are very time poor – fitting in study around family and work requires taking advantage of any free moment to keep up.  Back in the 70s and 80s, OU students rose early and stayed up late to catch their course TV programmes; the videos may be all online now, but just as many students are keeping those same hours to carve out some study time.

But the OU still has students from their teens to their nineties, and any broad assumptions about their motivations, their circumstances and their lives are pretty well destined to be wrong.

So are there still students like Philip around – learning for pure pleasure? Most certainly; the rumours of the death of the “leisure learner” are greatly exaggerated (There is even a Facebook group called “OU Study Addicts” with hundreds of members).   In England at least, it’s expensive for a “hobby” now, but there are still students who aim to never leave the OU, some taking advantage of the second degree funding now available for STEM subjects to keep going, others prioritising their studies over more frivolous activities such as holidays!

Of course the OU student experience, like the student experience anywhere, is not just about studying. Many OU students say they’ve made friends for life.  In the early days, the tutorial, the summer school and the unofficial local study groups were where connections were made – a fantastic set up if you happened to click with someone local to you.  The advent of widespread internet access opened up new additional ways to “meet”; students of the 2000s will remember the FirstClass conferencing system with affection, but 2019 students are more likely to speak of Facebook and WhatsApp.

OU Students Association first President Millie Marsland – clearly a force to be reckoned with! She maintained her job as a Headteacher whilst leading the Association.

Like any other student body, OU students have had their own Students Association for most of the lifetime of the university. The Association (known for many years as OUSA) has (amongst other things) pushed for students to have a greater voice in the university (resulting on representation throughout the governance structure), developed its own support service Peer Support, started its own charity for students in financial need OUSET, and supports a raft of Clubs and Societies, including the strangely named  TADpoles. This society was formed by students of the course TAD292 Art and the Environment, chaired by Simon Nicholson, which had its last presentation in 1985…. But the society is still going strong in 2019!.

The Association’s video gives a fuller picture of OUSA history.

What will the OU student of the future be like? Whilst the financial pressures of the day and the demise of the “career for life” suggests that young(ish) career-changers and promotion-hunters may come to dominate our student body, let us make sure that our university always has room for lifelong learners like Philip, and continues to offer that enriching broad curriculum that has changed so many students’ lives.

In 2013 FutureLearn,  a private company wholly owned by The Open University, launched its first courses. This Massive Open Online Course social learning platform connects the OU to many universities in the UK and elsewhere and to institutions including the British Council, the British Library, the British Museum, and the National Film and Television School. FutureLearn also works with professional bodies including the Association of Chartered Certified Accountants, the Institution of Engineering and Technology and Marks & Spencer. Learners can study and earn credits towards a degree from a UK university.

Starting with the University of East Anglia’s ‘The secret power of brands’ FutureLearn has offered courses in science, history, programming and dentistry and hundreds of other topics. It has recently started to deliver digital skills programmes as part of the Institute of Coding, a consortium of universities, employers and outreach organisations seeking to build digital talent at degree level and above. It includes ‘The IoC guide to kick-starting your career with 21C skills’ from the University of Leeds.

The first OU postgraduate qualification to be offered on FutureLearn, the PG Certificate in Open and Distance Education went live in February 2019. Students can study a free fortnight-long taster and then click through to further programs which can lead to a Certificate, a Diploma or a Masters qualification. The module H880, provides hands-on experience of a range of learning technologies. Students can explore the processes of designing, implementing and critiquing elearning and the ideas that underpin these processes.

This company does not subscribe to the OU’s statement of being open to people, places methods and ideas. Rather, ‘FutureLearn’s purpose is to transform access to education’. The company promises to ‘strive to transform education and change our learners’ lives, our partners’ businesses and the world in the process’. While the OU offers degrees, FutureLearn offers to ‘make online learning enjoyable for our learners and our partners alike’.

In addition to co-ordinating the activities of universities, specialist institutions and centres of excellence the OU is central to the FutureLearn Academic Network  a network of universities and other partners. FLAN members share their research into the design, analysis and evaluation of massive open online courses. .Activities include analysis of learning to inform design of courses, design of innovative approaches to informal open learning, different approaches to evaluation of learning effectiveness at scale and the publication of research. FLAN also holds conferences and supports new researchers.

‘A society grows great when we plant trees in whose shade we shall never see’.

This quote is carved onto a stone plaque at the centre of the legacy garden opened by Martin Bean in 2013.  It epitomises the generosity of our Alumni and donors who contribute to the Open University’s research projects and assist students in need.

The garden is dedicated to them and when you stroll through the gates you can view along the wall of the garden the plaques of dedication to the contributors to the future of the OU. These grow in number every year and the garden is often busy as family and fellow alumni attend events on Campus and view them as part of their tour.

Meticulously designed and planted, ‘the garden symbolises the generosity of donors, commencing with white perennial flowering plants, then bursting into full colour to indicate progress and fruition. As the legacy is living and long lasting, so is the garden.  White is still present throughout the flowering seasons to remind us of the gift’.

With its plants attracting wildlife such as birds, bees and butterflies it is a wonderful, peaceful place to pause for a while for reflection and rest and is enjoyed by members of staff based at Walton Hall campus all through the year.

Originally a kitchen garden providing sustenance to the former residents of Walton Hall on the original estate, it is now is a beautiful space on a campus working to feed students thirst for knowledge.

With thanks to the author, Sarah Frain, a Support Manager in the Faculty of Arts and Social Sciences, The Open University.