Music and gender

OU academics investigate a range of topics related to music and gender, embracing classical music, popular music and music technology.

We can offer supervision in:

• Women in music (including, but not limited to) composers, songwriters, performers, conductors, music technologists, and women’s wider work in music (including music education, work within the music industries, and women’s writing on music)
• Feminist musicology
• Gender and music
• The representation of women making music
• LGBTQ+ perspectives

Entry requirements

Most successful applicants to the PhD programme have a masters degree in music or a related discipline, with a substantial dissertation.  If you are not a UK citizen, you may need to prove your knowledge of English.

Potential research projects

We welcome applications in areas that correspond to current staff research interests (please see links to staff members below). We look for detailed and well-thought-out proposals that set out specific research questions and outline the originality of the topic or approach. Please contact us if you would like to discuss your ideas informally before submitting an application.

Current/recent research projects

• Fin-de-siècle Salon Culture: A Reappraisal of Cécile Chaminade
• Confronting canonicity and promoting diversity: gender and contemporary concert programming. 

Potential supervisors

• Dr Laura Hamer
• Dr Maiko Kawabata
• Dr Marie Thompson

Fees and funding

Some of our research students are funded via the Open-Oxford-Cambridge AHRC Doctoral Training Partnership; others are self-funded.

For detailed information about fees and funding, visit Fees and studentships.

To see current funded studentship vacancies across all research areas, see Current studentships.

Links

• Music at The Open University