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Greek and Roman myth: stories and histories
| Start | End |
|---|---|
| 03 Oct 2026 | Jun 2027 |
What you will study
You’ll begin by thinking about what is meant by ‘myth’ and the functions it performs. By studying different versions of the myth of Andromeda and Perseus, you’ll learn about some of the ways in which myths change, depending on how, when, and by whom they are told.
The character of Medea is intriguing and multi-faceted: she was of divine descent, a princess, a sorceress, a priestess, a wronged woman and a child-slayer. You’ll explore the changing ways in which Medea was characterised and represented in the ancient Greek and Roman worlds, tracing the myth from its earliest appearance in literary and visual sources in archaic Greece, through Greek and Roman antiquity and beyond.
You'll explore how mythological stories were used in one time and place, namely Athens in the fifth and fourth centuries BCE, focusing on two main strands: how the Athenians used myth to express ideas about their society and the world around them, and how they experienced myth in their day-to-day lives. Your studies in this block take in public art and architecture, oratory, history, tragedy and religious beliefs and practices.
You'll focus on Augustan Rome, exploring the significance and ideological functions of myth in Roman culture and Ovid’s epic poem, the Metamorphoses. As well as considering its relationship to the cultural context in which it was written, you’ll also explore post-classical, including modern, receptions of the Metamorphoses in media ranging from poetry to painting to film, considering how Ovid’s myths link to themes with particular currency in the 21st century.
You'll design your own project on Greek and Roman myth, with the option of either writing an extended essay or, alternatively, curating a ‘one-room exhibition’ (using bespoke software specifically designed for this module). You’ll be guided through the various stages of planning this end-of-module project, such as identifying a topic, locating sources and scholarship, and communicating your findings effectively. You’ll initially work on a detailed plan, which you’ll then develop into your completed project in the final weeks of the module.
Entry requirements
Preparatory work
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Euripides, Medea (transl. J. Harrison, Cambridge Translations from Greek Drama, Cambridge University Press) -
Ovid, Metamorphoses (transl. D. Raeburn, Penguin Classics). Please note that only selected episodes of this poem are studied in this module.
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Helen Morales, Classical Mythology: A Very Short Introduction (Oxford University Press) -
Robert A. Segal, Myth: A Very Short Introduction (Oxford University Press)
Teaching and assessment
Support from your tutor
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marking your assignments and offering detailed feedback to help you improve -
providing individual guidance, whether that’s for general study skills or specific module content -
guiding you to additional learning resources -
facilitating online discussions between your fellow students in the dedicated forums.
Assessment
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5 Tutor-marked assignments (TMAs) -
End-of-module assessment
What's included
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a week-by-week study planner -
module materials, including both print and electronic versions of the books -
bespoke audio and video content -
online activities -
module guide and assessment guide -
online tutorial access.
Computing requirements
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Primary device – A desktop or laptop computer with at least 8 GB of RAM and a quad-core processor (2.4 GHz minimum speed). It’s possible to access some materials on a mobile phone, tablet or Chromebook; however, they will not be suitable as your primary device. -
Peripheral device – Headphones/earphones with a built-in microphone for online tutorials. -
Operating systems – Windows 11 or the latest supported macOS. -
Internet access – Broadband or mobile connection. -
Browser – Google Chrome and Microsoft Edge are recommended; Mozilla Firefox and Safari may be suitable. -
Our OU Study app operates on supported versions of Android and iOS. -
Software – Any additional software will be provided or is generally available for free.