Author Archives: Emma Claire Sweeney

About Emma Claire Sweeney

Lecturer in Creative Writing at the open University, Director of the Ruppin Agency Writer's Studio (a nationwide literary mentoring programme), and award-winning author of novel OWL SONG AT DAWN and co-author with Emily Midorikawa of non-fiction book A SECRET SISTERHOOD: THE HIDDEN FRIENDSHIPS OF AUSTEN, BRONTË, ELIOT AND WOLF.

From PhD Thesis to Monograph: Tips for Editing Your First Book

Heather Hind is a Lecturer in English Literature with research interests in Victorian literature and material culture. She is currently turning her PhD thesis into a monograph. In this post, the second in our series on the PhD and beyond, … Continue reading

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The Ins and Outs of Archival Research

Part-time postgraduate researcher, Antonia Saunders, kicks off our series on the PhD journey and beyond with her reflections on a recent trip to Oxford’s Bodleian Libraries. As Antonia reveals, her visit not only furthered her research into how 19th-century historians … Continue reading

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Cursed art, ekphrastic poetry and Prague

Staff Tutor and Associate Lecturer, Jennie Owen, travelled to Prague to present at a conference on the theme of Global Horror. The conference was run by Progressive Connexions, an organisation that supports sustainable global interdisciplinary research, and promotes collegiate exchange … Continue reading

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Judging Milton Keynes LitFest’s Writing Competition

Open University PhD graduand, Patrick Wright, and current PhD student, Gwyneth Jones, acted as judges for Milton Keynes LitFest’s  MinK2023 Writing Competition. All the shortlisted entries will be published in an anthology, and the winners will be announced at the … Continue reading

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Adam Baldwin on helping George Griffith wing his way into modern critical consciousness

We are proud to announce that this year’ s Peter Nicholls Prize has been awarded by the Science Fiction Foundation to Adam Baldwin. Adam is a fourth-year PhD student here with us at the Open University. He completed his BA … Continue reading

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Sketching in Shadow and Sunlight: Writing Multivocal Historical Fiction by Sarah Law

Today, we hear from one of the Associate Lecturers who teaches on our Creative Writing MA programme. Sarah Law draws back the curtain to reveal some of the choices and happy accidents that lie behind the final form and title … Continue reading

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‘I shall shift my trumpet and take up my knitting’: Disability, Sex, and Self-Assertion in the Autobiography of Harriet Martineau

Today on the blog, we welcome our colleague Clare Walker Gore, who has recently joined us as a Lecturer in Victorian Literature. Clare offers us a glimpse into her research interests by sharing insights into the multiple ways nineteenth-century writer Harriet … Continue reading

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From academic to creative writing

Dean de la Motte’s name will be familiar to anyone who attended our February 2019 Contemporary Cultures of Writing event, ‘The lives of others: research and writing’. The panel’s chair, OU Senior Lecturer Fiona Doloughan, suggested that both Dean and … Continue reading

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From software tester to novelist, publisher and PhD candidate

Insurgent Press’s recent take over of the Barbican Library featured readings from Brian Kelly’s debut Murph – a novel about a virus that reveals everyone’s internet search histories, and a joke shop owner who finds himself swarmed with customers seeking disguises.   … Continue reading

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